I know the 1968 (Begger's Banquet) Stones and the 1972 (Exile) Stones are terrific, but NOTHING compares to the era of the 1969-1971 Stones. Let it Bleed, the '69 Tour (including Altamont), Get Yer Ya Yas Out, and Sticky Fingers. They were at their absolute peak- and the epitome of Cool.
Prefer Beggar's Banquet to Let it Bleed as it's more bluesy than country to me, but Gimme Shelter is an incomparable starting tune. Never cared much for Exile, but its got some classics on it. In any event, the Stones with Mick Taylor seemed to be their peak.
@@grifftrain Thanks. Again, I truly love the 1968 Begger's Banquet and 1972 Exile Stones, but I get tired of the revisionist history about how Exile on Main Street was their greatest album and the peak of the group. Though Keith agrees about that fact, Mick has stated that Let it Bleed and Sticky Fingers are the Stones best. And so do I.
I'd put Beggar's Banquet up there with Let It Bleed and Sticky Fingers. Like Let It Bleed, it had a unique, dark sound which helped create their aura as the band that scared the hippies. Yet even those albums sounded different from eachother. Get Yer Yas Yas Out was built around Beggar's Banquet songs-Stray Cat Blues, Sympathy For The Devil and Street Fighting Man as well as Jumping Jack Flash which was recorded around the same time as Beggars Banquet in 1968. !968-1972 was an amazingly creative period for the Stones.
the end of side 3 and the side 4 of "exile" are absolutely perfect . "let it loose" + "all down the line " + "stop breaking down" + "shine a light " + " soul survivor" . It's a royal flush . "Sticky fingers" is far behind ...
Hyde Park really shows the Stones as heavy, proto-punk band. They're astonishingly raw and sloppy, like the world's most badass garage band. I love it, even though they're still trying to workout the quirks with Taylor and refine their live sound after a 2-year hiatus.
They were only together for a month or so, and then playing under these circumstances, Brian's death, this overwhelming crowd. A great performance and a historical one too.
@@Kleermaker1000 The term proto-punk is correctly used here, as it references the raw energy, rebellious attitude, and simplicity of music that would influence punk. Indeed, it's just barebones rock-and-roll, but he's not saying punk in the general sense; it's unvarnished, heavy, and wonderfully discordant (a la MC5 and The Stooges).
Never have Yeats words 'a terrible beauty has been born' been more appropriate than to describe this day when the Stones emerged from their grief at the loss of Brian Jones to discover that, almost instantaneously, they had become the greatest rock and roll band in the world.
I much prefer the smaller stages of the late 60’s & early 70’s . When Jagger would focus on his singing more than his current stage antics on these massively huge stages.
Exactly. I think the same thing. Love those tight stages where all of the guys were together. The large stages for the stadium concerts are ridiculous looking.
The same for me, i saw them in french concert Brussell 73, indoor concert, about 8 500 persons, just spothights and all the band focus on the music, amazing.
The version of Jumping Jack Flash that the Stones did approximately 5 months later at the Madison Square Garden show was waaaaayyyy better. Still good to see Mick Taylor in his debut.
My favourite versions of Jumpin’ Jack Flash: Rock ‘n’ Rock Circus. Slower & bluesier 1969 American Tour concert opener at every venue This one in Hyde Park In all cases the stages are minuscule compared to the massive later concerts. This forced Jagger to focus more on singing than running a half marathon every time he took the stage.
I loved the way they played jumping jack flash in the 69-71 era. After that , it seems like the band tried to play the song as fast as they possibly could
@@grifftrain Of their entire catalogue, “Jumpin’ Jack Flash” must be the one song they’ve played the most. I figure it’s been played live at least 1500 times. Never the same way, but most always very very good. And always, my favourite versions are from ‘68 through ‘76
Funny, you can still see some white butterflies flying around the Stones as they play. A lot were released at the beginning of the show in memory of Brian Jones, who died the day before.
