Thiruvaiyaru Sri Thyagaraja Aradhana -1984 Endharo Mahanubhavulu - Sri (Only Sadinchane, Kana Kana Ruchira and Endharo are available) A vintage video recording, though the quality is not good.
Being a north indian I can't understand a single word . But after listening this I became a fan of ms ji . This is so Devine and pure . It will be my previllage to know the meaning .
This is one of the famous pancha ratna keerthans (five gems - keerthan ) of Carnatic music. First verse's meaning is that salutations to those masters of our heritage... This is from the Great Thyagaraja musical festival conducted every year in Thiruvayyar, TN.
@@sunilchandralanke6973 hey i am kannada. I can understand it. When the song was composed there was no kannada and telugu. Everyone spoke proto darvidian language...
Even elementary student of telugu medium can understand tyagaraja kritis However telugu people except ver few never shown interest in carnatic music Because of tamil brothers tyagarayas kritis still alive Hats off
Her voice stands out inspite of everybody singing at the same time..That generation is lucky to hear her voice directly..even with those generation video camera the voice is so distinct..imagine listening to her voice live..no generation can match her singing even after a century.
@ Ip g, M.S. amma 's voice is divine. A simple soul, donated all her earnings from the events she got to different charities. A great devotee of Kanchi maha periava and Puttabarthi Saibaba. She always moved like a shadow to her husband Sri. Sadhasivam, owner of Kalki magazine ( tamil) . When Maha Periava and Saibaba heard about her financial difficulties, they recommended through Thirupathi Devastanam, who were looking for a singer to sing and record Annamacharaya 's kirthanas. Pranams to M.S. Amma 's atma.
My mind has got fully satisfied on listening this Group song.I am 75 and having fever today.But on listening this I am partly recovered.M>Sampathkumar/Erode
Pitchai Venkat Did you mean to say you are 80 years old? Very Best Wishes to you and may God give you & your family good health & happiness 🙏🏾🙏🏾 Jai Sri Ram Jai Hanuman Jai Sri Krishna Srimate Ramanujaya Namaha Sri Mudaliandan Swami Tiruvadigale Saranam
Being a telugu , I can say most of the Telugu people don’t know what are the pancharatna kritis .I really like Tamilians as they respect our culture and they pass it to future generationa . Pronunciation of telugu is at best . I really feel pity for telugu people for not knowing about the amazing and divine pancharatna kritis.
@@hero108zero3 Although, the composition was in telugu , I still can’t decipher the meaning( somehow can understand some of it ) . Saint Sri Thyagaraja used scriptural telugu language ( grandhika basha ) which we are not using today . But you can still sing with feel , cause language isn’t a barrier .
All are other forms of The Great Tamil. Infact Telugu, Malayalam, Kannada, Tulu are daughters of Tamil. Without mother we can't be here so as the same of other languages
@@Ajiajith-I.. This is blatant lie spread by Tamil chauvinists. Telugu is a separate & first Dravidian language that became independent of Proto Dravidian language family. Later Tamil separated & it is younger brother of Telugu.
ఏ కళ అయిన దైవదత్తం అయినప్పుడే అది అజరామరం అవుతుంది ! అంటే ఏ కళ అయినా దైవానుభూతి కోసం ఉపయోగించి నప్పుడే అది ప్రాచుర్యం పొందుతుంది. భగవంతుడి కోసం మాత్రమే వినియోగించిన ఆ సంగీతానికి సాహిత్యానికి మరణం ఉండదు ! అవి నిత్య నూతనం !
