A unique performance! I love the sound and catchy part of the cetra and the easily flowing, pure voice of the singer - but the performers expressions, gestures and the fact that there are no music stands anywhere adds a lot to the whole, too.
I found this great video from this reference in a video by the Early Music Sources RU-vid channel: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-I8E1dbU7MiA.htmlm21s
This lauda was edited in: Luisi, Francesco (ed.): Laudario Giustinianeo, Venice: Edizioni Fondazione Levi, 1983. (It is a 2vv piece with a discantus added to this tenor line.) However, I arranged it for this recording and the cetra part is my own creation.
@@EnsembleLeones I loved the cetra part! Was it common for this period to use some odd measures? (If I've heard it right at all.) I'm not too familiar with Early music that's why I ask.
