to be fair the choreo does have some questionable choices (most likely becaue they are trying to tailor to members with wildly varied levels of skill) but it is certainly a breath of fresh air nobody is really doing a sound like this
Mayu-chan on the thumbnail.😍 Their choreo scheme even from the very first unit up to now reminds me of how Dreamcatcher still use point choreo and gestures from their past songs to the current and following songs and make those songs and dances connected in a sense. And also Dreamcatcher's choreographer and performance director Hwang SooYeon was the one who conducted first member SeoYeon's first dance lesson under MODHAUS.😊 What's good about the entire group aside from talent and being all comedians (lol) is the system of having a comeback/debut around every 2-3 months with a different line-up from pool of (currently) 16 (24 full line-up soon) members. Have in mind that some members aren't yet fully trained as they were meant to improve within and between comebacks until they reach their full performing potential. ALL FOR THE NAME, ALL FOR THE GROUP. 24 but still ONE. That's how they slowly establish their presence and name and it's always fresh because of their decentralized line-up system which current line-up can still perform previous unit songs on tour. Let's go tripleS! Let's go EVOLution!
I had no idea Hwang Sooyeon taught Seoyeon!! She was my one-pick in Produce 101 7 years ago, although she never debuted I’m glad she has become a successful choreographer and dance teacher!!
@@b.9011 tripleS have different choreographers, their performance director and choreographer has previously worked a lot of times with NCT and THE BOYZ before. I just compared their choreo sequences' resemblance from Dreamcatcher's choreographies.
Right? Maybe it’s because this is the only group whose every performance I watch like my life depends on it but even when I think I won’t like a song, a week later they’ve proved me wrong and it’s stuck in my head
Some of them are. I mean I assume all of them but you can only hear a few of them over the backtrack. Mayu and Kotone I think are the loudest. Soomin has one or two lines where you can clearly her too and Jiwoo I think, but she was so effing stable that it was difficult to differenciate when she was live and when it was the backtrack
