Full performance of Lully Loops is available on my score channel here ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-vMItb3nsG8Q.html . PDF and MP3 available on my patreon www.patreon.com/davidbruce for $10 patrons
When I saw the title of the video I instantly knew that a vapor wave as classical or even a mash up would be perfect. I love breaking the rules and throwing together what sounds good, i find lighlty seasoning with classic, and rock or trap can be turned into grime, and or dubstep with a glitch feel to it all becuase they share a similar synth pallet, so i always find the flavors that mix the themes togther and presto disco rock synth opera!!!
To me, vaporwave's nostalgia isn't so much for a time that was lost, but a future or futurism envisioned by that time that never materialized, leaving us instead with this world we have today. It's an attempt, in a way, to create an alternate timeline while coping with the fact that that timeline will never, can never exist. I really liked the Lambert piece because it did feel more like what perhaps could have been in Classical music if perhaps Franz Ferdinand hadn't been killed or something like that, but in your case it did happen to Classical music thanks to you.
What you’re referring to is called "Retro Futurism." It's the time from the past in which the future was thought to be a certain way than it actually is and can be seen almost everywhere in pop culture of the 20th century. Films and shows like "Back to the Future Part II," "The Jetsons," "Blade Runner," "Demolition Man," etc are great examples of Retro Futurism. Vaporwave is like Retro Futurism combined with advanced/augmented consumerism, where the beauty lies in the aesthetic of hyper-sensationalized product placement and its nostalgic value.
@@ethantinsley8185 that's true there is some vaporwave that is sincerely nostalgic for the hyper-sensationalized consumerism and another side of vaporwave that is perhaps ironically or cynically nostalgic for it, like 猫 シ Corp. : NEWS AT 11 and that's actually why I liked the Michel Lambert piece so much because it brings in this kind of terror at the ghost of "what never came to pass because of what really did come to pass" that is just so perfect
Vesperance comes to mind here as well, maybe more fitting than retro futurism. The concept was was co-coined by early GPT4 and a Reddit user. Here’s the gist of it: “It’s the golden hour of an era, and you’re acutely aware that you’re riding the last rays of a setting sun. You look around and see the world in the simplicity of the now, cognizant of the tectonic shifts on the horizon. And in that instant, you’re both a poet and a prophet. You feel a sense of loss for this beautiful, imperfect world that doesn’t even know it’s already a memory. Yet, there’s a thrill, a pulse of electric anticipation for the unfathomable future that’s rushing toward you. Vesperance is the emotional echo in that liminal space, where the nostalgia for what’s behind you is tinged with the exhilarating unknown of what lies ahead.” - Maskofman, Reddit
Vaporwave is musical liminality. It's art stranded in the intersection between what was and what could have been, and our longing for lost possibilities and our grief over not being able to try again. It's music stuck in a past where we once dreamed for a future that never came.
"I added a (kind of) walking bass, for no other reason then I felt it made it better". I love this - not being tied to the theoretical formal process, but in pursuit of the best final result aesthetic. Beautiful work, and beautiful process. Thanks for the window into your work!
Ah, I don't agree. DB created the theoretical formal process and then broke his own rules. Seems a shame to me. If he was trying to just write a good piece that's fine, but the entire conceit is one of DB's own creation.
Walking bass certainly helps the canon with many voices sync for both the musicians and the audience thereby create a “structure behind local variations in the surface phenomena.”
Well I never expected to have my music profiled in a video like this, so, uh, thank you! I'm glad you liked "LISA," and I really appreciate you including me in the conversation on classicalized vaporwave with my humble contributions - it caused a minor stir when I shared it with the vaporwave community at first. I also did a follow-up piece based on something by another artist when I had access to an orchestra in grad school, and after that, I took to writing my own music and giving in the vapor treatment, which is very much a technique I'm still interested in, but not really able to engage in due to life circumstances. As an aside, it's funny, it's been a good while since anybody's called me by that name, so it was weird to hear it out loud. I should really update my website...
