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The Phrygian Mode | How It's Used In Songs

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The Phrygian mode (and Phrygian Dominant) give songs a dark, tense, and mysterious feel. Artists like Björk, Muse, and others have used these patterns to create some hauntingly cool stuff.
In this video, I explain how these scales form chords and progressions -- and we look at some examples in popular music -- so you have special insight to create your own music in the Phrygian mode. It's all based on a few simple patterns.
If you'd like to see more videos like this, please LIKE and SUBSCRIBE. And if you know someone who needs to see this, be sure to SHARE it with them. I want to know what you think, so please COMMENT.
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Опубликовано:

27 авг 2024

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Комментарии : 65

@mikegeorge360 3 года назад

What's the best song written in Phrygian?

@AF-fb6yp 3 года назад

Misirlou is great, though Phrygian dominant. Your videos on the modes are very good, especially when you run through chord progressions that work well and provide examples in actual songs 👍

@mikegeorge360 3 года назад

Misirlou is excellent. (I actually never knew the name of that tune until now.) it has a very distinct sound. And thanks for your feedback!

@priyanshuacharya5672 2 года назад

Creeping death's die riff is the perfect example of creating that group doom effect from the phrygian mode.

@mikegeorge360 2 года назад

@@priyanshuacharya5672 I like it.

@elienasr 2 года назад

ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-48Hpl10peI0.html hello this is a link to two instrumentals the first made in C phrygian and the second in F# phrygian. its for the composer Ziad al rahbani...its a holy goddam trip (the arrangements the ambiance) please let me know what do u think about it. oh btw, these 2 pieces are fusion between: Jazz, oriental, funk, disco, classical...thanks and waiting ur reply

@bagheera Год назад

you have one of the best simple explanations of modal harmony on youtube. would really like to see this same format of video for the other modes of the melodic minor scale. thank you for creating these videos!

@mikestroud9969 Год назад

Piano helps big time with music theory. And guitar too. Thanks 😎👍👌💯🎸🎸

@kollateralschadensbegrenzu4929 Год назад

from the bottom of my heart THANKS YOU amazing will check out your community

@mikegeorge360 Год назад

Awesome -- I'm very glad you are here. 🤘

@chriscraddock6748 Год назад

The Andalusian Cadence of Flamenco and other Spanish is Phrygian Dominant and there are numerous examples. Am G F E7 would be an example of the progression in E Phyrigian Dominant. The Tonic is E Dominant. You could have made more a mention of that. Otherwise great video.

@brianritzer8024 11 месяцев назад

I love the consistency in how you present your information. I'm going through all your videos about the modes and I like how you present the videos in the same format. It really allows the fundamentals to sink in, particularly with how you explain the tertiary links in the same exact way for each video

@hibbiea8841 2 года назад

Phrygian songs in order; Tarkan- Olurum Sana Nancy Ajram - Ma Tegi Hena Amr Diab - Nour el ain Panjabi Mc - Mundian to bach ke Adult swim - Rick And Morty Theme Tune Lena Chamamyan - Cha'am

@mikegeorge360 2 года назад

Awesome! I'm going to give all of these a listen.

@hibbiea8841 2 года назад

Whohooooo

@coyoteHTK Год назад

Such great visualizations! Thank you!

@lawrencetaylor4101 Год назад

Merci beaucoup for this. I'll bookmark it for later after I get my chops.

@BENETH. Год назад

Such a good explanation I needed✨👌

@sheiladuke3289 Год назад

Thankyou so much 😅 ❤ 🎉 I and start to hear chord progressions very exciting and inspiring Wow this is wonderful Sheila Duke 😂😊😅

@deefisher6234 8 месяцев назад

Really clear explanation. Thank you!

@marcusjeanpirae7450 4 месяца назад

Great! Thanks for this mate! 🎸🔥

@DG5466 4 месяца назад

Brilliant, clear an concise

@mylesdillon1092 2 года назад

Hi Mike, great videos ! Very helpful :)

@mikegeorge360 2 года назад

Hey, Myles -- thanks! I'm glad these are useful! Cheers.

