The Most Important Five Drawing Points I Know! 

Wonderful. Thank you Stephen Travers.

The difference in a gifted artist-such as yourself-and someone who is just trying-is the gift you have of seeing angles, etc. we don’t see lines the same way a gifted artist sees them. THERE IS A MAJOR DIFFERENCE IN THE BRAIN OF A GIFTED ARTIST AND OTHERS WHO TRY TO DRAW.

I so envy people with artistic creativity. Sadly some of us are blind in our creativity and cannot see what they see, even if they say, see, see, there it is. Some people are born with this way of observing but in the end all of us have exceptional life talents.

Yes yes YES! I totally get this with nature, and it has improved my skills by mounds. But then I go to add a house into the nature and I freeze up! I was about to get out my ruler and pencil and then I said, let me watch a Stephen travers video first….boy did you bust me🤣

I completely agree with you. I realized I was only copying drawings, when I try to draw my face from memory and I couldn't. I was shocked, I look at myself everyday and my brain gave me a "symbol" of what I look like. By drawing, I realized, literally, I didn't know myself. *Mind Blown*. Although watching your videos, sometimes, give me an existential crisis. I really enjoy them. I learn more philosophy from you then a degree did.

Thank you Stephen. You are 100% correct. Its exactly what i ha e been doing. Jumping around and running out to buy more art supplies. I spent so much money on watercolors, but i havent even gotten good in 2 and 1/2 yrs because now im into acrylics. I really like urban sketching and thats what i wanted to do. But i didnt focus on just that. I also have been trying to copy everyones work and i have never tried using my own creativity. I will keep in mind everything you just said. Thank you.

my attention span sucks but you're the only youtuber that talks of art that I feel compelled to listen to. You make such great points and though some of it I already subconsciously know as an artist, you are able to put it into words making it so much clearer.

These are great ideas. It is so easy to get lost in all the possibilities. With the overwhelming amount of videos and tutorials with a zillion different artists it becomes so confusing. I think it is important to find a couple of artists that you resonate with and stick with them as opposed to watching a lot of videos by a lot of different people. You just get lost in trying to integrate to many different approaches to get a handle on any of them. I really appreciate your willingness and emphasis on the Why we are doing something. Understanding that grounds me in my efforts.

Thank you.

Amazing tips as always! I definitely agree when it comes down to carelessness in observation, its just as bad as careless linework! Its definitely a weakness of mine, as i tend to get bored after working on something for a long period of time . Thanks for your amazing videos!

Brilliant! I paint more than I draw and your videos continue to help me tremendously. I've been thinking lately about the value of having a well thought out approach to observing and then beginning the drawing process. Awareness and intention count. I think I'm going to watch this video several more times. You provide a great resource- Thank you thank you!

I do have a problem with drawing trees, and probably your remarks about using marks, not lines, hits close to home, although I don't "feel" how to practically do it. Problem might be, that I spent quite some time in finding lines and shapes, and measuring proportions from them. Trees (or any other fractal pattern) are the nemesis to that. I have a mild childhood trauma related to trees, because I used to see a lot of faces in those waving branches and twigs, and a lot of those faces looked so angry or spiteful, that I physically started walking long detours just to avoid getting too close to them. I always wanted to learn how to draw those faces, so I could show other people, what I was so afraid of as a child, but when I looked at other people drawing trees, I often felt, like they were just symbolizing any tree, rather than going into enough details with a specific tree for even a chance to spot those faces. But when I start drawing from those very faces, the result usually does not remotely look like a tree, which is unsatisfactory as well. The proportions are just off by a mile, and I find no way to show the merging of those faces into their surroundings.

Thank you!

I mainly draw comic and cartoon and I always loved those spontaneous gestural architecture drawings, the challenge I’m facing is to switch my thinking as each style requires a different approach or a mind set I’m feeling like a footballer who wants to learn basketball lol

Excellent Excellent information. The very subject matter i have been figuring out!! Thank you

very valuable advice you are giving . some time we forget basics , instead of enjoying drawing we looking for technical aspect.Regular sketching give confidence and you can develop your method of drawing.this is my experience.thank you very much for these videos that help to to improve and develop confidence to draw any thing whatever you want.

Thanks! I needed a strong talking to like that! I seem to want to do everything at once, and consequently, accomplish little. I'll try harder.

Absolutely…so useful as I get so disappointed when I don’t produce art I think I should!

Great tutorial, thanks very much, David.

Hit the nail right on the head … excellent advise I shall apply to my habit of copying 😊

thanks stephen , i really would love to get that style Disney Characters has , thank you thank you again 🤗

Very nice, thanks Stephen

I appreciate your emphasis on creative translation and observation. Personally, my brain just doesn't cover the details properly for me to prepare as much as I would like (I'll focus on the wrong areas, too - giving it more time doesn't make it better, either) - I try to handle it by repeat observations from small to large scales on various features and their relations to other objects as I draw.

Hi, thanks for the very interesting videos! How would i go about drawing a tall wide tree and fitting it on the page?

That kitty in the background of the first shot never moved a muscle!

More architectural drawings, please, and above all fewer - at best none - of the constantly repetitive explanations. Thx!

you have inspired me t start drawing on paper again. I work as a 3d artist and drawing architecture is such a relief from creative juices and I have to thank you for that

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