Using mixolydian scale to play Blues 

Thanks Antonio! :)

I AGREE HE IS THE BEST THANK YOU TEACHER!

:) Thanks!

😂😂😂😂👌🏽🤘🏽👍🏽🔥 yeah

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That's the good thing about music. There's always a different way to look it at. :) Thanks!

I wish more folks would put it like that. A Lydian = E major scale (starting from the A note scale wise against an A major chord. Aka 4 mode of A).

thanks!!

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You`re welcome. Do this great Strat have a metal saddle? What kind of Strat is this beauty?

Luthier strat. 57 style. maple... nothing special. Standard bridge, metal saddles... Heavy strings.

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frantisca thanks!

major and mixolydian the 7th is flat one semitone, but if you add the major 7 you have bepop dominant scale .... i know its mind blowing

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Hey! Thanks. Is a Luthier strat. 1957 relic. The amp is a Hot Rod Deluxe mex. 1x12

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Thanks Cesar!

One real easy way of making that change is to play your minor pentatonic but use the major six instead of the dominant seven. Instead of the note G you play an #F instead when the chord changes from A to D. Then what you have is ( in this case) a D9 arpeggio. The scale now is spelled: A-C-D-E-#F-A (instead of: A-C-D-E-G-A). If you rearrange the notes you get: D-#F-A-C-E. Now you can nail the change and it is impossible to play bad notes.

Yes!. Look this: Take Minor Pentatonic Scale, position 1 in A, overlap with position 2 of minor pentatonic scale in the key of F# (F# is the relative minor of A, also called Major Pentatonic Scale). What do you get?. ANSWER: Mixolydian Mode!. So, the equation would be: Minor Penta + Major Penta = Mixolydian. After that... it's all about approaching. I mean.... If you play Minor Penta and you use some Major Penta notes (like salt and pepper as I use to say) you will sound more "classic Blues" (BB King, SRV, etc). If you use more Mixolydian (same notes as before but playing them as a Scale) you will sound more Modal or Modern Blues (Matt Schofiled, Robben Ford...)... It's all about approaching. That's my personal way to think this :) Thanks!

Indeed! Thanks for the more modern modal guy as well. I haven't heard much from them so I will certainly take a listen. Thanks for the input as well! Always good to share ideas. Great Lesson!

Hey Dennis! Thanks :)

Hi, thanks. It´s not outside... itñs straight mixolydian shape. You can find in this video more info about it: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-yp_4_sCDT64.html

@@GuitarBluesHury great explanation of the pattern 1, yes I know that mixo blues pattern well, but I am a little confused with that run you did 4.42 into the vid, as it doesn't seem to fit within position 2 in parts. Unless you're playing notes out of the d9 chord you just played. Sounds great though!👍👌

Try using major 3rd to transitions. Thanks! :)

thanks!

Hi, thanks for your comment! I think the modes as minor pentatonic scale plus or less some intervals. EX: Aeolian: Minor Pentatonic + 6b + 9. Dorian: Minor Pentatonic + 6 + 9. Mixolydian: Minor Pentatonic + 3rd + 6 + 9 (and I add minor 3rd if I want more bluesy sound)... and I do the same with the other modes...Thanks!

@@GuitarBluesHury Martin thanks for your reply about remembering the modes. Im actually still looking the actual changes to the maj scale to remember the modalities, I dont use the interval relationships all the time. Unless I am locating say, b2, b4, #4, #11, maj, min 7ths sometimes. Your suggestion may just be better for har min and melodic minor modes as i still have to memorize those more. I like you videos.. thanks

thanks!

