TUTORIAL: Chopin Prelude in B minor op.28 No.6 

Glad it was helpful!

Feel honored thanks; but unfortunately no chance it can happen earlier than mid spring for a bunch of reasons.

@@DenZhdanovPianist 😢 sooner or later it will arrive and will still helpful. Best wishes for all what goes on in your life.

Hey in case you’re around, I have just found a master thesis on the topic, didn’t go too far yet, but the start looks quite promising, have a look: ukzn-dspace.ukzn.ac.za/bitstream/handle/10413/8880/Combrink_Albert_Christiaan_1992.pdf?sequence=1&isAllowed=y

You can find pretty good fingering suggestions by comparing different editions: Ekier, Henle, Paderewski… Many of them are accessible at imslp.org

​ thank you for your suggestions

...I really like your assessment though

In my opinion, it may. Although I would use less negative words such as morbid, intimate, and muffled. First of all, Beethoven and Chopin are way too different in their aesthetics. Secondly, whatever you choose to believe about how to play them is basically a transcription to a modern instrument, which has just a very different sound and acoustic properties, and vastly different mechanics. Thirdly, Beethoven doesn’t have many long pedals or sotto voce indications, while in Chopin's works you may find plenty of such indications, and pedal for the duration of the whole bar. Of course, such pedaling was meant for historic instruments, but nevertheless, it shows a favorable attitude. For example, in romantic music (Schumann, Chopin, Liszt), it’s allowed to pedal through rests, while in Beethoven (except specific spots in late works), pedaling through rests is largely a taboo. It’s just a small example about the difference in Aesthetics between classical and romantic styles. Regarding characters, Beethoven depicted the epic path of Humanity in Cosmos, while Chopin concentrated on pain and intimate feelings of a man. Stylistically, they should sound as different as possible, in my opinion.