I will say it again and again but you're my favorites producers in the entire music industry and that since I discovered you 3 years ago. Thank you so much !
Today i told my son TOA are the most dark, epic and different hardcore there is. I always admired this style, my son agreed. Hes 11 years now. I admit i lost track on you guys but now i found you again and knowing you two never quit it makes me happy. TOA 2021!!!
Really love the ambient feel of this one, the subtle bass variations.. some people complain of the lack of heavyness but some tracks don't need violence to be good, and this is one of them
What a release, ''right before number 30'' :) Knowing how numbers are handled in the Genosha series, one would expect an ''extra special'' project for that.. Sign here ;)
Goddammed what did I missed this kind of awesomeness. And if someone dare to compare this with raw, well, check your meds. Maybe you use the wrong ones.
Hi. 🙌 🎵 I'm a longtime fan of their work and once found their track and still can't find it again. at the beginning of the track there are oriental Chinese chants, with female vocals, and then everything is in the spirit of TOA. searched through all their official discographies and can't find it, can anyone help me? halp((998
@@olgakeller974 I can't think of anything with female vocals by TOA unless it was a remix by them or someone else...could it be a DJ Hidden track I wonder. Ambassador 21-Fuck All Systems-Remix ? That has vocals.
@@abysmaltorment1410 I was talking about the spoontech kind of raw hardstyle, indeed the absence of screeches, screaming voices, and tons of breakdowns are nice for a change. To me its a different take on the general raw hardstyle, the kicks to me sound very similar to the raw, or maybe raw has come closer to Hardcore idk. Especially the part at 2:30 reminds me of raw, the trancy synth sidechaining. The 'hardness' of a track doesn't define industrial hardcore to me, to me its about the amount of distortion in the kick in the mid and upper parts i think, and the flow of the kick, this feels more like stomping to me instead of a deep rolling kick. A good reference track to emphasize my explanation is the track 'primitive or 'The infinite'', lots of distortion in the mid to high region and the kick is flowing and rolling with a long tail and a lower pitched pitch envelope/attack.