The Most Important Guitar Modes Video Ever Made 

I'll take it.

Well done. Thank you!

Marley mode == Raga Muffin

Man thanks so much for sharing that!

You are welcome. My cool uncle taught me this, earlier this year when I was in India :)

Those are called "thaats" on the basis of thaats there are different ragas. Thaat bilawal Thaat bheiravi Thaat todi...

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Thanks Melissa!

So cool to hear Mark! I'll keep em coming!

BUS COURT IS IN SESSION!

"Stitches" hahaha ha

Thanks so much David!

My man Mark! Get on the bus!

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They had their kidgloves on.

Stepping it up a notch

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Thanks so much for watching!

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GuiTar Talk with Pik and Yak 😁

Mind control at its finest.

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Bus court!!!

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Thanks so much!

Not to be a downer, but It was more of a demo than an explanation.

@@HigherPlanes Man, you just ruined my night dude! LOL

​@@rthib1960 If it makes you feel any better, I'm still figuring out modes.

:)

Thanks Steve!

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100% clean, just check my Bus Court drug test.

Everyone has their own bus ride to take.

Always a good time on the bus.

Hope you enjoyed!

Thanks! Ian's got the Taylor GA3. I've got the Martin GPCPA4

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Hopefully we didn't disappoint.

Never!😄

What a trio you guys would make!

The animation chops are lying dormant until called upon...

Sean Daniel let’s summon the devils animation chops 😈

Randy kahn Nope! In this video they’re sticking to the same root note and building the mode from it. This is essentially changing keys, as each mode would be derived from a different Major scale. What your talking about would be modes derived from the same key. Also very important to understand!

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Yup! You got it!

A bus ride for the ages.

@@seandaniel23 lol and my ex

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Hey oh!

I'm trying :)

Ionian, Lydian, and Mixolydian are called "major" because they have the major 3rd interval in them. Dorian, Phrygian, and Aeolian are called "minor" because they begin with a minor 3rd interval. Locrian also begins with a minor 3rd, but has a b5 also, so it is sometimes called "diminished". As to what would happen if you played a major mode over a minor chord? Well, try it! And have fun with it.

Great answer!

Thanks!

I'm gonna take a flyer on that. It's in the key of A but E is home so I'm guessing it's E Mixolydian.

That's actually a good question. It's definitely a style of mixing/reverb that dates the song, but you think with the retro-fad happening, more people would try it.

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For sure!

I found it!

I'm so into Mario.

Right on!

It's just so easy.

I wish I knew!

Always a good time!

I'll ask him ;)

Guess it's a secret. But it looks like there wasn't enough space to hold the guitar normally, he wanted to sit close to Sean

Thanks so much for the feedback!

Yeah you can do a diminished arpeggio over an otherwise minor or major chord progression (like a B diminished run over an A minor progression)

Dminished simply means LESS...There term is use on the 4th and 5th note of the mode ( for quick reference) There's 9 parallel diatonic scales with 7 modes each The MAJOR scale only has 1-ea HALF diminished.....( locrian) It's HALF becuase from the b5 to b7 = WW = maj3 interval It's not fully symtrical The other scales Harmonic min has 4-ea FULL DIMINISHED The....II. IV. Vi. VII You can alter these chords to diminished...if you want. They're SYMMETRICAL..... Picture a DIAMOND shape..with 4 equal sides. It's just ALL b3 (WH) intervals A Harmonic minor B, D, F, G# B dim..... Locrian with Maj6 .. 1, b3, b5, 6 D dor #4 dorian #4 1, b3, #4, 6 F lydian #2 1, #2, #4, 6 G# Mix#1 ( converted to Locrian loc b4, bb7 ) 1, b3, b5, bb7 NOTICE the b4 or diminished 4th. It has the same pitch as Maj3...but there's also a b3 in the mode You can also play it as AGMENTED....1, b4, b6 ALL WW or Maj3 interval.....G#, C, E Augmented modes are also SYMMETRICAL.. Picture a 3 sided TRIANGLE...with 3 equal sides. The C HARMONIC MAJOR also has 4-ea possible FULL diminished. II, IV, vi, VII Notice it's b6 or Ab. instead of G# D, F, Ab, B D dor b5.........1, b3, b5, 6 F lydiab b3 1 b3, #4, 6 Ab lydian aug #2 .... 1 ,#2, #4, 6 B loc bb7 1, b3, b5, bb7 The Hungarian MAJOR also has possible FULL diminished FROM the I, #II, #IV, VI..or 1, #2, #4, 6 Notice the Augmented 4 tor #4 The terms just helps you....Augmented simply means ADD , more or sharp You can also augment the 3rd.....becuase the 4th had be augmented example... 1.........2........3..4..........5...........6...........7..8 1.............#2....#3 #4.........#5 6............7 8 Its just one of the modes from those parallel scales The Major scale INTERVAL is the REFERENCE. You just have to learn them...If you dont know what the INTERVALS are HOW in the hell are you going to PLAY THEM,,to hear what they sound like? YOu can use the diminished chord to help you shift keys or blend other scales. Just look for modes with possible diminished....then simply modulate/substitute. From the TONIC as dim....Lydian b3....Harmonic min b5 , Melodic min b5.. example....lets say you were in the key of D minor... you can shift to C minor/ E bMAJOR....simply by slide DOWN 2 frets. The D will be a locrian..ish Or it can also be the II of C melodic minor D dorian b2....which as a possible Min7 chord or If you where in G MAJOR/E min...you can modulate to the key of F minon simply be sliding down 2 frets... or you can play the C as a minor chord...to SOUND different or C dim....D# dim into E minor ( E Harmonic minor or G Harmonic MAJOR) or you can even BLEND it...sort of chromatically FRom E minor ... A min..Bmin...C Maj ..C#dim D Maj ..D # dim....into E min The C# dim is from the E melodic minor scale. The VI and VII are HALF possible diminished chords. Aeo b5 Loc b4 Ion b3 ( melodic min) dor b2 phy b1 ...converrted to Lydian augmented or...Ion #4, #5 lyd b7 mix b6

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My guy!

Get on the bus!

Yes. I am planning to come to the December seminar. Driving down. Not taking the bus.

Thanks for watching!

Whatever you still find enjoyable. If you can practice an hour a day, that's awesome.

@@seandaniel23 ,I have one more question for electric guitar if v practice all bar pentatonic is it will help me to play solos

That's an interesting idea!