Cabbage. Honestly you did a superb job of playing everything and I envy your restraint in the end. Consequently I have been inspired to fumble with my cornet once more
12:45 The version showing here appears like it was written by someone whose puppy was run over by an entire brass marching band, and the music is their act of vengeance. EDIT: CABBAGE!
I always enjoy your videos - your're hilarious, informative, and execute everything nicely. This one was definitely an undertaking, and I'm proud of you for doing it. Also, cabbage.
The great trumpeter Rafael Mendez played his version with one finger. Naturally the trumpeters in my band were pitifully trying that before the concert that featured Rafael as our soloist and he snuck up on us during our feeble attempts. What a nice guy! He joined us for pizza and cabbage after the concert.
That was absolutely amazing! I like old man Arban's arrangement the best, because in addition to being technically challenging, it is also melodic and pleasant to listen to. (And it is a version I can play). Some of the others are painful to play, and painful to listen to.
Cabbage. Basically of you can play arban you're a great player ready for most music. If you can play all the various versions of this perfectly you're ready for all music.
I guess I’m a cabbage. Haven’t played Carnival in years although I did really only stick to Arban and Clarke when I did. Hats off to you Trent for the performances and any of that last version. Reminded me a little of a particular trumpet concerto with horrific intervals. Great as a technical piece to really show off ability but then starts to lose any listeners enjoyment due to it complexity.
I found this edifying and entertaining. New Zealand had some great composers. Suggestion: the great New Zealand composer Jan Pieterszoon Sweelinck composed this little piece called Fantasia Chromatica, that i would love to hear a brass arrangement of. Wouldnt that be great? There is no cabbage in that composition, but there couldve been.
Cabbage. And the duet from the Pearl Fishers is without question one of my favorite to sing. Perfect for two horns. Anyway, this was a brilliant video! Incredibly well played and totally points out why vocalists are gobsmacked by instrumentalists!
Niccolo Paganini (Italian), Franz Liszt (Hungarian)...I had no idea there were New Zealander counterparts, Nick Paganini and Frank Liszt, you sure about all that?!
Trent, I commented recently that many of your performances in these videos seem rushed. That is NOT the case here. Your tone is lovely, and your phrasing is sensitive and musical. Beautiful. I can tell the Euphonium is your main instrument.
You forgot to mention the third New Zealand composer Trevor Wagner who may also have written another variation in collaboration with Colin TePussy, not sure about that. I am very impressed with your playing and I must say, as a former brass players ( about 100 years ago), I love all your videos.
New to the channel, just going through the back catalogue... Cribbage, no...Cambridge...Dangit!! ...Okay...Cubits...Damn...I guess it's just too hard to comment the word cabbage...
Golden Cabbages of Venus, kind of like Silver Apples of the Moon but with fart cues. ‘ I have to stand for that one or I’ll be out of tune, every time. Need to work on my ADSR.
I went to the comments early to see if anyone was discussing how much Cabbage, ... I mean how many notes/phrases Trent missed on the different versions. I'm cabbage, ... I mean, I'm not saying it to demean Trent. Clearly he is a far better player than I am. I was just wondering if anyone else noticed those missed sections, or are my eyes and brain just too slow to keep up. Trent, maybe if you slowed it down you could play that final version. That's how I learn to play difficult writing, slow it down and play it until you can get it right, then play through it at increasingly faster speeds.
Correct me if Im wrong but are you a little bit obsessed with the carnival? I feel like you have talked about it multiple times on this channel (which is not bad in any way) I was just wondering if there is anything special about that song in paricular Great playing btw, especially at the end
cabbage! and bravo! i have loved this piece since i first heard the amazing wynton marsalis knock it out of the park in a recording from around 1990. have you heard it?
Cabbage. Trent, why didn't you mention the Guilio Briccialdi Carnival of Venice recorded by the authentic Kiwi flutist John Amadio? Average playing time is 6 minutes, but John only needs 3.
At some point it is no longer the carnival of Venice any more. It is a pissing contest for show offs. The brass movement will be accused of only playing 2 tunes like the bagpipers. The c of v and Nappoli, if that is how tou spell it. Orange Blossom Special on the fiddle, ding ding is starting to sound like a good option.
I met and played for Allan Vizzutti twice in college at NIU (Northern Illinois University) I personally have never enjoyed the Carnival of Venus... It's Cabbage
I'm honestly not surprised by the amount of cabbage in the comments. I don't know anyone that would watch your videos and not stick around for cabbage.
A very enjoyable cabbage. There's also the John Hartmann version (not heard so often these days) ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-z-W3zVYt14g.html
CABBAGE. This video is amazing. So many versions I didn't know about. I will go kill myself trying to achieving double on my trumpet using a Bach 1 megatone. Hats off to you.
