Still on late Saturday after midnight 90.5 FM where I live. As an experimental musician myself since the 70's it's nice to know the audience is still extant 🌛
Very good ambient music...I love progressive electronics madly. Chuck Van Zyl is meanwhile a common name for many. Deserved! These guys were creating a new style/genre and they did it so well. This period was so advanced & ahead of time. How could a whole genre be so invisible to the market? Because it was TOO GOOD. But today we are happy getting in touch with all these composers. Because we found out how special this music was...and still is! Thanks for posting such rare gemstones! 😊🎉😂
yeah I agree I'm on the doubt to use it but I wish I could use this song in my indie game and full credit the original artist/composer, it deserve to be heard but I'm kinda scared of licensing issue
@@Soroosh.S83 Maybe ask the artists directly. The most of the ambient composers are very generous & are allowing the use of their songs. I had friends that were getting in contact...one even was doing the light show for one of this bands. Others gave tracks freely even. In case they are dead it's another case. Then we must find out who is the copyright holder. Some are helpful,others are not amused. Even that can change. If it's important to you,just try it out. Worst can happen is that they say no. Then you lose nothing...just a little time. Good luck anyway with your game project!🧔🏼😎✌️
@@powerplantplanetuniverse5945 Actually There is a issue with contacting old artists as you can see this music came in 1987 and this person is pretty underrated it's hard to find the person who made it, that's the issue
@@Soroosh.S83 That's also a good point,indeed! A big problem. Some are living as far apart of the city as possible. Klaus Schulze was such a case. But he opened even more the doors for interested listeners. Chuck Van Zyl is a special case I think. But he made cooperations with other musicians. Maybe they know more about how to reach him or can leave a message from you.
@@Soroosh.S83 Same with the Nightcrawlers. Completely overseen also by the shops...as they shifted to sell CD's many stopped selling cassettes. But that's where Berlin School & Ambient & progressive Electronics artists we're going to, because just very view recording studios were interested in them. And when they did it in home studios...many of them did so,and they thought it's just an odd hobby doing such music. And simply forgot them because it was not big selling quantities I guess. I'm angry too that that genre was treated so embarrassing by them,no question!🧔🏼😎🤦🏼♂️
I just bought an ASM Hydrasynth Deluxe. And these soundscapes sound like something I have been doing all weekend…well, except when I’m napping. I can’t do much when I’m napping…
i know Chuck goes a back a long way, but didn't know it was all back to 1976. Very nice tracks, that wrap around you with their various electronic techniques. Very good mixing and recording! Never had a roady myself, or as Chuck names it: a set up break down guy. All personal sweat and broken backs. But it was all worth it, and very special times. Thank you for posting this!
If you mean where I get these from, some are personal collections (physical tapes + stuff I've bought off bandcamp (which doesn't reaallly count but still)), some things I've just found by spending enough time looking through music blogs and labels. If you're looking for more stuff like this, I'd really recommend just picking an artist and listening to all of their works + trying to find any other people/groups/labels they were associated with, it's a great way to start branching out and getting an idea of what sounds you like the most :)
