Trombone First Aid: Kopprasch n.11

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Tips and hints for trombone practice
Gabriele Marchetti was born in Città di Castello (Italy) in 1983 and started his musical studies at the age of six with accordion then on euphonium, trombone and bass trumpet. Since 2007 he is member of the Italian Wonderbrass ( • Italian Wonderbrass ).
He acted as freelance Solo Trombone for Teatro La Fenice in Venezia, Orchestra del Maggio Musicale Fiorentino in Firenze, Teatro alla Scala and Orchestra Filarmonica della Scala in Milano, Orchestra Sinfonica della RAI in Torino, Teatro Lirico di Cagliari, Spira Mirabilis, Gstaad Festival Orchestra, Kammerorchester Basel, Camerata Bern, Berner Sinfonieorchester and more.
In 2012 Gabriele Marchetti joined Theater Orchester Biel Soloturn (www.tobs.ch/) as Solo Trombone and in 2017 he is appointed Trombone Professor at Conservatorio F.Morlacchi in Perugia and at AIMART in Roma (www.aimart.it).
He plays modern and classical period handmade trombones, crafted upon his own design by Matthias Hölle in Germany (www.hoelle-posaunen.de).
#trombonefirstaid#trombonepedagogy#trombone
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Опубликовано:

9 дек 2019

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Комментарии : 8

@paulmorris8386 3 года назад

Wow...excellent! For years, I guess I was playing this much too slowly...I interpreted the adagio more literally. You have a fabulous sound, and it is such a pleasure to hear you play these studies. Watching these videos, I feel like I am taking a masterclass in trombone performance! Thanks for doing these videos!

@GabrieleMarchetti 3 года назад

Thanks for your comments! If you like my project, please support by subscribing to my channel, sharing with other people and putting "thumbs up" to all my videos... Thank you!

@RolingPlay 4 года назад

very good

@GabrieleMarchetti 4 года назад

Thank you very much! If you like this content, please put a "like" to each of my videos and share with people who might be interested, too: I would really appreciate!

@_sam0107 5 месяцев назад

1:35

@paulmorris8386 3 года назад

Gabriele...maybe you can clarify...tempo marking for this etude is adagio...you are clearly playing it much faster. Any reason? Thanks.

@GabrieleMarchetti 3 года назад

You're right, the tempo marking would require a much slower metronome: I decided to go for a different interpretation just with the purpose of achieving a longer phrase without the need to breathe. Besides that, such tempo pushes the challenge of maintaining the same articulation through the entire exercise while going up and down with register and dynamics... So basically I transformed the exercise to meet my further needs. The original tempo is still a valid choice!

@paulmorris8386 3 года назад

@@GabrieleMarchetti Thanks for your reply! I kind of suspected the faster tempo was your interpretation, as opposed to taking the adagio marking literally. My issue is that I just don't have as much air as I used to...I'm 72. I can almost make the longer phrases at your faster tempo, but then I start to sacrifice clarity and accuracy. I would love to hear you play #16 in Kopprasch book 1! Thanks again for giving all of us these "masterclasses"; especially during this time when some of us, myself included, wish we could be having some face to face lessons with a teacher but for obvious reasons cannot!