TURN OF THE CENTURY (Chris L and Tim W, cover YES) 

Thanks yanto,tim

Thanks Steve. From Chris and I. It means a lot to us both.

Thanks Andrew,Chris and i are grateful for the very kind words,Chris is very talented and worked very hard on this cover,tim

Thanks buddy,

Thanks again.

Thank you from Chris and myself.

Thanks Holdie, It means a lot yo Chris and myself. Tim.

Thank you Marcio from both of us.

Thanks john from chris and myself.

Thank you, Manuel fron Chris and I.

Thanks Carl, from both of us, tim.

Thanks Vlad From Chris and myself. Thats some screen name!!!

Thanks Philip, it means a lot too Chris and myself. Tim.

Thanks again buddy,tim

thanks my friend

Thanks buddy,Chris and i had a good time covering this YES tune,tim

45 years ... feck.

when I was around four years old a few members of yes came to our house. Jon Anderson, Steve Howe, bill buford, chris squire, They were looking for ideas for songs and I remember all of us placing our hands together as we were in a circle, a way to signify the forming of the band or should I say new band as steve was the new guitarist for the album. Jon was indeed a sound chaser and we had an old piano that had one low note that would only play if you hit the key real hard. listen to the cresndo of the piano at the end of and you and I and you will hear the note added in. our upstairs sink had a unique drip sound but only when you could get a drop of water to go straight down the drain to plop into the water at the bottom. you can hear this on close to the edge during the water dripping part towards the middle of the song. we had a microscope and my dad told us to go get a drop of water from outside in the bushes. jon and I got a dew drop which is mentioned in close to the edge, anyway a dew drop from a spiders web provided interesting viewing under the microscope clips of which are on the yessongs video live version of close to the edge towards the beginning. I pieced this together many years after but my dad put some of his seed as jon put it on one of the slides to look at under the microscope. It can be seen also on live video of close to the edge yessongs version. They look as if they are deformed sperm but are in fact almost 100 percent testosterone with the story being that you can see forms of every animal on earth in the sperm. thus jon called them the seeds of life on and you and I. we talked a lot about different topics such as the color of the sky mentioned on close to the edge. It was a summer evening as the sun set and I called it a magenta color sky. I wasn't even in grade school at the time in Michigan but remember mentioning the distinct seasons in Michigan. this is a subtitle on close to the edge: seasons of man. I was asked what I do with myself and in my bedroom I said here is where I get up in the morning and where I lay down at night. jon changed it to I get up I get down for the album. being the sound chaser jon searched for sounds to put on tape and I said well the birds sing. so on tape they went to start close to the edge. later my cousin had an annoying flute like thing he recorded that ended up on the beginning of sound chaser on the relayer album. my cousin said it would be difficult to put the annoying flute noise to music but it fits in nicely. many more stories to tell of this time period. you see I am the Man jon sings about on and you and I although I was only a boy at the time jon said I was a man or male gender I think he meant. but jons sings about me throughout the song and I am indeed now the man maturing in his eyes. my dads friend at the time was mr clay forget his first name now but he lent 2000 dollars to them to get the Yes album under way and my name was mentioned on the origal green sleeve of the close to the edge album. It simply gave thanks to mark dressler and jon bates my friend at the time whose family had a Hammond organ in their basement we used to fool around on and made music like the chords played while jon sings I get up I get down during the middle of close to the edge. Bill left some brushes some drummers use and my neighbor ray ended up with the brushes. my mom had the Styrofoam head that held wigs and that is on the back album cover of the yes album. too much to say to put here

Thank you, my friend, it means a lot to Chris and myself. Tim.

@@timwardle6575 Hey Tim, I keep watching this as I realise that as a guitarist I’ve been playing a section incorrectly. It’s a VERY impressive cover, and both guitar and vocals are outstanding. I’ve always loved the song, and getting the ‘feel’ right is challenging. You guys have nailed it. It’s a real pleasure to listen to, as well as being instructional. So many thanks! Keep up the good work.

Thank you Charl, from Chris and myself.

Thanks for your support, tim