It's so interesting especially the parts where you explain the characteristics of different styles and your adaptations. Even though I'm not a flute player, learning about this is really fun 🙏
Not Grahabhedam. He is playing the same raga with different scale flutes where the position of Sa or Shruti changes and a player can feel comfortable as well as can present more modulated way. Hare Krishna.
You have a knack for explaining music theory flute guy. I play the piano and found your flute music yesterday. I’m so glad you have a channel, because most of your videos are on various other channels. Thanks for the explanation and keep it up, I’m subscribed and looking to listen and learn a lot about flute music from you!
This is wonderful what you are doing. A lot us can't find this content online and I'm no positions to find a teacher to continue my practice. Thanks a lot.
Awesome bro! Thank you for posting this type of video. The transposing technique is something I infused in my Arangetram and its definitely a technique I can use in my future programs. Thank you for teaching this technique in a way everyone understands it. All the best and I’m looking forward to your concerts in Toronto! 👍🏽
Thnx my dear br. I have a question that as you have told the tech. Of easing the S swar by tra tranposing it, so whether should I practice everytime by shifting key ? On the shifted note ?
This is the correct finger position for bansuri. European flutes without keys are usually played with the fingertips, but the bansuri is played with the phalanges.
Idk if you are talking about the fact that he is playing in the Carnatic fingering instead of Hindustani fingering, or if its because he is using other varied finger positions to play Sa Assuming its the latter, that is the point of the video: using different fingerings of Sa to achieve different gamakas and ease up how to play different ragas
