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I wish the character of Laura had, from the beginning, been a girl who was innocent and wholesome, who hadn't fallen into badness in her teens years. It would have made ger murder so much more sympatheitc and interesting and shocking. Had she actually been like that lovely and iconic framed photo, the show would have been a bit different for me. I love the series, but this is just a little preference.
@@eduardo_corrochioBroken characters, those with faults and problems are way more interesting than what you describe. Twin Peaks, much like Lynch's work, is about how the popular image of Laura Palmer in the show is incorrect, how there lurk dark things beneath the superficial veneer of how (American) society, especially the middle class, likes to presents itself. Which is true to life, the people behind the white picket fences have ugly things to hide. I believe that is one reason Lynch is so popular.
@@wawawuu1514 I see your point completely and understand that David Lynch strips the pretty veneer away from Americana to expose its nasty self. But for me Laura's murder would be more effective had she been the ideal girl next door--- a character who, over the course of the show's run, we didn't learn too much about, just the basics. It's a personal quirk of mine, and I know it's odd and it probably goes against all Lynchian beliefs. Admittedly, in the show it's interesting story-wise that what most townspeople thought of the Palmer girl was not the truth, but it would be fascinating to have a different version of the tale that features Laura as merely a nice kid, the Homecoming Queen, who was suddenly snuffed out by an evil force. Lynch sometimes painted his cinema characters with layers and shades of gray, but he also created some that were pure goodness (obviously Cooper falls into the latter group, Laura into the former) or outright nefarious.