I can definitely confirm that life circumstances suck. I think your work is really beautiful and intriguing so please please please hang onto that interest until circumstances allow. The world needs all the art we can manage. Peace! Kenny
Holy hell, David! That piece is absolutely beautiful. And the label of Vaporwave seems to fit like a glove. Big kudos to Daniel Hope and the Zürcher Kammerorchester as well
Lully Loop is breathtaking It might also be a fun experiment to give a recording to a vapor wave musician and let them have a go at it to see what they make out of it. Vapor wave squared could be a thing, no?
Vaporwave Squared is already a thing, though, and it's got a name I don't remember. It's just noise at that point, though. Floral Shoppe 2 is one such example. It sounds painful.
@@losfrail6142 Now now, Floral Shoppe 2 was trying to make a point about the absurdity in how vaporwave could be created, so the ear rape aspect of it was intentional. Vaporwave remix of Lully Loop could be wonderful.
I can't find any recordings of Lully Loop! I saw this video and immediately wanted to buy it, only to turn up nothing. I love how it sounds like a fresh iteration on Steve Reich and Phil Glass, but it's not so grating and abstract, lol... I'll just have to keep my eye out.
That "metamodernist" superposition of irony and sincerity is I think a key part of the vaporwave philosophy*. Vaporwave presents the 1980s in a dreamy, muffled haze, but I think it's important to realize that what it draws on is the most /disposable/ sounds of the '80s: clips of deep cuts from frothy pop albums, sure, but also commercial jingles, bumper music, newscast theme tunes, and the like. Things that nobody at the time would have listened to for themselves, only as a side effect of having the TV or radio on, the sort of sounds that are recognizable only as a vague gestalt of background exposure. The result is to evoke a nostalgic feeling for something that the listener is aware does not deserve to be remembered fondly, or at all. Pointing and saying "Ha! Isn't it ridiculous to be nostalgic for this pablum?" while wallowing in nostalgia for that exact pablum. *or A E S T H E T I C
"The result is to evoke a nostalgic feeling for something that the listener is aware does not deserve to be remembered fondly" I think has too much ironic detachment for where the style came from. Vaporwave comes from the exact same time as many other hauntologies, it's all about a lost vision of the future. It came up at a time when you would commonly hear some version of "it's the second decade of the 2000s, where's my jetpack?" There's a pretty genuine desire to live inside a 1980s vision of what the future could have been.
So imagine this set being played by the orchestra but with actors drifting across the stage in costume of the era, talking indistinguishably, murmuring, laughing to allude to the aesthetic of a lost time. I think that could be a delightful experience
I haven’t thought of Metamodern being a superposition of irony and sincerity. I’ve recently been in a Metamodern critique mode with so much of what I view. I’ve been using it as a way to reclaim a sincere space amidst so much crap I’m disinterested in, much of which relies on postmodern/post ironic whatever (ha ha). But, ouch, this “superposition” view… it is making me admit something that I’ve been trying to find a way out of: that you can’t really get rid of irony once it has arrived, as endemic to postmodernity as a system (rather than an aesthetic, which can easily be dumped).
I was listening to that Piaf recording in headphones in TacoBell when the whole place was filled with twenty something soldiers in dress uniform.. Like I was in Das Boot, but American soldiers in taco bell.. weirdest hallucination I ever had without drugs. (the Defense Language Institute in Monterey had a a formal event that had just let out.. nothing supernatural)
I think Staint Saens can be considered a vaperwave pioneer. 'Tortoises' from Carnival of the Animals takes the can-can melody from Offenbach's 'Orpheus in the underworld' and slowes it down and adds dream like chords to make a humoros and haunting piece. Having grown up in the 80's, vaperwave always has me reaching for the invable cassette deck to save the tape from a horrific death! :) Great music and video!