@Beijing King Well...C major scale (it's ionien) and G mixoldien shared the same notes. A progression of C-G-F, it's I V IV in C (cdefgab)major scale (ionien) but it's also IV I VII in G mixolidien scale (gabcdef) cdefgab it's C ionien (major) firt degree same notes has D dorien second degree of C ionien same notes has E phrygien third degree of C ionien same notes has F lydien etc.... same notes has G mixolydien etc... same notes has A eolien (Am scale aka the relative of C major scale) same notes has B locrien So now, take and key, build the major scale and use this trick above to find out the mode of each degree. Keep calm, it's gonna make sense in a while. There's also a lot a videos that will help you out. I hope it will helpful and sorry for my french's accent wich is still very outrageous even when I typing :-D

Hi. Nop... you would play mixolydian of C over C... and if you want, mixolydian of G over G and mixolydian of F over F.

@@GuitarBluesHury exacly

Hi, if you wanna think it in another way... let's say you can play minor pentatonic scale adding major 3rd, 6th and 9th. It's like overlapping minor and major pentatonic scale (if you are in the key of A you can play position 1 of minor pentatonic scale in A with position 2 of minor pentatonic scale in the key of F#)... In that way you will play same shape as if you play mixolydian mode but think it in pentatonics. Hope is clear. Thanks!

Thanks!

Thanks! About arpeggio 6th, this is what I have ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-NkcgGFO8t_E.html Cheers!

Martin Hury / Blues Guitar Lessons thankyou

Martin Hury / Blues Guitar Lessons also what mode would it be if I play a C#min Pentatonic Scale over the key of A....I really love the sound of that but have no idea what its called

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Hi, I use Mixolidyan + maj7th (8 notes scale) as bebop scale. For me minor penta + 5b is "Blues Scale". Thanks! :)

ok, yes! I will upload the patterns! Thanks!

Hi, Mixolydian mode is major scale but you have to flat the 7th. You will get 1 2 3 4 5 6 b7. If you want to play pattern 2, just continue with the same logic. You can't use mixolydian over minor progression. It just work over major dominant (because of the major 3rd and flat 7th). Over minor progressions I would suggest using Dorian mode. Thanks!

Martin Hury / Blues Guitar Lessons thank you so much for your explanation Martin.

According to the root. You can fond a lesson about intervals in my channel.

Thanks!

There´s always many different ways to mix this salad :) I this sample I play, I use A Mixolydian (oner A7) D Mixolydian (over D9) and E Mixolydian (over E9). Thanks!

Thanks! Yes, is the scale Matt use to play.

Just add the major 3rd, the 6th and 9th to the minor pentatonic scale.

Hi, you can watch the position here ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-yp_4_sCDT64.html

paul cooper Hey thanks! hot rod deluxe. 1x12.

Hey Leandro! Sure! More blues jazz soon! :)

That´s an A13th. More info about this and more chords in this video ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-0lwluv1r0Qk.html Thanks!

Hey! Thanks! Soon a super lesson talking about mixolydian mode + minor pentatonic scale + Major pentatonic scale. Thanks!

Hi, you can d same work (adding the major 3rd, 6th and 9th) to any of the five boxes of the minor pentatonic scale. It's very easy to do it! Thanks!

Thank wolf! :)

I would use Dorian Mode over a minor chord.

Martin Hury / Blues Guitar Lessons thanks for the correction. Can I shuffle between aeolian and dorian back and forth?

I don´t use Modes to play blues, just Mixolidyan. My advice is try to shuffle using minor and major Pentatonic scale. If you overlap both you get Mixo mode. It´s the same. It´s all about approach.

Thank you for the great lesson and being so kind answering my questions!

Mixolydian are intendet for dom 7 chords.

Ahmed Rashed Photography play it lol

Sole Assembly :)

I cant wait till my fender looks like that xD

:)

Marco Giovannini. Actually I have Italian passport. But I've never been in Italy.

Martin Hury / Blues Guitar Lessons your accent sounds so much Italian ahaha

Marco Giovannini :)

Ken Lecuyer yes! That's another way to see it. Also could me thinked as minor pentatonic scale plus major 3rd 6th and 9th. Thanks!