The clarity of tone is a goal of any choir. The TTI has achieved it. Notice the attack on the notes and commitment to synchronicity. Very well presented..
Verse 1: Māmani ‘oku faka’ofa Hono talanoa ‘e he folofola He fonongaloa ki he mala‘ia Mole ‘a e lelei Lau ‘etau fa’a lotu pe a mo e ‘ave‘ave Ka ko sīsū na‘e fakalave Ki he hia na‘e pau ki he mate Tau ‘atu ‘a e fakamālō Ki he ‘ofa ‘a e ‘Otua ‘O ne hifo ki he fonualoto Ko ia hotau hao‘anga (x2). Verse 2: Kalisitiane (tiane) Ke tokanga (tokanga) Ki he anga ‘o e tau fononga (anga ‘o e tau fononga) He ko māmani (māmani) Faingata‘a (ngata‘a) Ko e hā ha me‘a (hā ha me‘a) Te tau fai (te tau fai) Ko e lotu pē (ko e lotu pē) Mo e ‘aukai (mo e ‘aukai) Ko e ma‘u‘anga ‘e tapuaki (Ko e ma‘u‘anga ‘e tapuaki..). Verse 3: Siasi ‘o e ‘Otua (‘Otua) Nofo mo ke tokanga (tokanga) He ‘oku tau fononga (fononga) He maama faingata‘a (ngata‘a) Ka ko e hā ha me‘a (ha me‘a) Te tau hao ki ai (ki ai) Ko e lotu ni pē (pē...) Te tau hao ki ai.