I saw yesterday Swanlake from Bolshoi with Zakharova from 2015 on a big screen at a Filmfestival.. with all my Respekt for Svetlana Zakharova but Uliana Lopatkina is Breathtaking and in her own league..
Lopatkina is the Ultimate Ballerina with unique musicality, acting abilities and great articulation in her dancing when in a role. Zakharova is overacting mostly, the same reason why I don’t like Khoreva much… a lot of pretend and affect, not embodying a character…
Staggeringly beautiful, haunting, and cinematic ending to this fabulous version. Love the choreography, staging, and chemistry between these two. I am in tears watching this. Thank you so much for posting!
Her arms dance too. Such beauty and movement the joy i have watching her i cannot describe .i am from England and oh i wish i wish i could have seen her dance. The best dancer i have ever seen.
Still prefer the ending where they have to kill themselves to break the spell, but this made a lot more dramatic sense to me than most versions of this ending I've seen. OK, I'm in tears, I admit it.
Well that's a version I haven't seen before. They live?! Okay! Happy ending, why not. The wing being ripped off was a bit macabre but then... the double suicide version is pretty dark, too lol
Without the Sorcerer, they would not be story. He is the key of it. And here, Andrey Ermakov is exceptionnal in this role . He's now Principal of the Mariinski Theatre...⭐️
@@user-op9uh5dh2o посмотрите весь спектакль может мнение изменится, это лучшее, что было в мире в лебедином ( это оценка западных критиков), хотя одна дама написала, мне наплевать, что пишут на западе, наверное восприятие балета каждым всё-таки субъективно...
@@user-mm2kc9pd4p Мне не нужно менять мнение. "Лебединое" с Лопаткиной - это лучшее, что может быть! А писал я, имея в виду даму, которую "не впечатлило".
She’s a nice dancer but that’s all she’s doing. Dancing. There’s no emotion, not acting. Especially when Odette returns to the lake, absolutely destroyed and broken hearted. I can’t see that anywhere. She doesn’t give life to her role very much.
