M krump Just check his discogs site. There you'll find the complete discography + tracks realeased under different aliases and even rare tracks for mixtapes etc.
The complete discography is about 850 tracks big. Got 'em all, except for the first track of this: www.discogs.com/Aphex-Twin-Gavin-Bryars-Raising-The-Titanic/release/202433
Met Richard in the smoking area after his Manchester set last week and he was wearing a T-shirt with ‘I am Karen Tregaskin’ written in marker on the front.
this album is the perfect point in the gradient between Drukqs and Syro. Sometimes I feel like i shouldn't have access to music this good, like some forbidden knowledge
@kickdje nah this seems more like he made it on a vertical tracker, like renoise now a days, bets like this are easier to make on vertical trackers. / which is a form of sampling. idk about i saw him using a tr 909 at his latest concert so maybe a mix of both. i would like to know if he uses akai MPC's i really like them and ive gotten alot of similar sounds with them. ive seen pics of him like hunched over a mpc 60 and shit. wish i could just talk to the man if he wasnt so damn OmiNous
I was an English teaching assistant on the coast of Normandy during covid and during the confinements I would do jump rope in my flat when I needed to let out some energy and this album is perhaps the most rope jumpable album on the planet.
I just bought a jump rope today and saw this comment while going on an Aphex Twin nostalgic trip. The stars are aligned!! Thank you bro, can't wait to get fitter and happier
The little inside out bit starting at 18:18 that last for about three seconds, holy cannoli. It's as quick as it is insane and it launches the track into the next section. Attention to detail is part of what makes Rich the best.
This is honestly the best electronic music I have ever listened to. Listening 20+ times I hear so much depth, so much thought, intricacy, and clarity of expression. If any of today's electronic music will remain a classic for centuries to come, this is it.
There was a serious amount of artists people speculated over, but this was the big one everyone was curious about, all the pieces were there but never any confirmation, and many people thought after analord he retired publishing-wise. still don't know who Steinvord was though...
@@willscomix i could tell you who it is but they arent really a big deal outside of steinvord. theyre still active. if you're a fan you could figure this one out tbh.
In a recent podcast The Tuss confessed he learned all about song structure from Coursera and from watching free Point Blank tutorials on youtube every time he needed guidance. Then, using the pomodoro technique, he slowly built this album mostly inspired by the interaction with common objects in his small apartment in Paris. He gladly accepts festival invitations and loves to travel whenever he gets the chance because that puts him in contact with beautiful people. He feels blessed.
This dude is just an unstoppable machine of crativity. He's played with so many genres and styles and he just keeps releasing music he made on an afternoon that is still among the greatest
I would say every 33 seconds of this album gives me shivers. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-intTM1JSIaw.html appreciate if you checked this out
I remember this was the first experience i had of Aphex and had no idea it was him... Love most of his stuff but this will always have a special place in my
yeah, these compositions are way stronger than syro though, sadly. syro isn't bad but both rushup edge before it and the later releases have been way better imho
he spends a lot of time twiddling the knobs to get all the sounds to fit togehter ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-intTM1JSIaw.html something you might enjoy
What if they aren't programed at all? Maybe he multitracks 2 or 3 linear produced drum performances and just has his triggers quantized to fall in place and sound programed
Afx really just is that good. I heard he started composing on a Roland MC-4, which is crazy to think and would have been hella complicated but I really like the way he uses analog synth's, it's just pleasing to me. Crazy cornish man 😀
Rushup Edge is an electronic music album, the second release by The Tuss, a pseudonym of Richard D. James. Composition is credited to Karen Tregaskin. Richard D. James, aka the Aphex Twin Buy this Aphex Twin is genius.