Antonio Vivaldi (1678-1741) - Concerti Per Viola d’Amor RV 392 - 397. 🎧 *Find this recording in our Spotify playlist* : spoti.fi/3oBlOS3 *Click to activate the English subtitles for the presentation* (00:00-02:06) Concerto en Ré Majeur / in D RV 392 00:00 I.Allegro 04:28 II.Largo 08:15 III.Allegro Concerto en Ré mineur / in D minor RV 393 11:25 I.Allegro 15:35 II.Largo 19:55 III.Allegro Concerto en Ré mineur / in D minor RV 394 23:25 I. Allegro 28:08 II. Largo 31:05 III. Allegro Concerto en Ré mineur / in D minor RV 395 35:08 I. Allegro 40:33 II. Andante 42:59 III. Allegro Concerto en La Majeur / in A RV 396 46:13 I. Allegro 51:01 II. Andante 54:01 III. Allegro Concerto en La mineur / in A minor RV 397 57:10 I. Allegro 1:01:44 II. Largo 1:05:09 III. Allegro Viola d’Amor : Nane Calabrese I Solisti Veneti Claudio Scimone Recorded in 1974 Find CMRR's recordings on Spotify : spoti.fi/3016eVr VIOLA D'AMORE. Vivaldi undoubtedly gave it its finest finery, offering with his series of concertos an exhaustive picture of the technical possibilities of the instrument and the charm of its suggestive sonorities, evocative of strange, even orientalizing climates. If he inscribes them in the usual tripartite form, the composer creates completely new harmonies with these pieces. Often bewitching, considering the extension towards the low register, especially in the slow movements, allowing an effusion close to the human voice. Vivaldi - The Four Seasons (Rf.rc.: Felix Ayo, I Musici / Remastered): ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-O_p-nmyoLNU.html Antonio Vivaldi PLAYLIST (references recordings) : ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-GOlF9BElJwY.html
True delightful purely Baroque Music. This Music can only be heard in Heaven !!! Véritable délicieuse musique purement baroque. Cette musique ne peut être entendue qu'au Paradis !!! Tepper Michael.
Wunderschöne und lyrische Interpretation dieser fein komponierten Konzerte mit bezauberndem Ton der anspruchsvollen Soloinstruments sowie gut harmonisierten und perfekt entsprechenden Tönen der anderen Instrumente. Der unvergleichliche Dirigent leitet das ausgezeichnete Ensemble im gut phrasierten Tempo und mit perfekt vereinigter Dynamik. Einfach wundervoll!
Thank you so much for sharing this treasure trove of music, so lyrical , so beautiful that it takes one's breath away. Very good quality recording too, crisp without sounding harsh. A real discovery this, that the neglected viola d'amore of the present was held in such esteem that it merited such beautiful musical compositions.
My wife and I stood at that exact location on our honeymoon! Pretty cool. We also went to a Vivaldi concert where they dressed up in classical attire. I told her we need to make an anniversary trip sometime down the road.
Où est ce Venise non? mais quelle nomination exacte ? j'ai eu cette proposition de lieu par mon en MARS 2020 ..J'étais en plein commencement de poste à genève ...le Covid et bouversement est arrivé hélas ! je n'ose plus trop bouger ! le covid à boulversé la VIE ...
VIOLA D'AMORE. Vivaldi undoubtedly gave it its finest finery, offering with his series of concertos an exhaustive picture of the technical possibilities of the instrument and the charm of its suggestive sonorities, evocative of strange, even orientalizing climates. If he inscribes them in the usual tripartite form, the composer creates completely new harmonies with these pieces. Often bewitching, considering the extension towards the low register, especially in the slow movements, allowing an effusion close to the human voice. Click to activate the English subtitles for the complete presentation (00:00-02:06)
Comparing this fine effort to other recordings reminds me of the stark difference between the first L'incoronazione di Poppea (Monteverdi) I heard; I was engaged to sing a couple of small roles or a BBC Wales video recording and the musicians were led by Rinaldo Alessandrini and a small group of his players, filled out with some from Welsh national Opera. It was strong, muscular, and very rhythmical; it had a very strongly dancey feel and he made all the rhythmic changes very clear. Then some years later; it was in 2000 at the Aix-en-Provence Festival, I heard my second Poppea, conducted by Marc Minkowski; it was mostly very soft and had easy, light limpid lines. The difference couldn't have been more stark! (I'm not saying one as better than the other!!) This recording, made in 1974, has that softness to it, whereas the recording I knew before, with Rachel Barton Pine and the Ars Antigua has a more "modern" way with Vivaldi; more muscular, rhythmical. Also, the tuning here is higher; differently strung instruments, perhaps? Thank you for posting this!
At 28:08 is the largo movement from Vivaldi‘s D Minor Viola Cpncerto RV 394 (PV 288) which IMO is one of the most beautiful baroque pieces I have yet to hear. Considering how many classical pieces are featured in movies it is surprising to me that this 4+gem seems yet to have found its way into part of a film soundtrack. Actually I love all 6(?) of Vivaldi‘s Viola Concertos & as this is my favorite Baroque string instrument, I would love to know if there are more of these Viola Concertos that I am not aware of. In the works of composers from Bach to Vovaldi I am especially partial to these largo movements.
See RV 540 Concerto for Viola d'amore and Lute in D minor, RV 97 Chamber Concerto in F major (with viola d'amore), RV 644 Juditha Triumphans (Viola d'amore solo in "Quanto magis generosa", masterpiece)
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