Quodlibet in classical music more generally is strongly tied to the recontextualisation of both factual and emotional memory, often through juxtaposition; the melodies of Austrian bawdy songs appropriated by Bach into organ improvisations within sacred settings is a particularly famous example. And I think at times this can add up to a hauntological effect, as in vaporwave, where the ghosts of things which were never truly alive to begin with (at least as they are remembered or presently understood) haunt the present.
There are several moments in Charles Ives's work (particularly in the Holidays Symphony) in which familiar melodies are played in a slow, distorted, haunting manner that evokes distant memories and the complexity of nostalgia.
I cannot help but wonder if maybe a slight miscommunication left you under the impression that this stuff was named after people with a crippling nicotine habit who love to pull down miles of candy-cumulonimbus from their battery-powered pocket-hookahs: "vapers".
"An Empty Bliss Beyond This World" by The Caretaker is another great example of this effect. They apply the "fondly looking back to a world now inaccessible" to the theme of elderly dementia. It's the most gentle album that will ever hit you like a ton of bricks.
Yes!! I was thinking of it as some of the samples were playing. It is truly a beautiful and haunting piece. I deadass haven't been able to listen to it on my own cause it's that tragic. Its not a perfect vapourwave comparison, but it's def close! And I think it's because all of these songs (and the aesthetic itself) are sort of tied to grief in some way? Grief for a time you will never be in again. Grief for your own fading mind. And as another (more smarter) commenter pointed out, grief for an ideal future that we never got to see happen It's such a beautiful concept, making nostalgia and grief audible, and then turning around and sorta poking fun at it all in the same breath. It's weirdly comforting, honestly :'] (Thanks for letting me ramble under your comment! Have a good day, friend :D)
Sadly annoying people tried to make a meme out of it. The caretaker albums still means so much to me regardless. Listening to the albums and waiting in real time for each release really added an extra layer to those albums opposed listening them all in one take. The songs from earlier albums make come backs every now and then but are more distorted and only slightly familiar much like your real memories.
YES! James Leyland Kirby is the real MVP. Bring tissue boxes. Also, please go and support Leyland directly. Many people have taken the music and have re-uploaded to youtube to monetise it. Leyland never even monetised his music through any streaming, but others took his work and did so. You only have to search here on RU-vid to see how many of these thieving channels there are.
The best of vaporwave tends to invent "an old track" that doesn't yet exist, and then go through the entire process for it -- that you don't know what the source song is and while you try to figure out what it was, you can't know because it never existed. Its the hauntological concept pushed to its extreme.
The video game soundtrack from The Legend of Zelda Breath of the Wild is also vaporwave in its own self-contained referential universe, distorting and altering melodies from past soundtracks into a new fresh form. Especially the day and night horse galloping themes, distorting classic Zelda melodies so much that they're almost indistinguishable and at times a brand new piece of music to the casual listener. In other words you don't always "know the difference" when it comes to vaporwave music.
@@Shorkshire the definition of vaporwave is "self referential and distorted/altered." Both Breath of the Wild and Tears of the Kingdom soundtracks are entirely postmodern in this way.
Having just beat this game and digging into the dev history/production I fully agree. Though it seems more akin to sampling then the nuance of Vaporwave.
There is a piece by Max Richter called "The New Four Seasons - Vivaldi Recomposed", which I believe is similar to the spirit of "classical vaporwave" described in this video. In this piece, Richter takes fragments of Vivaldi's "Four Seasons", distorts and re-combines these fragments into a new piece. In many occasions the taken fragment is looped over and over again, such as in "Spring 3" and "Autumn 3". In "Spring 2" and "Winter 3" synthesizer drones are used to create an atmospheric effect.
I really love the tension as the third movement starts to reverse, like you're hanging in the air about to plummet. And I was amazed they could even achieve that sound live!