இதுவே பாரதத்தின் இயல்பான முகம். இது எப்போதும் உயிர்ப்புடன் திகழ அந்தப் பரம்பொருள் அருளட்டும். உயிர்ப்புடன் பாதுகாத்த எம் முன்னோர் புகழ் வாழிய வாழியவே! 🙏🏻🙏🏻🙏🏻🙏🏻🙏🏻
ತ್ಯಾಗರಾಜರ ಪಂಚರತ್ನ ಕೀರ್ತನೆಗಳು ನನಗೆ ತುಂಬಾ ಇಷ್ಟ ಎಂ ಎಸ್ ಸುಬ್ಬಲಕ್ಷ್ಮಿ ಅವರ ದೊಡ್ಡ ಅಭಿಮಾನಿ ನಾನು ತ್ಯಾಗರಾಜರು ಪುರಂದರದಾಸರು ಕನಕದಾಸರು ಮುತ್ತುಸ್ವಾಮಿ ದೀಕ್ಷಿತರು ಶ್ಯಾಮಶಾಸ್ತ್ರಿಗಳು ಇವರು ರಚಿಸಿರುವ ಕೃತಿಗಳನ್ನು ಕೇಳುವ ನಾವೇ ಪುಣ್ಯವಂತರು ಎಂದರೋ ಮಹಾನುಭಾವುಲು ಅಂದರಿಕೀ ವಂದನಮುಲು 🙏🙏🙏🙏
even a.p.j.kalam wrote in his about Amma..when he felt stress with his work in research he used to listen Amma music. and when he went to met Amma she always cooked his favroite dish sambar and serve him in banana leaf as his mother did...Amma u always live in hearts of us..
M. S. is the unassailable swam song of Indian Classical Music.... this 1984 vintage recording is proof of that. M.S. with all the other Masters of her time...She is a gift to mankind by the Almighty .... god bless India..... god bless M.S.
MS Amma voice is a unique gem. There may be lacs of musicians but no one can copy her vocal. There is no surprise that musical letters(sa re GA MA PA) follows her style of singinging.
I just can't end my single day without listening this spectacular composition byTyagraja and immortalized by Smt. M. S. Subbulakshmi. Thank you Ranganathan Srinivasan.
i don't know this keerthana's and ragaas ... but first time i heard this song specially MS amma voice ... i don't wat happen to me... i repaeted to hear to morethan 100times ... without hearing this song in a day. ..the day dint full fille😍😍😍
no words... the name of rama in the kirtan with the voice of ma saraswati herself ...in the most beautiful carnatic rhythem by the gathering of most purest devoties seating together to celebrate the ocassion pleasures this ear , Proud of south Culture true HInduism in its real form...
Dear Ranaganathan Sir Thanks for sharing rare gem of MS and Semmangudi combined at Tiruvayyaru. Your service to music fraternity through this simple gesture is priceless.
ഇത്രയും ശബ്ദങ്ങൾക്കിടയിലും ഒരു ദൈവീക ശബ്ദം തനിച്ചു കേൾക്കുന്നു... എന്തൊരു ക്ലിപ്തമായ, ദീപ്തമായ, ജ്വലിച്ചു നിൽക്കുന്ന ശബ്ദം... M. S .സുബ്ബലക്ഷ്മി അമ്മ 😍❤️❤️😘😘😘😘😘🙏🙏🙏😊😊😊😊
9.42 tears rolling down., even after becoming the legend and the 1st trinity of Carnatic music her respect even when she utters the word Thyagaraja., marvellous., a quality everybody should possess.; what a divine experience., thanks to the uploader
Superb Live one of Yester years ! Entharo Mahanubhavulu Sri Ragam 22nd kharaharapriya janya Adi Talam Thyagarajar Krithi Aa: S R2 M1 P N2 S Av: S N2 P D2 N2 P M1 R2 G2 R2 S This is one of the most beautiful Karnatic classicals. If you understand the meaning while you listen, it's awesome. This kriti is supposed to have been spontaneously composed by saint Thyagaraja when he saw great people (Mahatmas, his guru-like souls) assembled in a hall as he entered. This is one of the Pancharatna kriti. This Telugu kriti speaks of nothing other than his beloved Sri Rama--the Lord of Thyagaraja. THe story behind the spontaneous composition of "endarO mahanuBhAvulu" goes like this.A great musician named Shadkaala Govinda maarar from the state of Kerala visited Thyagaraja and sang before him the Jayadeva Ashtapadi "Sancharadhadhara" in raagamaalika. THyagaraja was captivated by his singing.So he composed EndarOmahanuBhavulu on spot in a sense of appreciation and humility. shatkaala was the title earned by Govinda Maarar as he was perfectly able to sing in 6 degrees of geometric speed. In this gem of a poem, Thyagaraja, described