great way you showcase everything, you get to the point right away and your explanation is simple to understand, most people i have watched trying to overexplain it ! I see a big following coming, if you keep doing it,the way you do ! Love it, man ! Thanks for your educational content ! 🎉appreciate it soo much.
Thanks George, not only I subscribed to your Channel & smash, the like button, your channel is now in my Loupedeck section for training, I learned a lot with this video, thank you very much.
@@george.colorist little question, George. In the video you made (11 months ago) “create this deep green cinematic…”, if I have a BRaw file, do I skip the first cst and make the second the first??? (Sorry, but I wrote a long comment on that video and for some reason I don’t see it. Thanks, man
Yeah thanks boss much appreciate this. So maybe next time use a de-esser plugin for your audio so it's not biting the ears. Davinci got one built-in and it works great. That's if you didn't boost the highs yourself though. Thanks again for the gems 💎 ❤
You are free to use whichever. There is no real "should" or "should not". It's more a question of whether or not you want or need to use the features that the HDR wheels have. Basic Primaries wheels are more than enough to cover most applications. Its helpful to understand how the primary wheels work as a good foundation for understanding the HDR wheels since the HDR wheels are doing pretty much the same thing that the primaries wheels do but they're just allowing you to be more precise via its features. That is basically the difference. It really is just up to the artist on what they want to use.
One of my favourite davinci colour pages by far. Love your stuff. Although I have some idea, can I ask, why do you work within davinci wide gamut, and how do you decide what to edit within this space? Do you edit anything once back in rec 709?
@@imeanbillya Think of Davinci Wide Gamut like a universal log profile for color grading. It allows all types of log profiles to work the same within Davinci and allows you to keep the same workflow when editing footage from different cameras. So in answer to your question, no it doesn't mean anything once you render it out because at the end of the day it's all going out through rec. 709.
@@imeanbillya if your only really working with one camera and you're more comfortable in using one cst that brings you from log to rec. 709, just stick to that. But if you have multiple cameras you're grading or you think you'll eventually grade footage from multiple cameras then I'd get in the habit of having two cst's. Hope this helps as this is my understanding of it.
Thank you very much. I noticed a bug in my version of Davinci Resolve (latest studio version and even in the free version and on two different apple machines). Almost every time I press shift h to see the effect of a power window or a key, the way my node tree is displayed is totally off. Only the effect of the node that is selected and the nodes prior are display the rest isn’t. This is particularly annoying when you have a look in place and a CST. What can I do about it.
I hope I'm understanding you correctly. As long as the node you have selected is the one with the power window or key, you should see the selection in the preview window. If not, try updating Resolve or double checking your keyboard preferences to make sure shift+H isn't set to another command that may be causing that issue. Let me know if that works for you.
I need a camera that can be used to make action films, with lots of fighting scenes... and fast moving objects... but on the other hand I also need... the nuances of cinema film images. The question is... between Sony FX30... or BlacMagic Poket Cinema 4K. or lumix s5iix. Which camera do you think I should choose?.. because those 3 cameras are the money I have.. I see you are a professional.. so I ask for your opinion 🙏🙏🙏 thank you
