Two things. One, if you mess up localized bleaching, you can reconstitute silver back in the image by painting the area with straight print developer, (like Dektol). You can only do it one time. Secondly, print size, color, framing should be dictated by the PRINT. The image leads the process.
Mr Rudman, you are a master and have taught me so much with your books, esp lith printing. Thank you for this video, it was a joy to see your work in the darkroom.
A dying art, not the overall, but the intricate experiences learned over decades Amazing. I once saw an exhibition of B&W prints, and was immediately drawn across the room to two prints, cause they just looked different, upon which the host told me, those are wet prints whilst the other where digital.
Wow! This is an amazing video. I'm slowly going into film, both colour and BnW, away from digital and this was amazing to watch. I must learn more from you!
Pepe G. Luthier. Not quite. The catalogs of main camera manufacturers like Houghtons from 1914 illustrate fine brushes and stands for corrections on prints.
I love film, I shoot film, but I haven't got the patience for this palarva to repeat over and over for a print. I just scan my negatives, edit digitally and pigment print or just shoot digitally with my Fuji GFX50.
