My voice is as low as the bass singer. He's a better singer but I can get the notes all the way down there. Kinda nice to sing in my natural range rather than trying to sing high stuff.
Take it from a fellow bass, those notes that Bobby’s hitting are far from easy to hit, nevertheless to get them to sound that good, and even MORESO difficult to work together with all different kinds of voices and make them blend so well together making a masterpiece like this. Amazing job all of you, loved it!❤ PS: Just relistened and realized that was a C1 sub at the end, ok my man Bobby
LET'S GO BOBBY THANK YOU YOU BRIGHTEN MY DAY AND MAKE ME MORE CONFIDENT ABOUT MY VOICE YA SOUND SO GOOD KEEP IT UP THANK YOU AND EVERYONE SOUNDS ABSOLUTELY GOOD AND TRILLS AWESOME COLLAB YA SOUND AMAZING i hope to see more videos like this trills awesome job take care
naww first time seeing this group. I love how it was composed!! Also love the beatboxer. Didn’t expect the liproll at the end 💀 them spit snare combos were clean too
Absolutely LOVE this remix! Had to listen at least two timz thru back to back. THEN go back again and pick up the harmonic vibrations from the redic difficult low notes! With my ear buds I can FEEL them, not just hear them. BEAUTIFUL!
Undeniable talent and excellence. Superb execution and construction. All thumbs up. Cannot fault this on any technical level. ... That being said, as much as I actually enjoyed it, it didn’t speak “the Wellerman” to me. I think what killed it for me is I know that this crew could’ve absolutely MURDERED it if they stuck to the original motif.
I've currently got it on repeat LUL. But in all seriousness, Nick your facial expressions throughout are definitely on point, Aaron, beatboxing in my personal opinion was better than the original rendition, girls excellent job on the lighter harmonies when they were needed and Bobby just made everything collect themselves greatly!!!! You all did excellent on this masterpiece
you forgot the “ as far as I’ve heard the fight still on the lights, not cut in the whale not gone! The Wellerman makes his regular, called to encourage the captain crew and all!”
There once was a ship that put to sea The name of the ship was the Billy O' Tea The winds blew up, her bow dipped down Oh blow, my bully boys, blow (huh) Soon may the Wellerman come To bring us sugar and tea and rum One day, when the tonguing is done We'll take our leave and go She'd not been two weeks from shore When down on her a right whale bore The captain called all hands and swore He'd take that whale in tow (huh) Soon may the Wellerman come To bring us sugar and tea and rum One day, when the tonguing is done We'll take our leave and go Da-da-da-da-da Da-da-da-da-da-da-da Da-da-da-da-da-da-da-da-da-da-da Before the boat had hit the water The whale's tail came up and caught her All hands to the side, harpooned and fought her When she dived down low (huh) Soon may the Wellerman come To bring us sugar and tea and rum One day, when the tonguing is done We'll take our leave and go No line was cut, no whale was freed The captain's mind was not of greed And he belonged to the Whaleman's creed She took that ship in tow (huh) Soon may the Wellerman come To bring us sugar and tea and rum One day, when the tonguing is done We'll take our leave and go Da-da-da-da-da Da-da-da-da-da-da-da Da-da-da-da-da-da-da-da-da-da-da For forty days or even more The line went slack then tight once more All boats were lost, there were only four But still that whale did go (huh) Soon may the Wellerman come To bring us sugar and tea and rum One day, when the tonguing is done We'll take our leave and go As far as I've heard, the fight's still on The line's not cut, and the whale's not gone The Wellerman makes his regular call To encourage the captain, crew and all (huh) Soon may the Wellerman come To bring us sugar and tea and rum One day, when the tonguing is done We'll take our leave and go Soon may the Wellerman come To bring us sugar and tea and rum One day, when the tonguing is done We'll take our leave and go
