Why you should try this film stock: Sora 200 

What camera and focal lens were you using? Love your work!

everyday brother!?... i need some motivation to Kickstart my photography brother... once a time i also go out and take so many photo.... but now i become a lazy person...and can't get any motivation to go out... can u help

@@nxyimXthis is a sign u should take more photos😊

@@nxyimX Eat right, get more sleep, get off the internet. :)

@nxyimX Try another hobby until you bored and then try photography again. For me, I try videography when have no motivation for photography.

I thought it was odd he didn't say anything about it, as I thought it was one of the more serendipitous shots! Looking back at it, I like the way the image is stacked full of details at the bottom, but because the glider is a yellow smear of color in a flat blue expanse, the eye is still drawn up to him, past the naked, scratchy branches, across the rooftops, above the the mountain to the single sailing figure far in the distance.

Ohh yeah!! While writing the video I was checking them out, looks really cool! :D

Thanks Reimann! Yeah, the halations weren't too bad most of the time. Sometimes they can get too strong for my taste such as when the entire house goes reddish, but most of the time I think the film did really well :)

7:03 👌

I'd love to know too! It's so pleasing to the eyes :)

Champ camera japan

I mentioned it in the video actually - my guess is that this is Kodak Vision 250D :)

Funny - it’s the exact opposite for me :) On artificial lights, I don’t mind the artificial glow. Also, it’s usually only around a few details that catch your attention anyway. With these photos, I found the halation a little overpowering and distracting.

@@rickbiessman6084 no way that’s hilarious bc I find that the bright red glow in the middle of the muted nighttime tones to be distracting. In the daylight it just makes me feel like it’s a warm sunny glow. To each their own! 🍻

@@greysonosterberg7101Haha, yeah, funny how different opinions can be. Definitely to each their own! :)

In this video I only used Dehancer to a minimal extent. When I use it I don't always apply a film look and only use the effects Bloom, Halation and Grain. It really depends on how happy I am with the look I get with the grading I do before hand in Lumetri. When I use filmstock, it's usually FujiPro 400H. I've also used one of the Kodak Vision films. But I always change the look a bit further than that using the colour head settings :)

As far as what the film stocks are, I have no idea, but I at least suspect that their umi 800 is using the same film stock as cinestill 800t (probably)

It’s called Fulpmes (in Tirol, Austria) Thank you!☺️🙏🏼

I actually have a lot of tutorials on my Patreon if that is the kind of stuff you're looking for - as in editing and colour grading tutorials or even lighting setups for video. And even a 26 minute breakdown of how I made my biggest short film project :D Is that the kind of stuff you mean or something else?

Hahahah an experience familiar to all of us photographers I suppose :,D

It’s a small chain in an area about an hour southwest from Shinjuku Station called Champ Camera. I go there quite often and they also develop film in about an hour, if you’re interested. They have so much film, it’s crazy.

@@nicholasdavidsmith Thank you so much (⁠ ⁠◜⁠‿⁠◝⁠ ⁠)⁠♡

Champ Camera, about an hour southwest of Shinjuku Station. There’s four in the area. They have a plethora of film and can develop color film in about an hour. B&W film will take about a week.

@@nicholasdavidsmith thank you! ✨

Thank you David! Ohh I’ve just always been lucky😅 The new CT scanners will probably wreck your films but the old scanners (for us probably still the “normal” ones that don’t look like a huge round airplane turbine) are fine up to ISO 1600 I think. My Lomo 800 went through just fine. And so now I always try to find out whether the airports I’m going to already have the new scanners. Until now, they didn’t, but once they do… well I guess I’ll have to buy my film in the country then🤷🏻‍♂️

in the making! :))

Hi, I actually have multiple tutorials on colour grading on my Patreon. This includes the grading of my videos in general but also of specific projects (such as the Kodak commercial) as well as photo editing from various shoots :)

Does Film Never Die ship to the US maybe?🤔

@@teocrawford Sent them an email because I couldn't find out through their website. Fingers crossed! :o

@@teocrawford reporting back: they do ship to the US! going to cop a roll. Thanks for sharing this gem, Teo!

ughhh affordable film in Japan.. hmm, well the easiest tip is to not buy in central Tokyo haha. I found my best prices in little local shops in small towns when I was travelling through Nagano. Also just don't buy Kodak if possible, because Kodak is quite expensive in Japan, whereas if you manage to find a place that still sells some Fuji you can usually get those for a better price. So I can't really give you specific recommendations - I just know that central Tokyo has a couple cool shops, but they're certainly not cheap - e.g. Lemoncamera. Sometimes I've found film in unexpected random places, where the price was also quite acceptable for example in LOFT.

Hard to say, because what part of the conversion process do you count as editing? I scan the negative and then convert them with Negative Lab Pro (NLP). However NLP only gives me its interpretation of the negative which is often clearly wrong in which case I edit things such as the white balance, tint and some hues in the colour head settings. I do also help out with balancing the brightness and contrast. All this could be seen editing, but in my opinion colour correction is the better term for this. I don't then save the file as a .tiff and further edit it in Lightroom, because I'm mostly happy with what I can achieve with NLP :)

I use a Rode video micro (proper small shotgun mic from Rode but on the cheap side of their products) I actually just recently uploaded a audio editing and workflow tutorial on my Patreon, so you can check that out if you want an in-depth step by step look into the techniques☺️🙌🏼

Hmmm have to try that one out! Is that one based on Kodak Vision 500T or something else?

Yup! 500T @@teocrawford

Yes, condensation is not cool, your camera will not like it. Basically all you need to do is not openly expose your camera from one condition (cold and dry air outside) the other (warm and humid air) at once. If you simply pack your camera into your bag before heading inside and then let it warm up inside the bag without opening it the camera should be fine. By keeping it in the bag the temperature and air conditions change slower and more gradually, so it shouldn't damage the camera. I usually pack my camera into my camera bag, then head inside and at home I'll not take my camera out for at least an hour, but I usually just go about the rest of my day and take it out many hours later or even on the next day.

@@teocrawford Ok got it, thank you so much!

Champ Camera ;)

Appreciate it!

I want it when it’s ready 😛

It's the STB that you can get from Innsbruck main station :)

you need to just take your camera with you places. go for a walk, bring the camera. go for a vacation, bring the camera. go walk around the busiest area in your city, bring your camera. Think of it like working out; nobody WANTS to get up and go to the gym, but once you're there, it's much easier to finish the routine, and you probably feel great afterwards, and are glad you did it. Once you have a routine, and it's just what you do, it's easier. You're a photographer, you take photos, it's just what you do. Now get out there, and just do.

tnq.. brother