Best explanation / demonstration of how a compressor works I've seen on YT. And that makes a great case for Brian Wampler's awesome pedal, too. You might have sold another one of those.
I don’t like lots of gain. So the perfect tone for me is overdrive pushed by a compressor. But its a bit dificult to dial everything to the perfect spot. Thanks for the tips.
Some say comp is a crutch, and I don't care I love that pedal I use it in everything I play. I use mxr super comp but want to get one of those jhs tighti whities
good video...i just bought a walrus audio deep 6 compressor and it is AMAZING at pushing my keeley D&M drive...so i have compressor set ABOVE unity going into a clean vox ac15...that is my clean...i then hit the mick side of the d&m drive (volume at unity) and it is a perfect light crunch...like...the compressor made the d&m go from good to great in my oppinion
Aaron Daniels great pedals man, I can imagine how majestic those sound together. Love the d&m and pretty much all Walrus pedals. Haha! Thanks for sharing your rig with us! Cheers!
Glad I watched this because I just ordered a mini ego. Good tips that I will definitely check out when mine arrives. Thanks for the post, always enjoy your videos. ✌🏻
It took a bit of fiddling, but my BOSS CS3 is now "dialed in" to the point where it enhances my sound without dominating it. It was more fiddly that my other pedals in that regard and the "good sound envelope" was much narrower than my other effect pedals.
The problem with electric guitar, especially clean guitar is it makes women dry. LOL Women want to listen to computer programed EDM. If you want to pickup chicks and have them think you're not a bore, don't tell them you play guitar. :P
Hi Kris, great video! I have a question. If I play songs with very low gain overdrive, as is the case with The Strokes, would it be useful using a compressor? Would it help to accentuate each note individually as it usually happens when I play clean?
Acoustic all my life - first electric 2 years ago, plus 15 pedal experiments. Settled for 3, reverb, blues driver, and sustain. Wasn't sure why but it's clearer after seeing this...
Hi sir 👋, I have only one guitar and an amp.. my amp is a 15g frontman by squier pack.. so it's a cheap solid state, can I use overdrive pedal alone or I should buy a compressor pedal first?
Darko P well is a different animal. Haha! Incredible booster, so for that it’s at least as good as the Ego, if not even better. For the rest mentioned in this video, the Ego is the better choice. Cheers!
That first thing is what I do, and I don't even use a compressor, more like a limiter, and it just brushes down the tops of the waves so I get a little crush and presence without distortion.
Hi, is it useful for any guitar style, clean rhythm, soul, classic rock, jazz, solos , funk ? Or just for solos and funk ? Do not know what if I need one....
I enjoy a subtle compressor for every style of clean guitar playing. If you’re using it for funk (Cory Wong etc) you can see it up for a little more radical compression. 👍
Darko P dude, seriously, it’s the best 1x12 I’ve ever tried. It sounds HUGE. Bigger and fuller than most 2x12 cabs. If you can, go for it. Awesome from super clean to really heavy styles.
Fred Raccoon yes of course. That’s what a sound engineer does all the time when mixing an album. But be aware of raising the noise level. Every compressor pulls up the noise floor a bit, so stacking them can end up in a lot of noise. Not that much of course if both compressors are quality pedals and you don’t set them up for high compression levels.
Using a Ross style compressor after a drive pedal will also allow you to still retain all your pick dynamics and act as a limiter for feeding modulation / delays downstream. Thanks for the video Kris!
? Limiter for mod/delays. I hate mod & delay in front of amp. I only like them in a good fx loop. Are you saying a compressor helps tame modulation & delay if you have no fx loop?
I can't fully agree here. I have played the original Ross grey box.......the attack seems slow enough for what you're saying, but the Ross seems VERY sensitive to input gain, and I find it difficult to use with more than moderate output humbuckers. It seems to like 6k bridge telecasters just fine and that is said in the context of having the Ross proximal in the signal chain to the guitar. Thusly running it distal to drive would be counter productive for retaining attack at least with my experience. This is said through the prism of me liking clean amps (ab165 twin) and using input gain to saturate rather than post tonestack gain and having tried literally most popular flavors of compression over the last 25 years of being in the industry. Certainly our ears are all different so to each his own I guess
Very informative Kris. I will have to tinker with those suggestions. Thanks for the video. Hey... at about 7:14 there was a quick lick that was very Chris Buckish...... later!
Tempissed Thanks a lot!! You’re right about 7:14 that bend-slide combination is Buckish / Nick Johnstonish for sure. Haha! It’s nice sometimes to play around in the style of awesome guitarists. Both are great dudes and fantastic players. Cheers!
Kris lthank you so much tomorrow me and my kemper are going to have a long session I have a nice compressor preset I'l swap into.an AC30 mid gain profile Thanks again Kris really grateful as always
I have found that a decent comp pedal can really help a solid state amp....i once had to use a loaner ss amp....and i tried everything....then finally dug out my old Super Comp....done!
Jeffrey Eagen I would go guitar fuzz comp drives modulations time based FXs then amp. That will work pretty much always. You can swap the order of course, the only rule is that there are no rules. Haha! Cheers!
Hey, for a Cory Wong style funk tone: fast attack, fast release, higher ratio (if your compressor lets you change that) and a higher compressor/mix setting. That evens out the dynamics and makes the single notes super powerful sounding.
@@KrisBarocsi Cool, I have the Nyle by Vertex so it don't have a release or ratio but I set it up mostly like you mention the only difference is that I set the attack at med rather than fast. When you say higher mix, you mean blend in a lot of the compressed signal rather than than the uncompressed tone, right?
Try a mirage compressor! It’s the secret weapon of Nashville studio musicians! Johnny cash’s daughter just bought one and she could afford any compressor!
