I play baritone and third octave C is literally not that hard to play I also play trombone, and on my tenor trombone, its much easier to play up in that range On baritone, there's notes you can't play up in that range, but C, C#, D and D# are all easy to play
Ryan Tate Im a sophomore right now. Theres a freshmen at my school who has an excellent trombone range and can pop out pretty nice Fs. My profile picture simply represents my personality. Its a joke.
I’m looking at the bass clarinet music as a player myself like upper high octave? Sixteenth notes? My worst enemies come together... [edit: on second listen it sounds like the bass clarinet is actually playing an octave lower than the part is...]
When you accidentally like an old video on your friends old RU-vid channel and he notices so he invites you over. So you come over but then he lockes you in his basement and forces you to play a key you've never heard of or seen before. So then the police com but you friends a smooth talker so that crushes your chance of ever getting out of that basement. So know your forced to play songs that leave you a bleeding lip and your only friend is that other guy who was kidnapped by your friend also.
This is a wonderful transcription, but I think you should shy away from using 8va or 8vb on wind instruments because chances are, we've been trained to read those notes already, so seeing (in this case) an Eb in the staff would make us go for that Eb, we wouldn't see the 8vb until it's too late. Not that this transcription is intended for performance, but bass clarinetists, and clarinetists in general, learn E natural below the staff from the very beginning. In fact, Orchestration Online has a very helpful video on this topic called 8va Do's and Don't's. Again, great job, and I look forward to seeing more from you in the future!
I've gotten this comment a fair bit, especially on this video. The main reason I used 8vb here, and basically every time, is that I like the score to take up as little of the screen as possible so that the video is still visible. If I wrote notes like this using ledger lines I'd have to stretch the score so much that it'd just be 80% music and 20% video, which would look pretty gross. Thanks for the kind words though!
It would have either overlapped the trombone notation or I would have had to stretch the sheet so much that you couldn't see the video. Nicer to notate it as 8vb
Any plans on doing Danza, Best things, Hello, or Daro and Charles’ magnificent adventure? If so, I already have those transcriptions if you want to add your own stylistic things and upload them.
why is it written in C flat major. Only one note isn't flattened. B major would have been much easier for the trombone and sphn - and for everyone else
Guillaume (Forgive me if I’m wrong here, I’m only a high school senior with little music theory knowledge.) I believe it goes to the 6 (Ab) for 1 bar, then to 1 (Cb) for 1 bar, to 5 (Gb) for another bar, then up to the 6 for 2 beats followed with the 1 for the last 2 beats of that bar. The next sentence takes a similar idea and is mostly in Cb major instead of minor. It starts on the 1 for a bar, then goes to the 3 (Eb) for another bar, then to the 4 (Fb) until the end of that sentence. I hope I answered your question well enough. Again, I’m sorry if I made some mistakes.
I think even though it’s enharmonically the same with B and Cb, I think there is a visual “mood” to the song when you see it in Cb compared to B. When I think of B major I think of a very bright key due to the way the circle of fifths runs (). When I see Cb major I think of a very dark, warm key and I think that was intended to express the mood of the song.
they sound just as funky on their funky songs and i think they sound better on these types of songs bc classical bari sax is kinda eeHH but thats just my opinion
I think you're half right. They've definitley had a change in tone, and they're nowhere near as pizzazzing as they used to being, but I think the passion has increased a lot. IMO, they've stopped playing to impressive others, and are now playing because they enjoy it, which I think is good.
@@MrKrabs-mb4eg I was just commenting on the score it's not like my opinion of the video as a whole relies on the fact that the bass clarinet part is written out incorrectly, it's still a very good video
on Measure 49, the Trombone player isn't playing a dotted quarter note, He is actually playing several dotted eighth notes. He does it for the phrases afterword too. impressive though.
It's kinda subtle and really doesn't even matter. But he re-accents the note after he plays it to match what the sousaphone plays on beat .75. It might not be a big enough accent to call it another note but I guess you could say it just comes up to musical interpretation at that point. These musicians are outstanding and I think it would be impossible to write down their piece exactly how they play it. But you sure do come pretty close!
@@ZHL242 neither do I but I think he's talking about how the trombone just kinda blows ever so slightly more into the held note, along with the sousa groove, creating the impression of a very slight accent, but it definitely is a dotted quarter
