Ultimate Dynamic Control with Serial (stacked) Compression 

Really liking your videos…subbed! Keep them coming.

Thank you for the breakdown of the LA-2A

Oh Yeah... Would you be so kind as to do a video in which you "break down" the mechanics of what is happening in "76" style compressors, when the "all in"/"Nuke" functionality is activated? I'd be curious as to whether it it is merely super compressed, OR if all of those ratios are applying mildly different timings/sync, etc... or anything more than merely a "high ratio".

What is that noise at @10:38... do you have a mixing console or something?

What a great video again! Your first LA-2A video and this one just really make something click in my head about the use of compressors this way, very useful content :)

At 7:20, you said you were speeding up attack and release times on 1176, but moved the knobs to the right, which I believe would increase these times. Did you mean to say you were slowing these times? Just want to make sure I understand correctly. Thanks for the video.

Definitely under-rated channel! I was just the 1000th subscriber!🔥

Really really enlightening and very pleasant in it's presentation thank you very much!

Thanks for making compression make sense Just got this compressor so Perfect timing 🙂

Alexander, you are a KING of instruction. Thank you so very kindly for this video. Further, I hope that you have received my email.

Why does the 1176 impact the LA 2 A when it’s second in the chain?

never thought of this before nice one alex!

New subscriber here ✊🙂 cheers mate

Thanks for fulfilling my request. This was great! So informative, So simple and a sweet short video. Awesome! Wonder what the vocals in context with music and with extra processing on would sound like :)

Thank u so much 😊 after following u, seeing myself improving 🎉

Another great vid. Probably one of the best explanations of attack and release i've heard....Thanks! Btw...do you compress and/or eq during the recording process or is this with a completely raw voice? Thanks again!

Wow, I absolutely love what you did with combining the compressors & showing how they react together. Then comparing the before/after wave forms. This is GOLD! I remember doing something similar to two different masters of one of my songs. I had to use one of them for the bridge, and the rest was from the original master (don't ask. LOL). I wanted to make sure the volume was consistent, so I made a wave form of the bridge in both files, and compared. I even went an extra step & made an animated GIF, which went back & forth between the two. Then I adjusted the volume accordingly, until you almost couldn't tell the difference between the two. Fun stuff!

3 db of gain reduction might be preferable on a vocal performance based on 3 notes, but I prefer to compress shit out of the vocals on a more dynamic performances xD

bumped into your channel by accident and how wonderful it was! These extra bits of info has given me the nuances that i miss in compresssion. Very clear, precise and friendly. Thank you!

thank you so much this has actually helped me alot now i do understand

Nicely done sir

Another RU-vidr in an echo chamber