@hansmjakobsen6865 7 месяцев назад

Absolutely brilliant teaching

@HardcoreOreider 3 года назад

Great Channel! Keep on going and you will grow :) Keep it up!

@mikegeorge360 3 года назад

Thank so much! Building trust with the algorithm definitely takes time. :) Lots more coming. Cheers!

@jorgeparr3002 2 года назад

AWESOME 👏 THANKS 🙏 SOOOOOOOOO MUCH 🙏🙏🙏👏👏👏👏👏👏

@mikegeorge360 2 года назад

Sure thing -- cheers.

@jetblackkinks 7 дней назад

Great video! May I ask, what software do you use to display the chords like you have here? What a useful visual! Aha, never mind, looks like you said it at the end! I'll check out the diagrams. ☺️

@runninzz 2 года назад

nice video 👍

@mikegeorge360 2 года назад

Thank you-I’m glad it’s helpful. 🤘

@johnwilliam3727 Год назад

Good my teacher

@kouaxiong 3 года назад

Will you do a Lydian mode video? Love these video

@mikegeorge360 3 года назад

Thanks! Yes, I’m editing the Lydian mode video now.

@Psyriusmusic Год назад

Before producing a song, is it wise to decide what mode I want to write in? How do I know which one to choose?

@mikegeorge360 Год назад

The choice of mode may be intentional, or you may recognize the mode once the ideas start flowing. My video on the modes in the circle of fifths (editing now) will explain modes in more detail.

@agnz Год назад

I have seen chord progression charts utilising the roman numerals to assist in mapping logical movments for major & minor scales. Is there one that is specific for Phrygian also?

@kazohin Год назад

A song in E phrygian, occasionally raised F-s, so the V can be used, but never as a cadence avoiding E minor sound. Cadences always from II to i What do you think? Look up the song Elevate from kazohin.

@kukumuniu5658 2 года назад

How about Ultra Phrygian and Superphrygian / Phrygian flat 4 ? I have problem with functional harmony of harmonic Major /ionian b6 progressions,how to use it etc we have dimminished chord on ii and vii ...and "iv", if we play (in C ionian b6) f,a-flat b and "vi" B dim,D dim,F dim,Ab dim. "vii" is rootless dominant in natural Major "ii" is sub dominant ii but in harmonic Major "ii" is dimminished chord vii,iv and vi also so,we have four rootless dominants? Three diatonic and one nondiatonic?

@mikegeorge360 2 года назад

I’m excited to walk through these more interesting scales/patterns and the harmonies that build on them. They definitely make for some cool sounds. 🤘

@kukumuniu5658 2 года назад

@@mikegeorge360 It mean that You make video about ionian b6 mysteries? :D

@theworldisyoursprod 8 месяцев назад

amazing vid

@georgestavinski9170 2 года назад

11:00 What is that other video? I'm still confused on the relationship between scales in regards to how secondary dominants work.

@mikegeorge360 2 года назад

I haven’t yet posted the video referenced at the 11 minute mark. Though I’ll post more on this to clarify-both the harmonic minor scale and how secondary dominants are used in progressions.

@georgestavinski9170 2 года назад

@@mikegeorge360 Thank you.

@HunnitAcreWoods 2 года назад

@8:38 How Come You Arrange The Chords In That Trapezoid Configuration?

@mikegeorge360 2 года назад

This loop shows all notes of the mode arranged into a sequence of tertian intervals (that is, all major-third and minor-third intervals). And once in this configuration, you can see the movement of a progression within the contained region of harmonic space. In the "Modes" playlist, the "Ionian Mode Chords" video explains this looping configuration a bit more starting at 7:17.

@soofitnsexy Год назад

great video! as legendary Tim Pierce says he never used a phrygian or a locrian mode in his life lol!! they are just not really used in pop music...kinda weird