Ultraviolet Stereo Equaliser & G-COMP Stereo Bus Compressor | Mastering with SSL 500 Series Modules

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The UV-EQ and G-COMP 500 series modules from Solid State Logic make a powerful duo for mixing and mastering. Headphones on for best listening experience!
In this video, we work through the features on both these modules, to hear how they work across a whole mix. We used the track 'Friday Vibe' feat. Laura Wyatt from our previous video on the SSL SiX CH module.
▶️ Watch our previous video on SSL SiX CH here:
• Recording & Mixing wit...
📖 Find out more about the SSL 500 Series range on our Musician's Blog:
www.soundtech.co.uk/musicians...
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Опубликовано:

10 окт 2021

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Комментарии : 61

@RobKingRC 4 месяца назад

I just ordered the UV-EQ then the G-COMP is next. Excellent review!

@BlackenedNL 3 месяца назад

How do you like the UV-EQ? I'm looking this get this exact set soon in my 500 series rack

@ytb917 2 года назад

great demo. the "after" audio sounds much better, especially regarding the eq.

@repmusic 2 месяца назад

Great video, I already have the UV and considering the G-Comp..

@kevinlentz7604 Месяц назад

I got a violet with my Big 6❤ great review

@tonez2732 2 года назад

Great stuff! Thank you

@Chaz_r Год назад

Sounds pretty great to me!

@donchuy4534 2 года назад

I have the same exact set up thank you for this video!!!

@PicassoBeatz 2 года назад

So what is the point of using it for mastering if it is on a mono unit?

@erickarge1838 Год назад

@@PicassoBeatz these are both stereo units.

@jrunundeniable 2 года назад

funky!

@quaz3294 2 года назад

SSL THANK YOU. 1. THERE ARE CLEAR differences when eq and the comp engaged. 2. Again I'm sure if they had really mixed it then yeah but this demo was amazing 👏. 3. They tracked a song wit 2 ch strips and mixed it with just 2 processes. I know guys with entire consoles that can't get this sound. Again ssl thank you! Made me appreciate that eq. Again thx yall💪

@johnisrael5183 Год назад

See.... you just proved my point I did the same thing with my drums, with good engineering you don't have to necessarily spend money on the most expensive gear

@johnisrael5183 Год назад

It's not the gear it's the engineer

@user-ok8xx8wf2c 2 года назад

Thanks for the demo! Now i'm pretty sure i don't need it.

@bleubleu3107 4 месяца назад

All of them don’t know what they talking about sounds so much better they are not considering the limiter and how not smoothing the master prior to the limiter it’s goes to be super harsh good demo

@lordberly Год назад

The attack settings on that G-comp is way too fast, it chokes the transient.

@GBMGamingYT 4 месяца назад

Good thing this isn’t a mix review

@alfonsomunoz6946 2 месяца назад

Can I use it in live performance?

@ChopavelliLive 5 месяцев назад

Quick question, I’m new to getting into the 500 series gear and any particular reason you went with the Cranborne Chassis instead of the other brand ones? I came across the Cranborne and was thinking’s about purchasing it. I liked the price and the noticed the switches in the back which were interesting and new to me. Just wanted your take, thanks for the video.

@soundtechnology 5 месяцев назад

We used to distribute them for the UK. The integrated USB interface in the R8 and Optical link in the 500ADAT are very very useful. They're robust and sound excellent as well!

@colourofshade8396 2 года назад

Sounded better before processing. Had more energy. However the vocals fitted better through the G comp.

@johnisrael5183 Год назад

Yeah....Im using a Warm Audio G Comp as a part of my rack...the SSL 2 + and a Mackie Mixer with Acustica Audio...Sand 2 and 3 (SSL 4000 E Live Analog Sampled 16 Core ) Plugin Bundle....Im honestly getting a better sound than this...SSL unless you can afford a full SSL E, 9000 J or G Board....the smaller items are a rip off...

@johnisrael5183 Год назад

The warm audio g-comp sounds just as good as the compressor on there are better Kurchoff EQ Old dbx 266 for saturation, a warm audio G compressor with tranforners engaged and a brand new clear Mackie mixer, used Alises Monitors, Lewitt Mic, AT Headphones, SSL 2+ 4k engaged.....$2000....full studio....way morr options

@Reggi_Sample Год назад

@@johnisrael5183 access analog just use a real bus comp and fusion

@RomeoRivera2C Год назад

How did you get these two units to flow together? Is there a link type switch on the back of the chassis? How are you getting the signal to flow in stereo from the UV to the Gcomp and out?

