The problem is that RU-vid destroy grain while re encoding, so i found it impossible to show nice grain here. Generally, h265 is not very kind with analog grain. The best results I get is with high bitrate h264. But it produce very large files..
@@oliverkeyscine 👌. Yep, I mean the codec for final export. Can be useful if you host your own videos or for client work.. Another option is Vimeo, it allows better bitrate in 4k, so the re encoding is less agressive (but still not perfect)
@@oliverkeyscine I really mean it :) Most tutorials blow out the colors & halation and call it film. In the thousands of films iv seen shot on color film, none of them have as extreme a halation effect or a bright color pop as these tutorials do. You have it down. The darker colors are saturated, the primary colors are saturated, but no neon phosphoric greens or cyans or bright popping oranges. The halation is also very very minimal, nothing like these instagram filter halation levels shown on youtube tutorials. This actually looks like film and convinced me to pull the plug on dehancer -- thanks oliver. They should give you commission
Thanks for this, I'm also obsessed with highlight rendition!!! I feel you on that. I'm trying to get an A7iv for my workflow cause a cinema camera is a no go but the highlights on Sony prosumer cameras makes me want to jump off a bridge so I'm trying to see how tolerable I can make it. Like the bmpcc highlight look, it's not perfect but compared to Sony straight out of camera it's light-years ahead.
