This is the fifth, penultimate, video in a series that discusses the acoustical foundations of all musical parameters and how this has guided musical development since the Middle Ages.
In the previous video, we explored the idea that pitch and rhythm are not just related but are fundamentally the same thing! Here we investigate how this applies to the higher frequency ratios of the harmonic series and how even the most complex irregular rhythms can be derived from the same ratios that create dissonant intervals!
We trace this with reference to composers who are notable for their contributions to rhythmic devilment in the 20th Century including Igor Stravinsky, Olivier Messiaen, Henry Cowell and Conlon Nancarrow.
Subscribe for more on music history & theory:
www.youtube.com/@robertlennonmused/videos
I hope this video will inspire you to explore the topic further. Thanks for watching!
ru-vid.com/group/PLJIYoKYPoF-ZyILw22c6Nz-JxAMbC_eRt Subscribe for more on music history & theory: ru-vid.com/show-UCGZTxQG9kSfIwcUvdJ0uBMA
Any questions? Please leave a comment below or contact me at: info@robertlennonmusic.com
Chapters;
00:00 Opening Titles
00:18 Introduction
01:03 Rhythmic & Metrical Ambiguity
03:28 Igor Stravinsky
04:35 'The Rite of Spring' - Rhythmic & Metrical Innovations
07:31 Olivier Messiaen - Additive Rhythm
08:29 Non-Retrogradable (Palindromic) Rhythms & Relationship to the Harmonic Series
10:31 Henry Cowell - Consonant & Dissonant Rhythms
11:37 Analysis of Frequency Ratios in Consonant & Dissonant Rhythms
13:02 Challenges of Practicality - the Rhythmicon
13:57 Conlon Nancarrow - the Player Piano
15:06 Summary of Contributions of Both Cowell & Nancarrow
16:08 Looking Forwards to the Next & Final Video
16:25 Conclusion
14 фев 2023