never knew something sorrow could be so sweet. what's sweeter is you take the time & trouble to make it so comprehensible with music theory slipped in to reinforce understanding and recall
I’d take it simple as Dm on the left, and C on the right, shld end up similar sound structure despite of wrong sequences. Thanks for the great tips as always.
Great video! You have an error in your Step 2 notation. You note the 3rd note in the left hand as the 2nd and you play the 2nd, the actual note drawn is an F, the 3rd. Great stuff!!
you can say a minor 7:e chord and one hole step under a major triad ...for exampel, D F A C = D minor 7 and 1 hole step under C E G = C major triad and you hade D minor 11.
I totally agree, but there's a problem here: the chord is being played on a rather bad-sounding digital piano in this instance. Most (but not all) stand-alone digital pianos (still!) sound relatively bad, and they sound especially bad in their middle registers, as here. (They actually sound pretty good and convincing in their higher registers.) And when this many notes are played, the bad sound is even _further_ compounded, so that the beautiful sound collapses in on itself in a mush of digital artifacts. -Examples of this chord scheme (all on guitar): Walking Man by James Taylor [Em7(9)/B] with the notes of the arpeggio sounding just as beautiful on piano. -A Horse With No Name by America, where the backup 12-string rhythm guitar is strumming this chord as the first chord in the progression. -Stephanie, by Lindsey Buckingham, which uses this chord as a much-less-apparent - but still beautiful - addition to this masterpiece of a ditty. Whether you end with the 9th or 11th flavor of this chord, it's yes - officially the most beautiful minor chord of all time!