Anyone who wants to improve their street photography needs to watch and save this video. I know I will use it as reference for my photography from now on. It's so good to see you breakdown your images and how the aspects you talk about, all come into play when you shoot, Mike. I need to see visual examples, not just the theory I especially like the point about knowing the rules, so that you know when to break them. Great video, and appreciate the time and effort that you put into creating it. 👏🏽👏🏽👏🏽👏🏽
Mike that photo at 5:00 is I think one of your best! Such a strong story! Over all great video! Incredible tips and some I’ll take forward into my own work when I do street! Excited to link up when I’m back in the uk and learn some more from you 🙏📸
Thank you for what you do. I’ve just started getting into photography and making videos and I find what you are doing very inspiring. So just wanted to say thank you and look forward to following your future work. Ben
Excellent video!! Really glad you added that last point about breaking the rules. The hardest part for me is trying to limit the over analyzation while on the streets. It’s good to think about the elements of a good photo, but it can prevent taking shots that could be learning opportunities or happy accidents. Better to shoot and analyze after the fact sometimes.
The notion at the end is so important. It's why even the best athletes still work the basics. You need great basic skills to be able to go beyond them and become great. Nice job here Mike.
@@MikeChudley One thing that beginners need to understand is that the ability to see stuff happening, compose nicely, find great subjects, etc. doesn't happen overnight. And, much of the knowledge of settings you use while walking around is gained through lots of trial and error. Roman makes this point all the time. You have to practice so that your use of the camera becomes second nature. But, RU-vid videos can frustrate beginners because it can look like this process was somehow innate for those like you. Have a great week.
Excellent points as always! Its always brilliant seeing the thought process begind your work. I will never not be impressed by the thought and passion you put into this. Im absolutely a hobbyist when it comes to photography, but the points raised here will definitely be on my mind the next time im out with my camera
Thank you for your explanation of story. I often felt unsure of “what story is in street photography” and I would welcome a video that dives deeper in the subject. I know I’m setting myself up for potential ridicule for admitting to my ignorance of what is probably a simple topic but I really got a lot out of your explanation. Thank you again.
Hey, thanks for the comment and this isn't a silly question. I think a lot of people don't really consider what a story is. It doesn't have to be a full blown 3 hour epic about stars and space crafts haha. It can be the simplest of things. Maybe a video about this in detail would be good.
@@MikeChudley Perhaps an example of several photos explaining the story of each or at least your take on what the story of each is or may be. I would trust your judgment over my own at this time but it may help me gain some confidence or at least some idea of how to find one before pressing the shutter button.
This happened about an hour or two watching your video. I wrote in my notepad and decided to share with you. I hope you don’t mind. The idea of a story in a single image is the holy grail of street photography. The concept can seem elusive but it is a good practice is to look for stories at all times even when or especially when you don’t have your camera. Try to see a story in an instant. For example, while I was sitting in my car waiting for my wife I saw a van pull up. A man got out of the van and opened the side door allowing his daughter to get out. She caught my eye because of the oversized hat she wore and how it matched her dress. Neither the dress or the hat were necessary for the story to come but they were objects of interest that emphasized the scene. The story emerged when the two interacted and the father daughter bond was obvious and heartwarming. At this moment I felt I began to understand the idea behind the story potential of a single image.
Nice breakdown , just a bit of constructive feedback though. Lose the screensaver in the background , you can see where the cuts have been made due to lack of continuity and once you see it once it becomes a distraction from the message as the mind is looking out for the next jump. Keep up the good work.
This is great! I got a lot of value from the analysis of the images in this video. You really broke things down in an engaging way that made me think about my work. Thanks, Mike!
Like most things, especially art, It’s all subjective right. Like music - if you like heavy metal, you might not be a fan of classical. With photography, as long as it elicits an emotional reaction, like “whoa, that’s a great capture” within the first second of looking at the image, then you’ve got a great shot, right? The photos where you don’t get that emotional reaction, but the photographer goes “well, no, wait - it’s a great photo because of the layering and the empty space and blah blah”, then you’ve not got a good photo. It’s like a joke. If you have to explain it, it’s not good. The everyday man, and the photographer connoisseur should both be able to enjoy the photo
I pretty much agree, however sometimes we take photos that the everyday man wouldn't appreciate. Like you said, it's all subjective. So aiming to please other people is almost pointless, but finding satisfaction in your own work will go a lot further in my opinion. Thanks for watching and for the comment.
Excellent training video that I will remember on the street. My only concern is about rules. Rules are nothing more than something people decide are rules. Rules are the killer of art and they are used to criticize. But I do believe there are concepts that photographers should be aware of and to use as they see fit. The notion of breaking rules is very negative and in my judgment not helpful. But again, great video.
90% of mine are bangers. I'm looking to shoot more bad shots to fit in with everyone else. 🤷🏻♂️ But seriously, I'm tired of seeing street shots of comical situations or flash to show how cheeky one can be on the street. Webb & Gruyaert have truly beautiful images. Definately different eyes.
If you just want to have fun with your photograph, do whatever pleases you. But if you want to improve and develop your skills, I think it's a different story. I see rules as a helping hand for producing work that meet a certain standard. Once you know what's inside the box, you can start thinking outside of it. Other wise we would all be taking random photos without thought.
"What is the point in taking photos that dont have a story?" The fun of it. Dead serious. To me there is nothing more important in my photography than to have fun with it. Its subjective ofc, not trying to insinuate anything else, just giving my opinion. For me, beauty is also more important than story. Id hang a visually beautiful photo on the wall before an ugly photo with a story. If you have both though, that would look very nice!
Totally subjective and of course it's down to your personal taste. But I don't take street photos for the pretty visuals, I leave that to the fine art street guys or landscape people. You answered it with your last comment. If you have both, like you mentioned. It would be great. Thanks for the comment! Good to hear it.