You should check out the Album "Everywhere at the end of time" It has many of those qualities you descriped for musical vaperwave The Album is supposed to represent the descent into dimentia, featuring 6 stages: Daydream, denial, reality, rupture, horror, and ' '. It's extremely haunting and nostalgic I would just love to hear a whole 1 hour classical piece, strongly inspired by the sound and feelings, It would be fascinating Oh, and the first piece became extremely popular as the theme of the popular internet phenomena called Backrooms
you hit that 1600s vibe cuz that 3rd movement reminds me of assassin's creed 4 black flag which is based on 1600s pirates so in a way it did made me nostalgic about 1600s
Wow, that Ryan Ayres track threw me for a loop! This challenge does remind me of Adam Neely - I believe he tried something similar with his graduate(?) piece called Exigence. For anyone who hasn't seen the live performance of that yet, I do recommend! It's not a perfect one-to-one, but maybe can be seen as a companion to this vaporwave-as-serious-music concept
Adam Neely actually appears directly in the piece. It calls for a tape recorder to play between movements, and one of the recordings it plays is Neely explaining the concept of Vapourwave. I believe the recording is taken from an old video of his, but I could be mistaken.
Vaporwave is often described as just old tracks slowed down, but a lot of artists do mix samples together, add strange cuts and skips, etc. For some vaporwave albums, the point is more slowing down and distorting small sections of old music and juxtaposing these short clips against each other. For those, I feel that the effect comes from the composition of the album (see Infinity Frequencies's "Computer" series and how it strings haunting loops of distorted samples together, often creating interesting transitions, including from album to album.)
I mean, to both of you, he never said there wasn't compositional work being done (it clearly is), and of course it's implied in showing how things like this are remixed and remade. Including he himself remixing this song as an example.
oh my god I love this way more than I expected. I had to listen to the whole performance immediately after watching this. I live for the dark and gloomy effect vaporwave does and to do that with classical music really peaked my interest.
Wow. Watched the entire performance. What a wonderful composition. Thank you and thank the algorithm for putting you in my feed today. A new fan and subscriber as of today 😊
i don't care what label it gets. it's a very tantalising piece, and even more so watching the musicians giving their all for the music. it must be an incomparable feeling having your own music performed by musicians of that caliber. 💕 it is also very inspiring listening to a composer explaining his own creative process.
I saw your opera "Nothing" at Glyndebourne when I was younger. It truly shook me. I didn't know you wrote it! Great work, and well done on writing a vaporwave piece as well!
I actually did consider arranging the entirety of Floral Shoppe for string quartet/chamber orchestra. By the way, this is the scene where I'm affiliated with ... but it's more than just "slowed down tracks" what I do.
Yeah, and these classical tracks don't sound like vaporwave, to me. I've heard elevator muzak classical that sounded more like vaporwave. Instead of being so obscure with the classical, nostalgia demands something like Taco Bell's Cannon, Moonlight So-not-a... etc. And, having strings players play slower, or play the loops manually, instead of pitch shifting and actual looping of the audio, doesn't sound right for vaporwave. I'm unfamiliar with the original piece, so I can't tell that it's been slowed down... and it's complex enough, and played smoothly enough, that I don't hear any hitch in the loop that creates a new rhythm, or anything like that. Maybe I missed what they were doing... But when I hear vaporwave, it's usually really obvious that I was hearing vaporwave. During this vid, I tried to listen for it, but that never really jumped out to me. It's a fun video... I'm not really disappointed at all, that it didn't come out more vaporwave-y, IMO. It's not like I went into it really needing to hear the most vaporwave-y classical music possible. Just checking out the results of an interesting first experiment... interesting thumbnail title, and it was fun.
