Wassily Gerassimez - Cello Blues

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Live recording 06.11.2015 in Rutesheim (Cello Akademie Rutesheim)
Wassily Gerassimez - Cello
Title:
Wassily Gerassimez - Cello Blues
Audio Recording: Hendrik Rahn
Cameras: Jürgen Höcht
Editing: Jürgen Höcht
Stage and technical equipment: PM event service (www.pm-event-service.de)
Light: Dennis Müller
Producer: Matthias Trück
Masterclass: Stephan Braun
-------------------------
Cello Akademie Rutesheim 2018: October 28 - November 3, 2018 |
master classes, jazz-masterclass, audition training, course for cello-orchestra and concerts
Online-Application for the masterclasses, jazz-masterclass & audition training until July 10, 2018
Audition training dates: 29. - 31.10. & 1. - 3.11, 2018
Course for cello-orchestra: October 29 - November 2, 2018
Online-Application for the cello-orchestra until August 1, 2018.
More information & online-application:
www.cello-akademie-rutesheim.de
Find us on Facebook: / cellofestival
Follow us on Instagram: / cellofestival
Pictures on flickr: www.flickr.com/photos/cellofe...

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Опубликовано:

22 фев 2016

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Комментарии : 22

@laurids2007 3 года назад

When we play cello, it is a relationship. You can only understand it, if you try it. The cello becomes like an extension of your body, of your spirit and suddenly everything makes perfect sense. 💞🎻😍

@Zootat 6 месяцев назад

Pretty much every instrument does if you are truly with it.

@rubenbaiocco219 7 лет назад

Why are strings so often limited to classical music? They have so much to offer, wherever you put them...

@laurids2007 3 года назад

You are looking at the wrong side of perspective. There are a bunch of artists who dedicated their lives to popular music in their own lands (Vila-Lobos and Nepomuceno in Brazil); Piazolla also composed lots of stuff for strings and cello, his famous tangos; then you can go to others from today playing Irish tunes, and also Eastern European music, something that is everything and has nothing to do with classicism. Unfortunately, the issue is that people out there don't look for other sources and rithms and great modern composers are not observed. I have a super CD from a group called "Quorum" from Brazil and they play beautiful regional music from the Amazon in strings and the lyrics are all regional too. Beautiful poems turn into music. They make a lot of success there and the musician helping them with the musical arrangements was my friend Serguei Firsanov, violist and violinist, who composed the most beautiful music you could ever imagine while he was living in Brazil. He died in 2016 but he left a vast work. You see, the problem is not that we don't have. The problem is: we don't know what we actually have and we have lots of beautiful works out there unknown to millions of people.