Eliso Virsaladze was considered the greatest rare female pianist no less no.more by Svaytoslav Rikhter himself. She was grandaughter of the prominent Georgian pianist Anastasia Virsaladze
Interesting comment, however *much too long* . The performance (obviously) is *briliant* : sensitive without emphasis -- and the tempo of the firs movement, 'estremamente animato', as passionate than the one chosen by Mrs Argerich.
Felicitaciones! A la extraordinaria pianista por su magnifica ejecución de Kreisleriana. Posee una técnica muy depurada con derroche de talento! Está casada con la Música celestial. Bendiciones!!!
I don't agree really either! Think about Schumann's own mental disposition: when Maestro Virsaladze threw herself at the onset of the Kreisleriana, she rendered the onset of a hype phase of his bi-polar (at least delusional) mental disease. You will find more "down" ones at later (slower, non agitated) chapters of the Kreisleriana. Control in a non-controllable disposition is what characterizes Maestro Virsaladze's beginning. You will find many more "dual" moments in Schumann's music. Most visible ones on his Carnaval, for example: "Eusebius" reproduces an incredible rendering of BOTH faces of his disease AT THE SAME TIME, as the writing splits the music between the hands playing 4 notes against 7, which is impossible to play without wobbling, beyond any rubato or fabrication: you hear the acute suffering translated by Schumann's genius. And when you try to play it, you will be inclined to "re-create" the tension created by Schumann, like arming a bow. Now when Schumann's own dual Mr. Hyde responds to Dr. Jekyll in "Florestan", you realize how swiftly did his mind jump back to a smiling track. But for how long? That's Clara secret! Watch Claudio Aarau's video demonstrating it here at 7:35 from ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-fSG1CTVD4fo.html You can see from Aarau's face how deeply this artist moved into re-enaacting the composer, as a striking departure from the Russian school's impassivity which Maestro Virsaladze practiced and was teaching. Have a great day, even if confined!
looking at these words, we all understand that you have an education from the West. Now, understand that your schools can't be compared with the Russian ones, because the Russians are artists, and you play the piano and that's it. If you don't know, Eliso is one of Schumann's best performers. Apparently they did not know, but if you play Schumann's works, then please take lessons either in Germany or in Russia, because you will not have the good knowledge that is necessary for an artist. Unfortunately, you don't have one. Sorry!