the greatness of the devotees through the ages. He pays his salutations to the great men who live in all the ages, A yogi attains and enjoys paramananda by reaching the stage of samadhi when in the course of sahasra chakra the power of kundalam and maheswara are joined together from where at flood of nectar is released. In the soundarya Lahiri , Shankara Bhagwat Sahesrarey praises ambal as “Padma Sahahasi, Padya Vihase”. True devotees are persons who have attained this stage. Rama is handsome like mannada, He has a majestic walk, and we should see him clearly. Those who are engaged in Samagana should do Rama's bhajan through music based on ragam, bhava and laya, The poet says that devotion means to surrender you lotus like mind at his feet, We should understand that paramatma lives in all the living things and therefore we should live with love and friendship. We should understand the meaning and greatness of the religion after careful study and praise the glory of Rama with a peaceful mind There will be many men, Who knowing the greatness of Shri Rama, have understood that religion without bhakti is meaningless. There will be any devotees who fall into the above category who by means of true bhakti are able to derive boundless joy by meditation on him. I bow to all these great men and my salutation are to the immortal men who through bhakti are totally devoted to Rama and who are close Thayagaraja. My salutations to his dear followers and worshippers P entharO mahAnubhAvulu-andariki vandanamulu salutations to all those great men in this world ! AP chanduru varnuni anda chandamunu hrudayAra-vindamuna jUci brahmAnandam anubhavinchu vAaru- (endarO) those men will feel the moonlike beautiful form of God in their hearts and will be happy about it ! C1 sAma gAna lOla manasija lAvaNya dhanya mUrdhanyul (endarO) those who worship you who is fond of Samagana. C2 mAnasa vana cara vara sancAramu nilipi mUrti bAguga poDaganE vAr- They control their mind and worship you who is as beautiful as Manmada C3 saraguna pAdamulaku svAntamanu sarOjamunu samarpaNamu sEyu vAr- They submit their hearts at your feet C4 patita pAvanuDanE parAtparuni gurinci paramArthamagu nija mArgamutOnu bADucunu sallApamutO svara layAdi rAgamula deliyu vAr- Oh the protector of people they sing your praise with true devotion and they have good knowledge of swara, laya & raga. C5 hari guNa maNimaya saramulu galamuna shObhillu bhakta kOTulilalO telivitO chelimitO karuNa galgi jagamellanu sudhA drSTichE brOchu vAr- They wear garlands made of gems that represent the quality of Hari and with mercy they see the whole world with love & affection. C6 hoyalu mIra naDalu galgu sarasuni sadA kanula jucucunu pulaka sharIrula I Ananda payOdhi nimagnulai mudambunanu yashamu galavAr- They are so happy to see the beautiful gait of the God everyday and they are happy about it. C7 parama bhAgavata mauni vara shashi vibhAkara sanaka sanandana digIsha sura kimpuruSa kanaka kashipu suta nArada tumburu pavanasUnu bAlacandra dhara shuka sarOjabhava bhUsuravarulu parama pAvanulu ghanulu shAshvatulu kamala bhava sukhamu sadAnubhavulu gAka Surya, Chandra, Sanaka Sanadhanas, Dikpalas, Devas, Kimpurushas, Prahalada, Narada, Tumburu, Anjaneya, Siva, Sukar, Brahma, Brahmanas enjoy the Brahmanandha Swaroopa of God always. Apart from them there are others and salutations to them also. C8 nI mEnu nAma vaibhavambulanu nI parAkrama dhairyamula shAnta mAnasamu nIvulanu vacana satyamunu, raghuvara nIyeDa sadbhaktiyu