THE SETUP - WASI - ADMARK - MACKIE  

System looks bling.

Always sound better with flashing lights.

Leave it for Mr Williams you understand what I am saying

You are doing awesome job. What I would like to know what is best speaker to touse with awassiamp?

Good job bro 👏 love that admark

Make a video showing what you was talking about with those neutrik wires

Bong

it's looking good over there 👍

Hey Shaun legend This is really good nice to see great to learn something new

Yo king legend big up what Dax drive rack u using

I think 🤔💭 I see your ad mark video.

I need a house

It's not one channel the 3600 using what they call a push-pull when it goes to bridge model only one channel is showing up but the entire amplifier is pushing everything it has into one channel that's why I said specific way to hook it up anyway it's supposed to be hooked up channel one is either I believe if I remember on that particular Enterprise positive and channel 2 is negative and that's supposed to be a bridge model mode the entire amp is being pushed through one line it is called a push pull that's what the app does Plus in a 3600 has a high slew rate

So what you do with the speaker wire after that boat ride

SHAW👑☝🏿//// ACID///// WASI////// AL PAHINO

For your sound it's one price bro $400-jmd $40,000

Love those lightweight class D amps but that Qsc mx 3000 can punch above its weight class if you feed it with the required current. How do I know ? I own 8 and have no intention of getting rid of them

I wish that was my fault some of the time

With all due respect man. Your approach to mounting pro audio equipment is totally wrong. Never use a cordless drill. Flip the case on its back with the back lid on or the case elevated above hardwired gear. Remove all cabling that could be removed prior to screwing them in. Once all equipment is screwed in and secure. Flip case up and then hard wire. NEVER....NEVER REUSE SCREWS. ONCE YOU TAKE A SCREW OUT PUT A BRAND NEW SCREW IN. It will save your rack rails for years to come. Flipping the case up allows you to space equipment properly and secure. Iv been in pro audio for quite sometime now. Being around clair brothers has though me greatly. I love sound. I love music. Be care of the info you are putting out. Your highs are out there. Set this system up outside running at full capacity and we will talk then.

PV bought Crest audio so you can use some Peavey amplifiers because Batavia Barnard Bank Crest audio is upgraded their technology but most people that are doing live sound for his fans and stuff when amplifiers are running live sound they get hotter because the drivers are different I got to run a lot of stuff that's single driver contained nail stuff that I stuff that I was running with the company I was working for hell's home resonators double 15018 inverted double 18s and front-loaded level 18 on stage the Georgia time I was running two hills on resonators for Sally Fields with a 415 box for for top box on Southfield as far as I can see if you go buy a good buy your bass head you know that you can just get it direct out and the lead guitarist just got to direct out 6212 Channel amplifiers 612 input instrumental amplifiers and the keyboards they can run their stuff into those instrumental amplifiers but your DIY connected to the monitor console so that means you can put what sound well you can put who you need to wear percussionist channel one and two is front monitors 3 and 4 side fields and so on so you pretty much running 8 you pretty much running 6 to 8 Channelside but that's because they don't understand how they are wired MTL Force never only be two boxes for amplifier because of where we were at the police would not let us turn the subs on they know whether the Thunder a planet crash or something went off they know what I never seen so many places I never seen so many police in my life but I will say this the DJ and your charges I think your charger is a little low and that's running some small stuff ask me was running like maybe four Subs 8 Topps no way 16 and 32 Subs how come my day was for 6:16 Subs I guarantee you it is going to be a lot it's going to be a lot more money than that it's one thing with spoke together get a good handle on this what stuff costs yeah you're DJing me call 750 for a few hours that's okay but when you start talking about life and that's a lot of work man PC you have to talk about Mike's and you talking to set up for a band depending on your system it was just me and another guy doing the setup everybody else the stage soundtrack Rhode Island Street the laid hands as far as connecting the system so you know 16/16 Topps and then stage doing the band was just totally separate you should have been charging her you doing a live band and you're running the sound 20000 that's really cheap you check the industry standard that's cheap but just the word to the wise my brother you may need to start looking at raising your prices

