#Mozart #Concerto11 Yael Koldobsky (12) - piano Teacher: Tatiana Kozlova Yoav Talmi - Conductor The Israel Chamber Orchestra / Amadeus Festival Tel Aviv Museum of Art, 23 December 2013 Videotaped and edited by Jacob Aviram
i m from iran in my country , our leaders dont love music but this beautifull piano concerto can fight vs radical dictator that make trouble to peaple, thank you young lady
It makes me happy and optimistic that there is people in Iran understanding the wisdom of music as the language of our soul ,as humans we all have the same feelings and music is the expression of it😌
The look on the bassoon player's face is priceless at 3:59-4:08. Looking at the oboe notes with envy, he certainly must be wishing he could be playing too :-) In fact, Mozart WOULD have expected the bassoons to play along with the bass part in the first and third movements. He had been accustomed to his orchestra in Salzburg for which he had written nearly all of his previous concertos and which had full-time bassoon players in all the orchestral works. Mozart was in the habit of notating simply "basso continuo" which included bassoons and violoncello (also not notated) playing the same parts as the contrabass. In this concerto, Mozart later added an individual part for the bassoons in the 2nd movement, but surely he never intended them to sit idly and quiet during all of the opening and closing movements. I hope next time Yael can make the conductor aware of this problem and add the bassoons. (Check out the Neue Mozart Ausgabe preface for more info.) ... and then at 19:19 that bassoon player gets to take a nap ;-)
A volte mi piace sapere di essere disinformato, solo per essere grato di aver davvero imperato qualcosa. Grazie, signor Mauffray, per aver dato la sua conoscenza cosi generosamente.
One of the greatest geniuses (of any discipline/subject) for sure - No doubt about it. As you have mentioned, he is usually referred to as "the miracle of music".
One of my favourite Mozart concertos. Not sure why it is not performed more. Love the second movement and how the concerto ends so gently. Thank for sharing.
First time I have seen and heard this concerto on a video ..AND MIGHTY GLAD I HAVE . Great performance from all concerned. Lovely to listen to whilst in the garden.❤️❤️
The player is only twenty year old. . What a brillant genius girl !! I appreciate of her talent and work... It is a good performance. I like Mozart and this little incredible player...
I love when a pianist concentrates on playing music beautifully and does not need grandiose movements, nor does she show her legs or tits. Bravo to this lady and the orchestra and conductor. Long live Mozart
The third movement was played very nicely, however I think that the conductor took too fast of a tempo. In m. 214-218 be sure that the downbeat (dissonance) is accented more than the second beat (resolution). What happened to the horns in m. 106?
El segundo movimiento..... sienta "muy bien" si se lo escucha con MUCHA ATENCIÓN..... (LOS DEMÁS TAMBIÉN..... ¡POR SUPUESTO!)........ la buena música alimenta el "espíritu".
@@YaelKo Han pasado ya 5 años y con MOZART siempre se pueden percibir errores a superar..... yo que quizás sea MUY DETALLISTA ( MUY EXIGENTE) he notado alguna leve DISONANCIA al tocar el piano .....si puedes observar tus propios videos siempre TE PUEDES SUPERAR (ESA ES LA VENTAJA DE TOCAR A MOZART).
Not to pass judgement but overall across most pianists & orchestras i find a tendency to play mozart at a somewhat frenetic pace. I know allegro is a common tempo marking and i have a metronome but still i find mozart played in an unsettling way rather than a graceful and easy way. Arthur rubenstein once made a similar observation, that pianists are increasing playing faster and faster
play string s are that set you free to b e the dance you were born to b e ...... frivolous enjoying you... until the big bad wolf take s you over.... making you a one owned... hate the big bad wolf ..... that changes everything .... nerver trust any one but the classical you are....