janincakanu durmatamulanu kalla jEsinaTTi nImadi neringi santasambunanu guNa bhajanA-nanda kirtanamu jEyu vAr- They praise your form, name, valour, bravery, peaceful heart, true words. You destroy all bad thoughts that prevent people from praying you, they know that and they praise your qualities. C9 bhAgavata rAmAyaNa gItAdi shruti shAstra purAnamu marmamulanu shivAdi sanmatamula gUDhamulan muppadi mukkOTi surAntarangamula bhAvamula nerigi bhava rAga layAdi saukhyamucE cirAyuvula galigi niravadhi sukhAtmulai tyAgarAptulaina vAr- Those who know the secret of Bagavatha, Ramayana, Gita, Sruti, Sasthra, Epic, various religious thoughts, the thoughts of the 33 crores of Devas, bhava, raga, tala and they have a long life and enjoy all good things. C10 prEmamu ppiri gonu vELa nAmamu dalacEvAru rAmabhaktuDaina tyAgarAja nutuni nija dAsulaina vAr- Those beloved of Lord Tyagaraja, when bakthi increases they think your name, they are Rama bakthas, they are devotees of the Lord of Tyagaraja who worships you. Ragam Sri :- A raga that is auspicious in name and bhava is Sri. Sri is a ghana raga, a heavy and noteworthy one that is melodic as well as regal. Sri is a janya of Kharaharapriya raga and is characterised by jagged traversals in the scale, the avarohana having interesting diversions from the usual linear path. The Arohana-Avarohana pattern of this raga is SRMPNS/SNPDNPMRGRS. In Tyagaraja’s works in this raga, the dhaivata prayoga (“PDNPM”) is not used, while in Dikshitar’s kritis, there is a sudden twist in the structure, with the prayoga featuring the dhaivata. This raga houses sadja, chatusruti rishabha, suddha madhyama, pancama, kaisiki nishada, chatusruti dhaivata and sadharana gandhara. The raga’s highlight is the exaggerated gamaka at the gandhara. Because it is a ghana raga, it is suitable for tanam. Askilled vainika (veenaartiste) can demonstrate the stately gait of the tanam in Sri. The classical pieces in Sri include Tyagaraja’s fervour-filled ‘Endaro Mahanubhavulu’, the fifth and famed pancharatna, which features torrential janta swaras and ‘Namakusumamula’. Dikshitar’s ‘Sri Kamalambike’ (the concluding Kamalamba navavarana), ‘Sri Varalakshmi’ (sung during the Varalakshmi vratha) and ‘Sri Abhayamba’ (the final kriti of the Abhayamba vibhakti kritis on the presiding goddess at Mayavaram) are most notable. Music lovers may recall M.S. Subbulakshmi’s rendition of Annamacharya’s ‘Vande Vasudevam’ in the raga.
Legendary Semmengudi Srinivasa Iyer is in his early 80s that time itself is singing with that energy. Jus thinking in his 30s to 50s. Great. Salutations. I have heard about Ariyalur Ramanuja Iyengar. But never heard his eternal voice.
BEAUTIFUL CONCEPT DELIVERY ON THE EVE OF SAINT TYAGARAJA ARADHANA , ABOUT BHAGAVAD BHAKTI OF ABOUT COUNTLESS ,DEVOTEES WHO IS RENDERING SHARANAGATI ! BEFORE SAINT SRI TYAGARAJA SWAMI !VEY NICE ! AND VERY MELODIOUS CARNATIC MUSIC HISTORY OF PRAYING ! ABOUT DEVOTEES !
Thanks for uploading this video...... Great work.... Bharatha Rathinam MSS Inspire all generation peoples..... I am 24 now...... :) Very blessed peoples.........
Thank you Sir,My family is indebted to you for downloading this gem.My parents have been fortunate to see these legends perform live.I am not that lucky.This is a great opportunity for me!
The gaint. Pranamam devi. Pranamam particle of devi saraswathi. As long as the Prvitvi exist you will remain the queen of music. Please bless the growing generation 🙏 Please bless us all from the heaven. A deciple.