Hey Kirayoshi! Yeah, the subject is more nuanced for sure, but I'm just glad somebody more entrenched in the classical paradigm is willing to take the genre seriously and engage with it intersectionally, which is too rare these days. - Katherine (Kevin)
@@kathrayresI thought I recognised the name =] You and I should do a podcast-like discussion about the “musicology and potential possibilities of vaporwave”. Call it a more fun rendering of a seminar/conference presentation =]
Honestly the track from Ryan Ayres you showed in the video really intrigued me, it feels like a perfect track to fall into a calm but slightly sad nightmare. As a person who’s very into this kind of music, also one who’s been having trouble with their sleep (having too much bad dreams), this kind of music feels like the perfect one to play before sleep, where I can have a soft gradation from the reality to the dream realm, and makes my pre-sleep experience more peaceful :D
I would have loved to see an actual effort to construct some classical purely with manipulated samples (a major defining element of Vaporwave as its an extension of the Plunderphonics experiments of earlier sample-based artistic movements) Not quite sure I would agree with the conclusions you drew. Beautiful music tho. Can't wait to hear more!
WOW! WHOA! This is crazy beautiful!!! I got goosebumps from the 1st 2 mvts but then the 3rd mvt came in and WOW WOW WOW!!! What an incredible piece!!! And as a lover of songs that get slowed and distorted (not only vaporwave), this is verifiably vaporwave! I like the approach you took! Its really super creative and honestly, inspiring. I'm not good at feeling nostalgia, but I can kind of get it from the first 2 movements. The 3rd definitely leans more into the haunting and the uncanny, very unsettling, just like I like my music :D Well done, sir!
Lully Loops, Aquamarine, and other fantastic experimental pieces in your catalogue. I do hope you get to do a concert at some point, love love love your work.
Keep going David. This is great work and important for pushing music forward as an artform. As an underground techno artist these are all techniques I experiment with and appreciate.
I think a lot of the components of "classical vaporwave" could be found in the minimalist composers of the '60s, and further into the '80s with works like Gavin Bryars' 'Sinking of the Titanic' and John Adams (the second movement, 'Mother to the Man', from 'Naive and Sentimental Music' also uses the "backmasking strings" effect). Perhaps a little too energetic for genuine "vaporwave" aesthetics, but Todd Levin's 'Deluxe' has always struck me as having a kitschy, plastic orchestral nostalgia (recycling the 'Thunderbirds' theme and cartoon music)*! *correction: it wasn't the 'Thunderbirds' theme, it was 'Space: 1999', and it wasn't "cartoon music" (I was thinking of John Adams' Chamber Symphony there!), it was '70s Disco!
One of the operative words I would tie to vaporwave is hollow. It has a very transient, liminal feel, and I think that's where the uncanny feeling comes from. It makes you think of a sound with meaning and presence, but something is off. It's missing something. It's close, but not quite there, like a microtone. Definitely got those sensations from your composition!
Love this exploration a lot. A lot of what you're going for here reminds me of the feelings I get from 'Everywhere At The End of Time' as it starts to kick into the second and third parts. That spooky creepy feeling of misplaced nostalgia, or of something feeling somewhat amiss.
I think some of this is predicated on a fundamental misunderstanding of how vaporwave is constructed and produced - two clues to this are the inclusion of the track by Washed Out as an example of vaporwave (they do not consider themselves vaporwave, nor does the vaporwave community consider them an example) - but also the insistence that vaporwave is simply the slowing and blurring of music and calling it simple. One listen to something like Chuck Person's Eccojams Vol I or I'll Try Living Like This would reveal an entire world of very complexly constructed vaporwave that's doing a lot more than simple slow+reverb. However, I do think you stumbled into the right idea by the time you arrived at the final composition, especially with the decision to make the audio seem backwards. They're you're finally starting to get into the fuller potential of the style. That said, I don't think this is entirely new ground - Desert Sand Feels Warm at Night or Infinity Frequencies could both be said to have tread this ground before, albeit approaching it in different ways
Great job, Mr. Bruce. In exploring the genre, you told a satisfying story of curiosity, emotion, and creativity. It underlines to your audience that we ought to never stop learning, as it would rob us of the fruits of pioneering and humanity.
Vaporwave is really the way I feel about Bach and Vivaldi's violin concertoes. To think there was a time of magic and luster, where the most exciting event of the day was to attend a concert. Though I have not studied the baroque era, I do admire it as several people adore the 'lost age' of the 80's and 90's. Glad I stumbled across this video, I have a new way of thinking about music to add to my toolbox.
