Took me a week (a minute a day which took about 3-5 hours each time) and made me crippled, enjoy
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This basically goes through the phases of Tommy’s trauma. The entire animatic is supposed to be a visualization of what was going through Tommy’s head during his time on the tower, like a, “life flashing before your eyes” thing. Most of the metaphors are illustrated as seen from Tommy’s perspective only, since we are going through his thoughts in this animatic. You can perceive the rest as you wish ;)
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There’s a few visual glitches in there that happened during exporting the file but psh, it’s alright. Let’s pretend I meant it.
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Song: Achilles Come Down
(It’s in the first frame guys it’s right there)
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The french;
On the other hand, I see many people die because they judge that life is not worth living. I see others paradoxically getting killed for the ideas or illusions that give them a reason for living (what is called a reason for living is also an excellent reason for dying).
Of an apartment-building manager who had killed himself I was told that he had lost his daughter five years before, that he had changed greatly since, and that that experience had "undermined" him.
What sets off the crisis is almost always unverifiable. Newspapers often speak of "personal sorrows" or of "incurable illness." These explanations are plausible. But one would have to know whether a friend of the desperate man had not that very day addressed him indifferently.
The memory of a lost home or the hope of a promised land. This divorce between man and his life, the actor and his setting, is properly the feeling of absurdity.
Either yes or no. This would be too easy. But allowance must be made for those who, without concluding, continue questioning. Here I am only slightly indulging in irony: this is the majority. I notice also that those who answer "no" act as if they thought "yes." As a matter of fact, if I accept the Nietzschean criterion, they think "yes" in one way or another.
9 сен 2024