Yeah I got a Brother's DJ and all the y'all seem to do the same thing you are completely overbearing with your top end your needs and your subs can't keep up with the top let me explain something to you it don't take a lot of power to run tweeters it don't take a lot of pot while super tweeters and it don't take a lot of power to run horns that's why in most PRO Sound public address system we don't use tweeters we don't use super tweeters will use none of that we use horns and horns only if we going to run the system we need to run 3 or 4 when most of the time you going to run freeway some systems today I ran two-way but most assistants I ran with three and four the majority time it was three-way I use 2-inch throat compression drivers which was 100 watts of driver 62800 watt 15 2500 W 18 it kills me everybody's running to the 21st cuz they're the latest fat but I'm going to be honest with you I can drop some quads I can drop some scoops on the ground some double 15 some double 18 Scoops I can drop some inverted double 18s on the ground and knock your head off make the ground shake I mean you got so much talking you can't hear the freaking music your program is your top in your tweeters are absolutely too loud you can't hear nothing what's the the fake symbols going play some regular R&B music listen to the high has the symbols list of all that stuff and you will never hear that music with the symbols playing that loud it's too loud it's like I tell my brother he's a DJ to have been DJing for years always was to me was how do I get to sound system this sound the way it sounds power understanding what I'm pushing and not being overbearing to see it's easy to run your top ends your subs are the most worst things cuz there's nothing but icing on the cake your whole program is your mids and highs U-Hauls are over overbearing on your meds 20 reasons why I never run tweeters some people do with those people that you know the compensating cuz they don't have a full understanding and what you got to realize is a 2-inch throat compression driver or inch and a quarter compression driver 45.00 for a 3830 watt compression driver man they will eat you alive I mean they they loud but they clear but you you got two minutes did you get two minutes you got horns which is loud as hell then you took it a step further and put tweeters in it and that makes it even worse your horns and tweeters are super jets your meat is doing the job of a prop engine that's where a lot of people get it twisted like my brother used to get it twisted like that he didn't get one time invited me out and he had 16 puzzle tweeters in a box and I asked him to say what the hell are you doing this s*** was so f****** loud it was twisting your eyes light up tweeters are too easy to power you can get a hell of a lot of work done with a single tweeter then you can with anything else they're the easiest thing to run did the loudest thing in the freaking sound system deer sound waves are small the sound waves are very small so they can cut through real quick but when you start talking about meats and sub sound waves they're freaking huge and it takes a lot of f****** energy to push through waves you need to look at a sound graph of of what frequencies are

What country you in you charging 700 and $50 and you doing a band 20 years I'm not walking out the door for no less 1200.00 for doing a band does backline side Fields front monitors front of house monitor console I don't care how many hours it is Vanessa cheap price $3,000 but if I'm doing the festival man that number two moves exponentially you can't live in the United States talking in prices okay I didn't know you stick to doing the DJ stuff let me tell you something bro let me explain something to you real good the minute that you doing something other than DJing the price changes cuz if you doing stage in front of house back line I don't know if you understand what this means what you talking about making up some drums make your face leave keyboards and if the Artisan not bringing their own gear that means you going to have to provide it so that means you need to be getting a tech Rider to find out what is needed but then again you're dealing with Rosie amps and stuff like that and then they they not going to lie they don't know on the pro gig imma give you some advice when you start when you step off and doing the Pro Sound stuff they have what you call a tech writer I don't know if you understand what the tech writer is or whether you know what it is but a tech writer tells you what you got to bring on the gig in order for you to have that gift they tell you what amps they want what microphones they want they tell you everything that they want including if they want an oriental rug you know Williams Brothers man we got to start talking to each other about what's really going on in in the in the sound industry you not making no money 750,000 is okay for a couple hours on on a DJ Gig when you start doing band sound that's a whole nother gig man someone else gigs run up into $100,000 and more but that's going to require you to use a by Crown amplifiers you going to have to either buy you know you're going to have to buy industry standard stuff because these people that are hiring you to do this gigs but that stuff ain't on the Tech router on that stage when they get there they may not do the gig and you make it sued for it because the check tells you exactly what they want even if they want four bottles or a case of Moet they tell you what they want on the game and you was in those circles depending on how far you're willing to go if you running a gig for Sam I don't know anything about Wauseon but I'm going to tell you something about amplifiers that I do know there is a big ass difference between an amplifier that can run DJ equipment even the speakers are different can you start running PRO Sound live instruments need a serious voice coil that's why the speakers for Pro Sound call so much money but I can tell you one company that does a damn good job at selling speakers eminence image of heck of a speakers at 7 fabulous

Amplifiers as loud as s*** why does apps allowed I need to open them up and order you some Whispers fans that don't make all their freaking noise if that's the fans you picked it up in your microphones if you got to do some recording you need to take you need to order you some whisper fans to put in that joint man that's too loud best entirely too loud get them Joints off of 874 computers but it's a company that sells those protective fans and I see you like the lights and some of those fans are made with different color LED lights in them but in all honesty made him do the fans as loud as hell