I learned sooooo much from u and expanding my horizon. Man.... best guitar lesson for intermediate player who has stuck with their playing and musical theory.
I learn so much from this excellent video. All the hidden sub-chords within the arppegio, so long that these sub-chords contains the characteristic note of that particular mode. This is by far the most professionally produced video on this subject. The typesetting is so beautiful, the diagram explain the concept so well. Most importantly, the video creator himself is so well verse in the music theory. I really admire your skill in unpacking this difficult subject. Well done is an understatement.
Thank you so much Rob I am really liking this journey in which you are taking us to have this beautiful tools in our arsenal. By the way whoever gives a thumbs down to any of this lessons have no soul. I am a really happy and proud Patron! Cheers!
Why do I see some arpeggios restart at the root (8) for the upper keys ie an octave above the lower arpeggio. yet here I see to arpeggio run to 9, 11 etc ?
This is the note that defines the mode and sets it apart from all the other modes. The minor 6th in the aeolian mode is only found in 2 of the (non-diminished) minor modes: the aeolian and phrygian mode. It's actually the combination of the major 2nd and the flat 6th that sets the aeolian mode apart from the other minor modes. In Dorian for instance the raised 6th is the trigger note. It's the only minor mode that has this raised 6th.
Your channel is awesome! Help me out here... I spent a good bit of time trying to figure out what you meant by "stacking thirds"... I never did figure out what you meant and that one thing is preventing me from absorbing the rest of this video. What does that mean, "stacking thirds"?
Stacking 3rds means that you add a 3rd on top of the root (e on top of c for instance) . After that you can repeat this by adding a 3rd op top of that 3rd you added earlier (g on top of e). Now you have a triad. You can continue adding 3rds to this triad creating a 7 chord, 9 chord, 11 chord and 13 chord. We call this stacking 3rds. I hope this helps.
@@QJamTracks Yes sir, helps a great deal. I get it now. I was just now working my way through the "modes explained crystal clear" video of yours. I thought I should go back to the very basic and pick up anything I may have missed (and I did). Thanks again!
@@raffzam9054 wait, how am I correct if all I said was basically hes correct but you say he's incorrect? Somethings fishy here. Lol. F#m7b5/f#,a,c,e. It's basically a f#diminished (f#,a,c) with a minor 7th (e)
