Вступление: 00:00 Тема проклятья риголетто 1:13 Тема страданий Риголетто 3:45 Баллада Герцога «та иль эта» 24:44 Дуэт Джильды и Риголетто. Риголетто «Не говори о не со мной» 29:15 Ариоза Риголетто «О береги цветок мой нежный» 37:11 Дуэт Герцога и Джильды Ария Герцога «Верь ты мне» 42:50 Ария Джильды «Ах , при имени его» 1:03:43 2 действие, Риголетто Песенка «Лара» 1:07:16 «Куртизаны» Риголетто 1:08:44 «О синьоры, сжальтесь» Риголетто 1:13:26 «В храм я вошла» Ария Джильды 3 Действие 1:26:05 Песенка Герцога «Сердце красавиц» 1:30:29 Квартет «О , красотка, молодая» (Герцог, Джильда, Магдалена, Джильда)
This is so wonderful to have, thanks very much all your considerable work coordinating the score with the recording! It is a joy to discover this wonderful score in minute detail, and your efforts are much appreciated!
Simon. Your painstaking work is much appreciated. I am an Italian speaker and many translations (of others) are outdated. Some verbage used such as to taste: “libare,” are now seldom used, having been replaced by “assaggiare” or “gustare.” Thanks again for your perfectly timed scores. Your synchronized the score sheet transitions superbly!
I never noticed the modulations near the end of Act 1 before I saw your commentary! Wow! They remind me of the jarring, flashing, bright modulations in the opening chorus of Pagliacci, except Verdi's case is not as much in-your-face.
And most definately the first one that was perfect in every way. All that came before suffered from either weak libretti, lacking musical inspiration or the corset of operatic tradition that Verdi had to operate under. Rigoletto is the first opera in which he said: "To hell with traditions, I want to tell a story first! And so I can't have the tradition of having the soprano sing an aria with female choir as No.2 interfere with how the story goes." So there is no Soprano Aria in 2nd place, there are not even women in the choir. And that is just one of many examples where Verdi finally took total creative control and got rid of limiting prerequistes of how an italian opera should be structured. Took him just 15 attempts to get there...
@@Quotenwagnerianer I agree with you and that’s why I think Verdi is beyond other Italian composers (except Puccini). His operas are in my opinion way more interesting and captivating than Rossini, Bellini and Donizetti’s ones and we are very luck he lived so long.
Sapevo che Verdi era dietro qualcosa ascoltando 1:13-1:33.-1:53 Total Silenzio ! E dopo ci ha preparato per un Volcano. Ma era solo un Scherzo come sempre 2:13!!!
@@thechosenone3197 It sure is, especially since I have college to balance along with these passion projects of mine. However, I am appalled that more opera scores aren’t uploaded on other channels, so I think I have my love of opera to count on in order to help me work rather quickly!
Το μεγαλο ζητημα ειναι ο ηχος που φτανει στα αυτια μας να ειναι διαυγης και φυσικος για να μπορουμε και εμεις να απολαμβανουμε αυτα τα αριστουργηματα.Σας ευχαριστω.
07:41 Gran nuova, gran nuova 08:55 in furia è montato 10:10 Monterone! 12:42 Quai detti! 13:24 O tu che la festa audaca 47:50 par fata od angiol 49:02 or tutto agiusto 50:47 zitti zitti 58:19 duca duca 01:01:40 oh qual pensiero or l agita 01:03:43 povero rigoletto 01:12:36 coi fanciulli e coi dementi