As here described, “metamodernism” looks lots like an existentialist movement. I subscribe much under existentialism, it’s a light to shine on postmodernism’s darkness. It says: there’s no universal answers, but there _are_ still answers (albeit different) that are good for different people with their different views and needs, in their unique positions; and there _is_ single truth, contrary to postmodernism, but this truth is not Procrustean, not in any way to be applied as uniform standards of living or behaving-the truth is vast and there’s much for us to learn; and if for each their own sense, then for each should be a tailored communication and understanding. These goals are hard; as hard as they go; they can’t be achieved once and for all, but they can be walked to. I feel that existentialism goes well with striving to be humane _and_ progressive at the same time. Just what we always needed and still need today, IMO.
This is such a fantastic exercise in discovering the importance of context and meaning beyond just the "waveform" or "sheet music" of music. Thank you for opening my eyes to such niches.
4:04 XIII is definitely not 14 ;) These were very interesting ideas you brought into these old pieces. I especially enjoyed the revese-like sounds. I wonder how a piece played backwards this way and then reversing it would sound compared to a forward played version.
I think the last bit of your video demonstrates Metamodernism very well. Heartfelt musings on finding meaning and hope when also not thinking that there's a grand plan, then 'DAVIDDAVID BRUCE! DAVIDDAVIDDAVIDDAVID BRUCE!'
unbelievably wonderful. the back and forth conversation across time art is having with itself embodied in this idea is incredible; I love having the music along with the commentary, I have a much greater appreciation for what I'm hearing.
Listening to the Vaporwave examples in the beginning, I think you are missing a huge ingredient in emulating its sound: pitch. In the digital realm, we are used to slowing down recordings without side effects, but if you slow down recordings in the analog realm, the pitch is shifted down by nature. Your Vaporwave examples are lower pitched and I'm pretty sure it is intentional and not just a side effect, as the editing is most likely done on computers. As a result it sounds like slowed down tape which adds to the nostalgic feel. Even if you don't know the sound of slowed down tape - I'm born after tape was a thing, anyways - the lower pitches make the music more mellow and calm. By my own definition, the violin is not a Vaporwave instrument. Slowed down violins should probably be emulated with violas.
By the time you went full Tenet on the Loops orchestra video I had the stank face 🥴 the mood reverse movement was incredible. Inspiring sir. Now I’m headed back to the studio
I'm going to be honest; I watched the pre- and post-commentary before listening to the piece. Well-written video -- intrigued me enough to go back and listen!! Absolutely beautiful!!
Metamodernism is a great way to describe your music and what you do. Blending parts of the past, new techniques, large appeal to audiences and also humour and deep emotions is what I’ve always felt from your music. The Lick Quartet is so ironic, poignant and appealing, but beneath the surface it is some crazy music with deep roots running through a history of string quartet tropes and styles. Kudos 👏🏼
When the first song you referenced was Washed Out Feel it All around, I was in. I always refer to that track as the one that really brought chillwave/vaporwave forward. Awesome video!
I never really deeply thought about vaporwave or what might be the deeper cultural implications and whatnot of it. Amazing video and execution in your concerto!!! Bravo!!!
you've always helped to keep classical music relevant to me and my musical tastes...you introduce music/ideas in a way that's so enjoyable to ingest. thanks for this David, always a pleasure :)
As I am just a bad audio designer for my own games I think you made a good job on this. Made me feel different emotions. Thanks and stay curious and being inspiring!
What matters way more to me than to know whether you call it classical vaporwave or not is that your music made me feel something that I probably never felt before! This is such a deep feeling of discovery! What makes it great is that it's nit classical and not vaporwave but it feels to me like something new and marvellously unsettling! Thank you so much!
