You guys are hacks, everyone knows you're not a real filmmaker unless you shoot on 35 mm photography film and pantomom your actors like stop-motion, figures frame by frame and then play it all back together like a flipbook. Amateurs
That true. I tested tons on vintage lenses and keep only Nikkor 35 and 50 mm AI. For my taste it's render better than Minolta MD, Canon FD, Zeiss flektogon and distagon. I do prefer Nikkor's lenses even over the DZO Vespid prime and other "CHEAP" cinema lenses. I also have a separate love for Helios 44-2 and Jupiter 37-A. If i would have unlimited budget i would go for ZEISS Touit which is 100x expensive and slightly better.
Shooting full frame, all I need is a 14mm. If it's s35, all I need is a 14mm. Micro 4/3 I think i could shoot the whole movie with a 14mm. Why waste any time swapping lenses or even zooming.
