Would you recommend ZV E1 for construction, industrial sort of filmmaking? I also film events , performances in low light. Great autofocus is needed. My GH5 Panasonic has its limits.
Yes with the ZVE-1 you are getting most the features from the fx3. If you don’t need dual card slots or a fan inside the camera it’s an amazing camera. I only had the camera over heat and turn off once after over 1.5 hours of continuous recording. I record concerts with it all the time and it’s amazing in low light at the second native ISO of 12,800. I think Sony autofocus is one of the best.
I have the FX9 and miss the image of the FS7. In terms of colour science is not that hard to match, Phantom Luts makes it even easier. Have to have you thought of renting it? In my experience the FS7 is a camera that forced me to be more intentional with what ever I was filming, and I think that was one of the key factors in my growth. Reason I got the fx9 was to pair with my two FS7s but the 2019 we all know what happened forcing my hand.
I see your point with being more intentional with the camera. When the exposure is on point the image out of the FS7 is excellent and not too digital looking. I might look into the FX9 or FX6 in the future to use as my wedding A cam.
@@rockinromanphoto I went with the FX9 because I wanted to shoot docs and Op for TV shows. Also chose the 6k down sample and the s35 mode over the 120fps in 4k. B Cams can do that. I like density of the FX9's image as well so yea.
