One of the most well made Tim Foust's vocal range video. Okay, you haven't write "lowest chest note", but it's debated and you have still signed the notes below G#1 as chest-fry. Good for his lowest growl note on the B0
Why did everyone suddenly claim that tim chest fries everything? At some point everyone agreed that tim chested the f# in butts and the g1 in dreamer and everything else but now all of a sudden it's chest fry. What made EVERYONE change their mind so abruptly? Tim has said his lowest everyday chest is a1, which is the same as geoff who has a f# chest, so I would think tim could chest atleast an f#
I don't remember where, but someone said that it's likely that tim chest-fries notes for most leads, and wont for anyone background notes, which makes sense, as the chest-fries stick out a lot more then chest notes
good job on classifying the G#1 at 4:12 as growl, but idk if u noticed that in the same song he hit a chest G#1 at the 86 second mark in jump right in (technically the 89 second mark but for melodic context its better to pull it back to 86).
the champagne taste G1 is chest, u can bass boost it and it won't have the fuzziness to the sound that growl does. the F#1 i think is chest as well but its kind of hard to tell bc its been layered pretty deep and theres some kind of effect on it that makes it hard to read
@@Marcell0Bass no. That was most definitely a chest note. Since he really wasn't leading, and adding that the chest-fry sticks out way more, theres no way that the g was a chest fry
@@Marcell0Bass I really domt think it was. It sounds like G#1s from other basses, basses who don't use chest-fry in their singing. I respect your opinion, I really do, but I dont think it's a chest-fry.
It's all fried ( or chest fried as you guys say it) . After Tim had learnt to growl , he could only growl from G1. His chest voice could go down to Bb1. So he could not use notes between Bb1 and G1 . To solve this problem ,he learnt how to add vocal fry to fill the gap. Tim also said that with the right technique, he could make the transition from chest to fry sound good live,( which is what you see here) , but in recordings it's hard to make sound smooth. He also said that now a days , his chest voice and fry, blend around an A1.
@@alebormio4842Could you give me the time stamp for the chest G#1 in summer in the country? Cause the one at 2:58 is a growl.I've heard that G#1 in Friends in low places many times. Initially, I thought that was modal. But after hearing it again and again I realised that the mic had been decently EQ'd. Now , I'm sure that wasnt purely modal. Personally, I feel his lowest true modal note is that A1 on the sing off, which he sings in some group performance with other a capella groups.( Sorry , dont remember the name of that particular performance).
@Asher Brown Hound and Fox said it was chest in the comments. I'm still not really sure it's chest though. For all we know they refer to chest-fry as chest
" He's a shit bass " Lmao... He's a bass baritone. What did you expect ? Zlatopolsky?? Tim's lowest is a Bb1, sometimes A1, but adds fry around B1/Bb1. In fact ,he's got solid low second octave notes. He even has better projection than Geoff( down to C#2 in chest) He's infact more of a bass than Geoff in that sense. ( I know you didnt mention Geoff, but I did so for comparison). Calling Tim a shit bass, is pretty much insulting majority of the acapella basses out there.
@@crunchycrackers7364 Yes, no denying that. Geoff's Dark tone + lower range = Great aca bass. I love it when he uses a smoother sound for his G#1 - C2 area.
@TheComedyne "he''s a shit bass" this is the kind of comment that is just pure cancer. you're basically saying that Tim is not a good bass because he doesn't have a really low chest note? dude, that's just bullshit. first of all, Tim lowest chest note is the G1 on "Champagne Taste", however, as Reuben said before, his voice starts getting that fryish sound around B1 - Bb1, to make it easier (i guess) for him to go lower, but that doesn't mean he can't go low in "pure" chest. and also, having the lower chest note means absolutely zero shit, in my point of view, the role of a bass in an acappella group is to sing the low notes (duh), and it don't matter what register or technique he uses to do them if it sounds GOOD, and undoubtedly Tim has the most solid 1 octave range with his growl technique. you saying that Tim is a "shit bass" and only using the range argument is bullshit