There is a sociological similarity between the soft pop/cheesy R&B/Muzak that vaporwave pulls from and classical in that, at least for the layperson, they tend to be musics experienced in a fleeting manner, familiar but vague. In the former, it’s the music played over the speakers in the mall when you were a kid, in the latter it tends to be something experienced in the background of other media: film, TV, ads, even meme videos. So it becomes something the listener knows but can’t place, recognized but unable to say from where. The Lully loops piece does a good job of creating that feeling. And hey, if traditional vaporwave invokes a sense of the lost promises of the early neoliberalism of the 80’s and 80’s, maybe classical vaporwave invokes the lost promises of the early enlightenment era that Lully was writing in.
9:45 is reminding me so much of Tosca Tango Orchestra and their film score for that movie "Waking Life". The dissonance is haunting yet still beautiful. Cool idea and interesting video. Thanks for the free lesson in history and music technique/theory.
Thank you, it sounds very good. As a rather young man, I have to say I've struggled to enjoy any classical music. But your "Vaporwave" is just so entertaining. It's interesting in a way a lot of classical music isn't to me. I can't quite put my finger on it. Perhaps it's purely psychological, in that rather than being an ancient piece of music from some buried era, it is instead a reclaimed tune melded and forged in my lifetime. Perhaps that is something equally pleasing about vaporwave. Something old, reborn in a novel way.
I mean to be fair, there has long been a sort of debate about what constitutes Vaporwave beyond those simple characteristics. As artists like Dan Mason and George Clanton will often use original music that is then slowed, reverbed, drowned in modulation... or just in general captures that 80's-90's aesthetic to the point of being at very least Vaporwave adjacent, but arguably it's own sort of Vaporwave
it's wonderful to see a musician from an older generation take a style or trend from the new generations seriously instead of just writing it off as "lazy" or "a fad". there are also completely original works in the vaporwave genre, from producers like HOME (who made resonance, now also one of the most famous vaporwave tracks of all time which i believe is for the most part original). and this piece david bruce wrote is beautiful, and i agree that the "walking bass" really added a whole lot.
There are 2 main types of Vaporwave. One of them uses slowed-down samples of older musics.... the other is basically the same, but doesn't use older musics (it's all custom) like Blank Banshee. The rest is all sub-genres and cross-genres. Some of the sub-genres of Vaporwave are things like Mallsoft. "Paradise Of Yesterday : Nightlife" Is a very good album.
Extraordinary work! You’ve articulated some ideas I’ve been trying to get into my own compositions, maybe now I’ll have an easier time getting there. Thanks for your brilliant music and analysis!
Having listened to Lully loops, it really appeals to the same part of my brain as Godspeed You! black Emperor, Disintegration Loops. You have composed a really intriguing piece of music.
Hi David, I've watched almost all of your videos, and I have a playlist of your works (licc quartet and second half of gumboot) that I listen to when it's sunny, and fresh crisp weather to augment the experience, so yes, your optimism comes through very clearly in your work and I appreciate it a lot!
Wow, this sounds amazing, great job. Gives me shivers. I really want to listen to the full track now, seems I need to become patreon to someone for the first time.
Thank you for talking about metamodernism here in a musical context, to help me understand the idea. The metamodernism video came up in my feed but I'm not a movie person, so I really struggled with it and didn't reach the end.
Classical music can be really good and fun and cool, like many modern databases such as the other ones. Making Vapors of the classical individuality is not wrong per set, and the visuals are actually pretty good. ❤
11 месяцев назад
Thank you David for all your work! You made me approach classical music with a complete new set of eyes - I feel I found a new way to approach music and composing in a completely new way. You're a force of great and good change. I hope you know that!
This is such a great video! I’m so glad this was recommended to me! This is my age speaking as I grew up with mostly electronically made music but, I find it fascinating how an orchestra can achieve the same effects as electronic music as it’s the composition and skill of the players that makes the music piece! I know nothing abt composing music but electronically made vaporwave is probably a lot easier to make than with an orchestra. Great video I will be subscribing! Thank you!
