Vocal Coach REACTS TO AMAZING Vocal Transformation Dimash Kudaibergen 

link to teacher saying this quote pls.

Glad you enjoyed it!

Aaaa aaaaaa aaaaah aaaa I got tired just watching this aaaahaaamaazzing vocalist.

Full concert if solo is four hours singing... With breaks interludes

Dimash is surely unique but similar range can be achieved with exercises but range and skill are two different things. Range requires a different sort of training and exercise.

@@THEVOCALLEXICON Thank you for your response. It seems I've mixed up my question. I meant 1) can anyone with the normal vocal ability to get such improvement with appropriate vocal exercises (like, improvement in riffs, runs, dynamics; etc). 2) by how much can anyone increase theoretically and experimentally his/her vocal range?..... thank you for your patience.

@@ayman3041 I think that if just anyone could do it, they would! - but what I promise you *can* do, is improve... Your best bet, is to get yourself a decent vocal coach (if you haven't already), who will not only teach you how to sing, but how to sing safely - and then it's a case of just practicing, practicing, and then practicing some more! Because despite Dimash having the advantages of raw talent, great genetics, and starting young (at just 5 years old!), he still had a vocal coach, and works hard to improve and maintain his voice by practicing for 3 hours a day, EVERY day... now, that's what I call some serious commitment! And that's how to this day, he's able to just keep getting better and better and better, and continues to expand his range (downward) - because there's no shortcuts even for the sublimely talented Dimash, just hard work, education, and an all-encompassing dedication to his craft... I wish you all the best in your singing endeavours my friend - have fun, and good luck! :))

😳😳🤗

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He was singing in a choir as a boy soprano, when he was a child. After voice change, he kept his high notes and gained low notes, and then he was singing both: tenor with the guys *and* female soprano with the girls. (That's what he said in an interview). What he developed in his late teens were not high notes in soprano head voice (he always had them), but high notes in mixed voice (pop belting) and tenor head voice (different from boy soprano and female soprano)

Indeed