Listen to the rat-ta-ta-ta-tat Pau does on the tom during the bridge. She could have easily gone simple but chose to make the beat more complex. You can tell that they purposely take opportunities to enhance a part of a song to make it better even when it's not necessarily. This is a great skill to have.
Also to ensure that there is no copy & paste for different verses as Pau defines each with various drum patterns. 0:45 to 0:48 they go downhill with the chords. Most bands would have stayed in the original minor chord. But then they aren't The Warning. It was risky because a bit further into that progression Dany would have gone off scale. Such is their level of experimentation in this song. And on top of that Pau is breaking the rhythm into pieces only for Ale to stitch it back with a groovy bassline. Their subtlety reflects their intellectualism. And then there are people who think that the girls are ordinary because they don't do solos.
I'm surprised no one has mentioned how Dany deviated from the main riff and added licks from 2:17 to 2:22, which she did not do in the Aguascalientes premiere of this song -- so good! I hope the studio version is like this!
