I am consistently blown away by the quality of your instruction and the energy and expertise you bring to every one of these videos. Thanks again, Cullen.
This video should be recommended for all new colorists and even not so new ones, given how many times I hear absurd statements about incorrect color management or even the dreadful "I don't need Color management, I prefer to do it manually" x) Awesome video, as always !
Sadly I was not able to watch the Live Stream, however I am ploughing my way through this almost two hour behemoth of a tutorial. I am very sure that this will become a go-to staple of Colour Management. To help this become a really good reference source of material, is there any way in the future for you to create chapters as you progress through the discussion? That way people can dip in and out, over the years learning or refreshing their memories of specific parts of the colour management process rather than having to sit through or try and scrub through the episode in the hope that they stumble on what they need. Dipping in and out of bite sized chunks will keep this episode relevant and hopefully the first point of contact as a source of reference over the coming years.
@@CullenKelly This episode will help me to follow your 18% gray episode because I now understand what and how the pre/clip/post/timeline parts are in the pipeline. Now if I'd just stuck with Windows Vista Movie Maker then I would never have fallen down the Resolve Colour Correction/Grading rabbit hole. I blame you, Alex, Casey and Darren for wasting years of my life when I could have been doing something productive like playing Candy Crush.🤣😂 Cheer
Correction at 48:19 - The ACES 1.x DRT when set to "sRGB" does not use a "2.2 Gamma" display encoding, it uses the piecewise sRGB OETF. This is why the blacks look super crushed in the resulting image on screen. This is a common source of consternation so I thought I would point it out here in case anyone wonders about that.
Once again, it was a great tutorial, and I am thankful for spreading knowledge. At 40:25, Cullen drops the Grayscale Ramp Powergrade in a Timeline node. I noticed in his Waveform Scope he has the Curve as well. I have downloaded the DCTL and followed the instructions in the zip file, but I cannot get the Curve in the Waveform Scope at the time. I know I am missing something. Could someone point me to where I can find help utilizing the tool? Thank you
I see that you are using group pre-clip for the input transform and timeline for the output transform instead of group post-clip. Any reason to that practice? thanks
Great video!. I'm curious , when you set Out DRT to Luminance Mapping, why is that? Because it has a hue shift compare to Davinci (the default option) So I wonder why that decision. Mainly because is very clear that shift and you make that decision. Thanks
Color space and gamma depend on the source camera. Do you know what camera the footage came from? Any particular reason you're outputting to HDR? Properly monitoring HDR content is quite a headache without the right equipment.
Wow! More color management again eh, there’s a lot to go through but is it not something that people understand? Kinda thought it was easy?… but in this video I still learned some things, it’s great. Thanks cullen