@soundtechnology Год назад

In the video, we've got these modules in the Cranborne 500ADAT. Each slot can receive & send audio from your interface over ADAT. We've routed the audio digitally through one and then the other. straight after. Hope this helps!

@ChinoMagliba 9 месяцев назад

@@soundtechnologythis helped me from researching! I’m definitely going to build this set! 😍

@ChinoMagliba 9 месяцев назад

@@soundtechnologyhope this gets an answer soon, how’s the latency when routing digitally?? Am I supposed to be concerned with latency if I’m only using the 500series for mastering purposes only? Not tracking

@soundtechnology 9 месяцев назад

@@ChinoMagliba There will be some roundtrip latency when looping audio to and from the 500 rack digitally, but this can be compensated for if needed. If your entire master goes through the same chain, the latency shouldn't matter.

@_EightySix Год назад

So can I run a stereo output from my mixer and into that chassis and back to my interface and the signal go through each slot?

@Raumweiter Год назад

yes. If all modules are stereo. Just read about api 500 lunchbox cases, most have a switch at the back to send a channel to the next corresponding channel.

@_EightySix Год назад

@@Raumweiter thanks. I've read briefly about several chassis but there's alot of technical jargon that kind of confuses me. So if i have the violet EQ in a slot, then a mono compressor, does one of the 2 channels just stop? Or does it continue on as a stereo pair with only one cable affected by the EQ?

@HaharuRecords 7 месяцев назад

gread demonstration. however imo you have cut too much of LMF

@PicassoBeatz 2 года назад

So what is the point of using it for mastering if it is on a mono unit?

@soundtechnology 2 года назад

Both of these are stereo modules.

@tellmel1010 2 года назад

are u joking ? lol

@johnisrael5183 Год назад

ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-oP-BVCrlm0Y.html

@TheRemizinho 3 месяца назад

That low mid cut killed the song, but yeah .. I get it .. its just a demo

@johnisrael5183 Год назад

@RasCricketSmallAxe 2 года назад

That's just not $3000 better. IDGAF, lol. It's not $3000 better. Not even close. Pretty pathetic, honestly.

@johnisrael5183 Год назад

man...I agree..SSL seems like a rip off...unless you can buy a full large mixer

@johnisrael5183 Год назад

ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-oP-BVCrlm0Y.html

@platboy1789 Год назад

lmao its like 200$ more now. SSL is 1000

@platboy1789 Год назад

@@johnisrael5183 LOL your on every video/post. You can tell you want the SSL G Comp SOOOOOOOO bad. But your trying to talk yourself out of it cause its $$$$$$ lol

@johnisrael5183 Год назад

Save your money...use Acustica Audio Sand (SSL ) Bundle with an affordable rack and mixer.......mix your song well.....and trust those three will get you the same sound maybe better if the mix is already great before you run it through your gear with the AA Plugin Bundle....... Lunchbox set up......$3-$4,000 vs AA $200 Sand bundle (With 16 Core Live Analog Sampling from a $300,000 full SSL Mixer....) you do the math...dont a be brand victim...LOL

@talkinghelpless3093 Год назад

loool not the same composants...

@johnisrael5183 Год назад

Honestly it’s irrelevant if you use the separate AA SSL E Strip, the Sand Pre Plugin and The Slate FG Grey Cytomatic Glue Waves SSL Comp Sand Comp Or PA Townhouse Comp You will get 90% of the same sound so spending $3000 just to have 10% more because you couldn’t mixmaster right is ridiculous

@johnisrael5183 Год назад

I just tracked the song out with those plug-ins with, a Mackie mixer and on separate tracks….ART Trans Y…And then ran that entire mix to my analog Tack….Which includes a warm audio G comp…It sounds like I ran that through a $50,000 SSLE Console…Identical my point is these people are wasting way too much money use those plug-ins with some affordable analog gear and I guarantee you you won’t need to spend that much money…Components matter to some degree but mixing properly matters more

@talkinghelpless3093 Год назад

@@johnisrael5183 yes its true, I agree with you. But at the end, the component justify the price I think. It's not about the sound for the seller it's about the quality. But yhea, there is really good analog stuff for less!

@johnisrael5183 Год назад

Oh and Just for the record Check out the Allen Heath Mix Wizard 16:4 Or the Trident Audio 68 16 Channel Or the Mackie FX 16 Way more fordable mixing consoles that sounds just as good as a matter SSL console