UNSEEN Side of Tonmoy Krypton || OPENS UP on Music, Life, Habits || Assamese PODCAST || Episode:32 

UNTOLD Podcast, Episode-32 ft. Tonmoy Krypton is a talented and famous Music producer from Assam. He is well known for his works such as 'Alakananda' and 'Jipaal 2.0', published when he was just 19 years old.
Tonmoy Krypton released his first song 'Borokha' four years ago with the current famous Assamese singer-songwriter, and composer, Sannidhya Bhuyan.
Now pursuing a B.Sc. in Sound Engineering from Bangalore, India, Tonmoy is fond of producing simple songs, which he also uploads to his channel. His genes can be divided into R&B, POP, LO-FI and Ambient music.
Irrespective of being an introvert, in this episode, Tonmoy reveals the UNSEEN side of his, the UNTOLD stories. In this episode, we tried to unveil his human side. Breaking him free from his introverted nature to know about his UNTOLD stories.
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👉🏼 Cinematographer:-
Himangshu Buragohain
/ himangshu_buragohain
👉🏼 Production:-
Kundan Baruah
/ _kundan_baruah_
Nitupal Saikia
/ nitupal_xoikiya
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Timestamp,
00:00 - Precap
01:46 - Introduction
03:09 - Real Name of Tonmoy Krypton
04:07 - Engineers turning into Artists
05:32 - Tonmoy's Future plans
07:00 - The 'Wind' of Bangalore
07:41 - The Series of Hit Songs for Tonmoy: The Story
09:45 - Turning passion into profession
11:37 - The rift between Sannidhya Bhuyan & Tonmoy Krypton
12:32 - The Family's support for Tonmoy
13:56 - The endless journey of learning & education
14:17 - The influence of friends in life
19:08 - The philosophy of life
19:22 - Fearing death
19:45 - Stories behind Jipaal, Xarodi Nixaah, etc.
20:15 - How Tonmoy met Sannidhya Bhuyan?
22:05 - UNTOLD stories of Tonmoy-Sannidhya from the studio sessions
24:47 - The ZUBEEN GARG cult
26:09 - Busting the myth of Auto-Tune
28:02 - Why Tonmoy chose to DROP-OUT while pursuing his B.Sc
30:11 - Consuming Cringe Contents
31:04 - Tonmoy Krypton SINGS 'ONGKITA' Unplugged
33:44 - Tonmoy Krypton SINGS 'XURONJONA' Unplugged
34:46 - The UNTOLD story behind consuming 'BHAANG'
43:41 - Conclusion
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