Our lives are just next to his, this will be heard for thousand of years...when nothing but ashes remains of all our disgusting cities, oh i long to see the columns of fire that will consume them, the light of mozart will still be illuminating millenia to come
I always love any Mozart composition, but this one wasn't my favorite when I first heard it. But as I heard it more and more it really grew on me! Now it's definitely one of my favorites!!! Strange, because that doesn't happen too often for me. Love it now though!
Dios quiso tanto al mundo, que además nos mandó a este monstruo de la música para nuestro deleite. Fueron solo 35 años por desgracia..., gracias por tu genialidad Wolfgang, gracias por las obras maestras que nos dejaste...ojalá puedas sonreir complacido al ver el homenaje constante que se te rinde en el mundo. Jamás te olvidaremos GENIOOOOOO !!!!
Yes, there truly is a 'Mozart Effect' as expounded by Don Campbell's book: 'The Mozart Effect' 1988. I found this work simply awesome, and proves symphonic music 'stirs up' the soul like none other. Doctors and hospitals are incorporating this music for healing therapies of the disposition.
Some years ago my son took me to a live performance of this work at my former high school....l just sobbed tears thru the whole reading..nothing beats a live,energic symphony like this..jn .
I always loved this one better than all the rest. It really cooks in the beginning with a soft middle, and great close..Wonderful performance as well. .
One the kind of 'accidentally' cool things about Mozart (beyond every musicaly genius aspect of his music, that has been stated a sufficient number of times by a sufficient number of people who know what they are talking about) is that you can listen to a symphony like this one in approx 20 minutes.
Immenso Mozart, Sinfonia spettacolare e sublima e ti fa venire i brividi quando scopri che un capolavoro così è stato scritto a soli 26 anni ! Mozart unico come disse Rossini ♥️🎶
Gli orchestrali, giustamente, in frac e Sir Antonio Pappano no? !! "Non si fa" così avrebbe risposto mia madre e così forse ha pensato la Regina Elisabetta. Bella esecuzione ma continuo a preferire quella di Sir Neville Marriner con gli Academy of St. Martin in the Fields. Grazie per l'esecuzione.
Staccano troppo, legati di frase inesistenti. Lezioni imprescindibili: Bruno Walter (sia Columbia sia NYP), Arturo Toscanini (New York Philharmonic, 1929), Herbert von Karajan (1971), Karl Bohm (Berliner, 1959).
this music requires a light and detached feel. Especially when considering that the (particularly stringed) instruments of Mozarts era were much less powerful, and less capable of the legato you seem to be looking for when compared to modern alternatives. This performance is the epitome of Mozart
Frank Dominic Benke Perhaps, but then would be more approp on the 18th cent youtube namely live performed for an aristocrat's private entertainment with no mics present ..
+Frank Dominic Benke Sure, it was typical of orchestras to be smaller but only out of financial and availability reasons. If they had the musicians and the money, I'm sure classical period composers would love larger orchestras for a concert (not so much a court recital). Either way, this is still a fairly small orchestra
+Frank Dominic Benke período medio de Mozart??pero si la Haffner fue una de las 6 últimas sinfonías que escribió! Extraordinaria interpretación, a la alturade un Szell o un mackerras, no apta para fanáticos de instrumentos cacharrientos! oscar ignacio olavarria aqueveque
No way! It seems to be conveniently forgotten for so-called "period" orchestras that they performed in much smaller spaces in the 18thc. than what is generally used today. Furthermore, Haydn for instance used very large orchestras whenever he could find a suitable venue
