Hi location and experience in storytelling goes a long way. There’s a healthy demand for good editors In Mumbai, along with resolve you should also be familiar with MC, FCP and AP with a good knowledge of translation and transferring protocols such as AAF and XML A good grasp of dialogue editing and gain management helps a lot.
updated the 19.2 version in fairlight bus format , i see only add main busbutton. the option to add sub bus is not there how can i add a sub bus/mix in bus format ,the button for sub bus disappeared. please let me know
Wow I'm just listen the music what play on the video and this comes from my country I like your content really educational! You are the first one who is show this feature at the fairlight! Just your bacground music is too how can i say it. I listen this type of music when i'm going to sleep
You can export Ambisonics from the delivery page as ambisonics are multichannel adaptive containers dictated by the ambisonic order of ones output such as 1OA or 3OA and it works flawlessly. Whether the beta also does automatic metadata injection and direct upload to RU-vid remains to be tested.
@@darkwhite_productions , thank you , but from the delivery page I didn t see a specific place to be selected for that after I converted a stereo file to ambix in the audio section, I selected in the last page a timeline to be processed like audio option, but when the video clip with supposed ambisonics converted audio was selected into the external metadata injector, over there the option of ambix wasn t active. So that way I don t think the audio was output into ambix. May be is necessary before bounce it into a 1 order track or what other option?
lets say that your main Ambisonic Bus is of the highest order, that is 5OA after you have finished your mixing you need to create a second ambisonic 1OA bus and route the Main 5OA to the 1OA. In the delivery audio output track select the 1OA.
Sure, do you have any specific mic in consideration. Actually the zoom H1 has cheap microphone preamps which are quite noisy and hissy and the tiny mic capsules are very susceptible to wind and handling as you can hear in the test.
Hi…It has its limitations but its roots are in broadcasting and not music and probably that’s the reason why it is very popular among podcasters. As a Nuendo power user I find Its native atmos, ambisonic, mpeg-h and now sony 360 implementation as stellar which puts it ahead of the game. The way things are going for music and AI it’s potential capabilities are worth knowing…in this sense in my opinion Fairlight appears to have a promising future. We would love to know your opinion on the potentials and possibility’s and what you think are lacking as an audio centric daw.
