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What makes an analog synth sound analog? Part 1 

AutomaticGainsay
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Here is a video series that helps you focus on that which gives you analog tone irrespective of your synthesizer type.
This first video defines some terms and aspects.
This video was funded by the Patreon supporters of Automatic Gainsay. Support the creation of this video and all of the Automatic Gainsay videos that have helped you by becoming an Automatic Gainsay supporter on Patreon!
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If you are interested in learning about the history of synthesizers and/or how to become a synthesist being taught by a synthesist and synthesizer historian, check out the OTHER Automatic Gainsay Patreon:
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9 июл 2024

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Комментарии : 26   
@darwiniandude
@darwiniandude 13 дней назад
Love your videos. Polyphony is nuanced. Paraphony is nuanced. Analog is nuanced :) - Looking forward to part II!
@LoveinScarcity
@LoveinScarcity 16 дней назад
I come for the premium content but I stay to hear you trash on that Juno106 unison sound.
@automaticgainsay
@automaticgainsay 16 дней назад
Ha ha, welcome fine person that I have proof has watched my content. :D
@SpikesStudio3
@SpikesStudio3 16 дней назад
Hilarious. All released together. Lets go then....
@InFamousProductions
@InFamousProductions 16 дней назад
I want to add to this vid. I have 2 DSI machines. The Pro 2 and Tempest. Both for over 10 +years. What I have found is that Dave never put anything on a platter ready to go. You MUST work for it. The point of extreme flexibility, is starting with a blank slate. Ya, the presets are good, but I use randomizer software for both that takes these machines to different galaxies of complexity that a mortal would never imagine when creating patches . There are a 100 million plus possibilities in these machines. I have a large patch library of both and I will put them out as free soon to be enjoyed by all DSI lovers. It’s really a metaphysical journey to do this. When you study the patches that were created by the hand of god, you hear and see possibilities that have never been considered. I think Dave Smith didn’t know the possibilities he created. Lately all my spare time is with the Tempest. It’s become my second fav of all time next to the Pro 2. It’s probably the deepest synth ever made with 6 separate synths going at once. Because that’s what it is. Mark, if you interested in getting some of my patches, let me know.
@SpikesStudio3
@SpikesStudio3 16 дней назад
Hey bro. I see where you are going with this. How's the old outro clip? 😉10yrs ago? Ive always enjoyed your honed perspective on these matters. Looking forward to the next instalment. 👍
@WhoDaresWins-wo1qt
@WhoDaresWins-wo1qt 17 дней назад
I absolutely love that fat slow phase sound of two analog oscillators beating slowly together. Especially on a Prophet 10
@InFamousProductions
@InFamousProductions 16 дней назад
Great to see you back at it. You’re the GOAT. And I love when you break out the Pro 2. I’ll NEVER sell mine.
@automaticgainsay
@automaticgainsay 16 дней назад
Hey, thank you! I appreciate it! Yes, I will die with my Pro 2. It is one of the best synths of all time.
@gnarlysoundscapes7210
@gnarlysoundscapes7210 17 дней назад
To me the biggest factor is whether the controls are digital or analog. With digital controls, such as the Korg Monologue, if you're doing really subtle tweaking you can hear the stepping from one digital value to the next. It's high enough resolution that you don't normally notice it, but I really like to do those delicate high-resonance filter sweeps and Monologue's digital controls make the whole thing sound digital even though the sound engine is analog. On a polysynth there's not much you can do about that since the controls kind of have to be digital, but on a monosynth I think it's well worth giving up patch memory to have analog controls.
@Whistler-007
@Whistler-007 16 дней назад
Hydrasynth addresses this by using NRPN 14 bit controls. Hopefully MIDI2 when eventually adopted will do away with 7bit controls. At least with the next generation of synths.
@automaticgainsay
@automaticgainsay 16 дней назад
This has a lot to do with preset synths. With truly analog synths without the digital controls necessary for digital patch storage, the controls have the infinite analog range, where there is no stepping. Of course, at the expense of presets!
@MatthewFolstad
@MatthewFolstad 16 дней назад
Nice choice to start the series out. Dave’s best mono synth.
@natjes6017
@natjes6017 16 дней назад
Long time no see! ❤
@davidlovering6033
@davidlovering6033 17 дней назад
Well done Marc.
@automaticgainsay
@automaticgainsay 17 дней назад
Thank you, sir! A friend of mine showed me some video of your recent gig In Minneapolis… fantastic!
@Claude_van
@Claude_van 14 дней назад
The best sounding analog synth of the last 20 years is the GS E7.👍🏿
@sansmojo
@sansmojo Месяц назад
It's similar to how so much music is pitch corrected these days. It has to be "perfect" and loses so much as a result.
@automaticgainsay
@automaticgainsay Месяц назад
It’s so depressingly true!
@DIYTAO
@DIYTAO 17 дней назад
@@automaticgainsay On the other hand.. Many of these now desired analogue-like imperfections and hassles were exactly the things many musicians tried to avoid at that time. Oscillator instability, voices beating etc. It's been extremely educating to listen old era sound designers like @anthonymarinellimusic describing the tricks they used with synths like ARP2600.
@Seeyouinheaven2300
@Seeyouinheaven2300 16 дней назад
What makes Virtual Analog sound analog? Like a Korg Radias?
@automaticgainsay
@automaticgainsay 16 дней назад
A lot of times, it doesn't. People mistake simple synth functions as "sounding analog," I think.
@kierenmoore3236
@kierenmoore3236 15 дней назад
Nord Lead, AN1x, even MS2000(B) … all pretty A sounding VAs, especially for their time … !
@DJ_Cthulhu
@DJ_Cthulhu 9 дней назад
Are your ears analog or digital 😎👽🤖😸
@automaticgainsay
@automaticgainsay 8 дней назад
Mechanical right up to the output of the cochlea.
@Seeyouinheaven2300
@Seeyouinheaven2300 16 дней назад
Do not believe this guy. Marc is like 50% on. not 100% on.
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