@@BigSky1 Thanks, I always thought their Hyde Park concert was the very next day after Jones died. Not referring to you, but there's always SOMEONE out there who will correct even the smallest mistake made in a post!
Thank you so much for posting this video. Amazed at your ability to improve the sound quality. Love the Stones, love the Sixties, not sure what to make of MJ's shirt/skirt. But mostly, thank you.
Love the lineup ; the butterfly's If they had lured Taylor back Well ; I. Believe we all lost out on the God only knows how many albums Music. I believe the glimmer twins Are greedy
Jumpin' Jack Flash (1968 UK) ♩~♬~Instrumental~♪~♬ I was born in a cross-fire hurricane 나는 격전지의 허리케인 속에 태어나 And I howled at my ma in the driving rain 몰아치는 빗속에서 엄마를 향해 울어댔지 But it's all right now, in fact it's a gas 하지만 이젠 괜찮아, 사실 그냥 허풍이야 But it's all right, I'm Jumpin' Jack Flash 하지만 이젠 괜찮아, 나는 Jumpin' Jack Flash It's a gas, gas, gas 허풍이야~ ♩~♬~Instrumental~♪~♬ I was raised by a toothless, bearded hag 이빨 없는, 턱수염 기른 추한 노파에 의해 길러졌고 I was schooled with a strap right across my back 등에 내려쳐지는 채찍과 함께 모든걸 배웠지 But it's all right now, in fact it's a gas 하지만 이젠 괜찮아, 사실 그냥 허풍이야 But it's all right, I'm Jumpin' Jack Flash It's a gas, gas, gas Woo~ ♩~♬~Instrumental~♪~♬ I was drowned, 나는 물에 빠졌다가, I was washed up and left for dead 씻겨져서는 시체처럼 남겨졌었지 I fell down to my feet & saw they bleed 엎드려서는 그들이 피흘리는 걸 봤지 I frowned at the crumbs & a crust of bread 빵조각, 부스러기를 보고 얼굴을 찡그렸고 I was crowned with a spike right through my head 또 머리를 관통한 가시를 왕관처럼 받았지 But it's all right now, in fact it's a gas But it's all right, I'm Jumpin' Jack Flash It's a gas, gas, gas ♩~♬~Instrumental~♪~♬ Jumpin' Jack Flash, it's a gas~
Jack Bondissant tel l'Éclair Je suis né dans le feu croisé d'un ouragan Et je hurlais à ma maman sous la pluie battante Mais tout va bien maintenant, en fait c'est le pied Mais tout va bien maintenant Je suis Jack bondissant tel l'éclair ça gaze gaze gaze Je fus élevé par une mégère barbue et édentée Je fus mis à l'école à coups de fouets dans le dos Mais tout va bien maintenant, en fait c'est le pied Mais tout va bien maintenant Je suis Jack bondissant tel l'éclair ça gaze gaze gaze On m'a noyé, mon corps a dérivé et on m'a laissé pour mort Je suis tombé par terre et j'ai vu mes pieds saigner J'ai froncé les sourcils devant les miettes d'un crouton de pain On m'a couronné, avec une pointe enfoncée à travers ma tête Mais tout va bien maintenant, en fait c'est le pied Mais tout va bien maintenant Je suis Jack bondissant tel l'éclair ça gaze gaze gaze Jack bondissant tel l'éclair, c'est le pied
El sonido mal ajustado, pero suena increíble . Ese sonido fuerte y poderoso de Keith Richards con la guitarra Gibson ES 330 de Brian Jones, es una maravilla, siendo quizá la mejor versión en vivo.
@@Kleermaker1000 Ah, I had the impression that Mick Taylor was in tune, at least that day and Keith not so much. Wasn't Bill Wyman also in tune in that concert? On other videos of that era I reckon M Taylor was always in tune as well. Cheers
Who are these impersonators? Where's Chuck Leavell? Where's Matt Clifford? Where's Darryl Jones? Where's Steve Jordan...? Denson, Allen, Fowler, Ries, Smith, Fischer...
